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Materials & Techniques pens

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 18th century-19th century

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1. Form Open Column in Rear of Right

Form Open Column in Rear of Right
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash and white gouache on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 3 7/8 × 5 7/8 inches (9.8 × 15 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Dismounted Cavalry

Dismounted Cavalry
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 7/8 × 5 7/8 inches (9.8 × 15 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Caricature Self-Portrait

Caricature Self-Portrait
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and brown ink and red chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 5/8 × 5 3/8 inches (21.9 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Allegory of Napoleonic Battles

Allegory of Napoleonic Battles
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/8 x 5in. (7.9 x 12.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Allegory of Drawing

Allegory of Drawing
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 1/4 x 4 3/4in. (8.3 x 12.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Needles, Isle of Wight

The Needles, Isle of Wight
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 x 8 1/8in. (13 x 20.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Ryde, Isle of Wight

Ryde, Isle of Wight
Creator:
Frederick Calvert, ca. 1785–ca. 1845
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 5 1/4 × 8 1/4 inches (13.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)

February 1st: Amy Fear Me Not (Vol. 1, p. 81)February 2nd: [Tressilian] Drew His Sword as He Spoke (Vol. 1, P. 89)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink and pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)

May 1st: No Man Lives That Looks on Him (Vol. 1, p. 255)May 2nd: He Found Only Two Gentlemen (Vol. 2, p. 23)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)

March 1st: Listening to the Prattle of Her Attendant (Vol. 1, p. 127)March 2nd: I Will Sit on This Footstool at Thy Feet (Vol. 1, p. 148)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)

November 1st: Where is My Lord of Leicester (Vol. 3, p. 164)November 2nd: Die a Liar as They Hast Lived (Vol. 3, p. 282)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)

June 1st: There Is Nothing to Be Feared (Vol. 2, p. 83)June 2nd: [Laid if] on the [Very] Spot (Vol. 2, p. 48)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/4 inches (9.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)

April 1st: It is I your Host (Vol. 1, p. 199)April 2nd: There is a Marsh [Hard] By (Vol. 1, p. 257)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 7/8 × 4 1/2 inches (9.8 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)

August 1st: She Wrote Her Own Line (Vol. 2, p. 141)August 2nd: Amen! [Pretty] Janet (Vol. 2, p. 286)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brown ink, and pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)

October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot Advanced (Vol. 3, p. 156)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)

December 1st: The Mangled and Yet Warm Remains (Vol. 3, p. 343)December 2nd: Had There Perished Miserably (Vol. 3, p. 345)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and brow ink on thin, smooth, cream wove paper
Dimensions:
Sheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Back of Naked Figure

Back of Naked Figure
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/8 × 1 1/8 inches (5.4 × 2.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)

Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Frieze of a Medieval Wedding

Frieze of a Medieval Wedding
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash, graphite, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 3/8 × 9 1/8 inches (8.6 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Shepherd, Shepherdess and Dog

Shepherd, Shepherdess and Dog
Creator:
Michel Vincent Brandoin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 3 7/8 inches (13 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Tree Study

Tree Study
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 8 1/2 inches (17.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Illustration to the Virtuous Orphan

Illustration to the Virtuous Orphan
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 4 5/8 × 2 7/8 inches (11.7 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Relief Design for a Silver Salt Cellar

Relief Design for a Silver Salt Cellar
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 8 3/8 inches (11.4 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Impost and Base of Columns, St Stephen's Chapel

Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Details of Imposts and Bases of Columns, St Stephen's Chapel

Details of Imposts and Bases of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:
Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Half the Plan of Ceiling, St Stephen's Chapel

Half the Plan of Ceiling, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Impost moldings, St Stephen's Chapel

Impost moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Front and Profile of the Work under the Window Sills, St Stephen's Chapel

Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 20 1/4 inches (37.5 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Two Mares with their Foals

Two Mares with their Foals
Creator:
Sawrey Gilpin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and black ink over graphite with brown wash
Dimensions:
Sheet: 3 9/16 × 9 1/8 inches (9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Summer

Summer
Creator:
Richard Corbould, 1757–1831
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 7/8 × 5 1/8 inches (17.5 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Shipping in the Mediterranean

Shipping in the Mediterranean
Creator:
Robert Cleveley, 1747–1809
Date:
undated
Materials & Techniques:
Watercolor, graphite, and pen and black ink on medium, moderately textured, beige wove paper mounted to medium, moderately textured, beige wove paper
Dimensions:
Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Shipping and Warehouses

Shipping and Warehouses
Creator:
Robert Cleveley, 1747–1809
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 9 1/2 inches (14.9 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Cavalry Exercising

Cavalry Exercising
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 5 3/8 x 7 1/2in. (13.7 x 19.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Observers on a Hill Overlooking the Sea

Observers on a Hill Overlooking the Sea
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash on medium, moderately textured, gray wove paper
Dimensions:
Sheet: 3 3/8 × 4 7/8 inches (8.6 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Constructing a Fort

Constructing a Fort
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:
Sheet: 3 1/8 × 4 1/4 inches (7.9 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Medieval Figures in a Crypt

Medieval Figures in a Crypt
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 4 1/4 × 6 inches (10.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Footbridge over Hilly Stream

Footbridge over Hilly Stream
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 5 7/8 inches (20 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Constructing a Fort

Constructing a Fort
Creator:
James Pattison Cockburn, 1779–1847
Date:
undated
Materials & Techniques:
Brown wash with pen and brown ink on medium, moderately textured, gray wove paper
Dimensions:
Sheet: 3 1/2 × 4 7/8 inches (8.9 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. A Sailor and His Family

A Sailor and His Family
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 4 1/2 inches (14.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Figures Hauling a Boat

Figures Hauling a Boat
Creator:
George Chinnery, 1774–1852
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 6 3/4 inches (10.2 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Study for the Portrait of a Major General, possibly Arthur Wellesley, later 1st Duke of Wellington

Study for the Portrait of a Major General, possibly Arthur Wellesley, later 1st Duke of Wellington
Creator:
George Chinnery, 1774–1852
Date:
between 1802 and 1810
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 4 3/8 inches (17.5 × 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Embarking on the Ferry

Embarking on the Ferry
Creator:
Isaac Cruikshank, 1764–1811
Date:
undated
Materials & Techniques:
Gray wash, brown wash, graphite, pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/8 × 6 5/8 inches (20.6 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection