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101. Designs for Illustrations to Beethoven's Works

Designs for Illustrations to Beethoven's Works
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 9 1/4 inches (18.1 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

102. Heavenly Orchestra

Heavenly Orchestra
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink, brown wash, and gray wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 10 5/8 inches (21.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

103. Fools Planting a Tree

Fools Planting a Tree
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, and brown wash on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 3 3/4 × 3 7/8 inches (9.5 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

104. Allegory of Painting and Literature

Allegory of Painting and Literature
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 7 inches (21 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

105. Pastoral

Pastoral
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, rough, cream laid paper
Dimensions:
Sheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

106. Erato and Pan

Erato and Pan
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 3 3/4 × 4 7/8 inches (9.5 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

107. Six Studies of Mother and Daughter Playing

Six Studies of Mother and Daughter Playing
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 7 1/8 × 10 1/4 inches (18.1 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

108. Gross Study for St. Paul at Ephesus

Gross Study for St. Paul at Ephesus
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 13 inches (21.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

109. The Arts

The Arts
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 7/8 × 5 5/8 inches (9.8 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

110. Study for the Kneeling Figure of Priscilla

Study for the Kneeling Figure of Priscilla
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 6 1/4 inches (21.6 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

111. Study for the Figure of Grammateus

Study for the Figure of Grammateus
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/4 × 3 1/8 inches (13.3 × 7.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

112. Study for the Figures of Demitrius and Two Workmen

Study for the Figures of Demitrius and Two Workmen
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, brown chalk and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 5/8 × 10 5/8 inches (24.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

113. Theatrical Scene

Theatrical Scene
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 4 3/8 × 6 inches (11.1 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

114. Study for the Figure of St. Paul

Study for the Figure of St. Paul
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, pen and black ink and gray wash on medium, moderately textured, gray wove paper
Dimensions:
Sheet: 11 × 8 1/8 inches (27.9 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

115. Love Vindicated (L'Amour Vinqe')

Love Vindicated (L'Amour Vinqe')
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash and watercolor on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 6 × 8 7/8 inches (15.2 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

116. Mother and Children Seated on Cloud

Mother and Children Seated on Cloud
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 6 3/4 inches (11.4 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

117. Wedding of a God

Wedding of a God
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/4 inches (16.8 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Abel Cary Thomas, B.A. 1905

118. Putting Arms in Hands of the Indians

Putting Arms in Hands of the Indians
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

119. Apollo and Phaeton

Apollo and Phaeton
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, gray wash and pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/4 × 12 1/4 inches (21 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

120. Putting Arms in the Hands of the Indians

Putting Arms in the Hands of the Indians
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 1/8 × 9 1/2 inches (15.6 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

121. Venus and Cupid

Venus and Cupid
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, brown wash and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 7/8 × 4 7/8 inches (14.9 × 12.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

122. Putting Arms in the Hands of Indians

Putting Arms in the Hands of Indians
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 6 3/4 × 8 3/4 inches (17.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

123. Pamphilia

Pamphilia
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and brown wash on medium, slightly textured, cream wove paper mounted to card
Dimensions:
Sheet: 2 3/4 × 3 1/2 inches (7 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

124. Pamphilia

Pamphilia
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 7 1/4 inches (15.6 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

125. Bacchanalia

Bacchanalia
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/8 × 9 1/8 inches (21.9 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

126. Vulcan and The Gods and Goddesses

Vulcan and The Gods and Goddesses
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/8 × 6 1/4 inches (13 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

127. Design for Commemorative Medallion for Simon Bolivar

Design for Commemorative Medallion for Simon Bolivar
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 3 1/2 inches (9.2 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

128. Bacchanalia

Bacchanalia
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 5/8 × 5 1/2 inches (11.7 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

129. Female Figure carrying Water Jug on her Head

Female Figure carrying Water Jug on her Head
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 × 5 3/4 inches (22.9 × 14.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

130. Design for Monument to Dyde and Scribe

Design for Monument to Dyde and Scribe
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, and brown wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 7/8 × 5 1/8 inches (12.4 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

131. Study of Ancient Roman Millstone (?)

Study of Ancient Roman Millstone (?)
Creator:
Edward Francis Burney, 1760–1848
Date:
1827
Materials & Techniques:
Watercolor, pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 3/4 × 7 5/8 inches (29.8 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

132. Letter with Designs for Signets (?)

Letter with Designs for Signets (?)
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 3 5/8 × 7 1/4 inches (9.2 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

133. Cobham Hall, Kent: Ceiling of Vestibule

Cobham Hall, Kent: Ceiling of Vestibule
Creator:
James Wyatt, 1746–1813
Date:
ca. 1790
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 × 22 1/4 inches (35.6 × 56.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

134. Hannah Snell - From the Life (in Male Dress)

Hannah Snell - From the Life (in Male Dress)
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

135. Shepherd, Shepherdess and Dog

Shepherd, Shepherdess and Dog
Creator:
Michel Vincent Brandoin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 3 7/8 inches (13 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

136. Feeding Ducks

Feeding Ducks
Creator:
Peter Casteels, 1684–1749
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

137. Tree Study

Tree Study
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 × 8 1/2 inches (17.8 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

138. Mountain Landscape: with cows and goats foreground and figures, left

Mountain Landscape: with cows and goats foreground and figures, left
Creator:
Peter La Cave, active 1769–1810
Date:
1801
Materials & Techniques:
Watercolor, pen and black ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

139. Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
Creator:
Peter La Cave, active 1769–1810
Date:
1799
Materials & Techniques:
Watercolor, pen and black ink on medium, slightly textured, wove paper
Dimensions:
Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

140. Illustration to the Virtuous Orphan

Illustration to the Virtuous Orphan
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, slightly textured cream laid paper
Dimensions:
Sheet: 4 5/8 × 2 7/8 inches (11.7 × 7.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

141. Landscape at Ambleside

Landscape at Ambleside
Creator:
Thomas Sunderland, 1744–1828
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and brown ink, blue wash, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 x 17 13/16in. (33 x 45.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

142. Figure studies

Figure studies
Creator:
Thomas Carwitham, active 1723
Date:
1723
Materials & Techniques:
Pen and brown ink and brown wash on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 x 12 7/8in. (22.9 x 32.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

143. Relief Design for a Silver Salt Cellar

Relief Design for a Silver Salt Cellar
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 8 3/8 inches (11.4 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

144. Standing Male Nude

Standing Male Nude
Creator:
Henry Scott Tuke, 1858–1929
Date:
undated
Materials & Techniques:
Pen and brown ink on medium, smooth, beige wove paper
Dimensions:
Sheet: 6 7/8 x 4 inches (17.5 x 10.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

145. Spanish Ice Vendor

Spanish Ice Vendor
Creator:
Sir Muirhead Bone, 1876–1953
Date:
undated
Materials & Techniques:
Pen and black ink and watercolor on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 3/8 x 3 1/4 inches (13.6 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

146. A House of Assembly, Quebec: Elevation

A House of Assembly, Quebec: Elevation
Creator:
Studio of Sir Jeffry Wyatville, 1766–1840
Date:
ca. 1812
Materials & Techniques:
Watercolor, pen and black ink on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 12 13/16 × 17 7/8 inches (32.5 × 45.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

147. Final Instructions

Final Instructions
Creator:
Philip William May, 1864–1903
Date:
undated
Materials & Techniques:
Pen and black ink
Dimensions:
Sheet: 5 1/2 × 6 1/2 inches (14 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

148. Famine in India

Famine in India
Creator:
William Simpson, 1823–1899
Date:
1866
Materials & Techniques:
Brown wash and pen and brown ink on very thin, smooth cream wove paper
Dimensions:
Sheet: 9 9/16 × 13 7/16 inches (24.3 × 34.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul F. Walter

149. Studies from the Bust of Samuel Johnson

Studies from the Bust of Samuel Johnson
Creator:
John Thomas Smith, 1766–1833
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 5 5/8 × 4 1/2 inches (14.3 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Bindman and Frances Carey in Memory of Diana Vincent-Daviss

150. Interior View of the Great Chaitya Hall at Karla

Interior View of the Great Chaitya Hall at Karla
Creator:
Gangaram Chintaman Navgire Tambat, active 1790s
Date:
1793
Materials & Techniques:
Gray wash, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/4 × 11 1/8 inches (38.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

151. Salome on Settle, The Conductor

Salome on Settle, The Conductor
Creator:
Aubrey Vincent Beardsley, 1872–1898
Date:
between 1892 and 1898
Materials & Techniques:
Pen and ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 x 4 3/8 in. (12.7 x 11.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

152. Study for Nelson Sealing the Copenhagen Letter

Study for Nelson Sealing the Copenhagen Letter
Creator:
Commenced by Sir David Wilkie, 1785–1841
Date:
ca. 1835
Materials & Techniques:
Pen and brown ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 2 3/4 × 5 1/4 inches (7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, John F. O'Brien Fund

153. The Wall at Ashton Gifford (II)

The Wall at Ashton Gifford (II)
Creator:
Keith Vaughan, 1912–1977
Date:
1944
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 x 11 1/2 inches (22.9 x 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the Libra Foundation, from the family of Nicholas and Susan Pritzker

154. A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge

A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
Creator:
unknown artist
Date:
printed 1740, drawn ca. 1760
Materials & Techniques:
Line engraving marked with pen and black ink, blue wash, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 15/16 × 28 3/4 inches (53.2 × 73 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

155. Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel

Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 × 25 3/8 inches (26.5 × 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

156. Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster

Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
Creator:
John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 6 inches (36.8 × 15.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

157. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/4 × 6 3/8 inches (21 × 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

158. Impost and Base of Columns, St Stephen's Chapel

Impost and Base of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 4 3/16 inches (18.4 × 10.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

159. Details of Imposts and Bases of Columns, St Stephen's Chapel

Details of Imposts and Bases of Columns, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/16 × 4 1/8 inches (15.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

160. Plan of Moldings, St Stephen's Chapel

Plan of Moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on slightly textured, moderately thick, white laid paper with flier attached
Dimensions:
Sheet: 8 1/8 × 7 1/8 inches (20.6 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

161. Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West

Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 1/2 × 9 5/8 inches (36.8 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

162. Half the Plan of Ceiling, St Stephen's Chapel

Half the Plan of Ceiling, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/16 × 3 1/4 inches (15.4 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

163. Impost moldings, St Stephen's Chapel

Impost moldings, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, smooth, cream wove paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

164. Front and Profile of the Work under the Window Sills, St Stephen's Chapel

Front and Profile of the Work under the Window Sills, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1790 and 1802
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 × 20 1/4 inches (37.5 × 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

165. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 inches (15.6 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

166. Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel

Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1780
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 5 5/8 inches (17.5 × 14.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

167. Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel

Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1781
Materials & Techniques:
Graphite and pen and black and brown ink on three sheets of slightly textured, moderately thick, white laid paper pasted together
Dimensions:
Sheet: 14 5/8 × 8 3/4 inches (37.1 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

168. View through the South East Window of the Crypt beneath St Stephen's, Westminster

View through the South East Window of the Crypt beneath St Stephen's, Westminster
Creator:
George Johann Scharf, 1788–1860
Date:
1852
Materials & Techniques:
Graphite, gray watercolor and pen and black ink on Smooth, moderately thick, cream wove paper
Dimensions:
Sheet: 13 × 10 7/8 inches (33 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

169. Grave of the Supposed William Lyndewode

Grave of the Supposed William Lyndewode
Creator:
unknown artist
Date:
1852
Materials & Techniques:
Graphite, gray pen and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 × 7 5/16 inches (22.9 × 18.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

170. Entrance to the House of Lords

Entrance to the House of Lords
Creator:
Attributed to William Capon, 1757–1827
Date:
1796
Materials & Techniques:
Graphite, pen and black and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 8 × 6 7/8 inches (20.3 × 17.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

171. Parts in Stone Underhouse of Lords

Parts in Stone Underhouse of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 3/8 × 5 1/4 inches (18.7 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

172. View in Basement Story under House of Lords

View in Basement Story under House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/2 × 10 5/8 inches (36.8 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

173. Plan of the Basement Story under the House of Lords

Plan of the Basement Story under the House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 7/8 × 6 5/16 inches (20 × 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

174. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 3/16 × 12 1/2 inches (25.9 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

175. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, black and brown pen, and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 13/16 × 12 5/8 inches (24.9 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

176. Part of the Construction in the Old House of Lords

Part of the Construction in the Old House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1823
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 13 1/2 × 10 1/8 inches (34.3 × 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

177. Elevation of the Basement Story, House of Lords

Elevation of the Basement Story, House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 1/2 inches (36.2 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

178. Peers' Entrance

Peers' Entrance
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and pen and black ink on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 8 3/8 × 13 inches (21.3 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

179. Survey view of a lobby, Palace of Westminster

Survey view of a lobby, Palace of Westminster
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Pen and black ink on smooth, thin, brown wove paper
Dimensions:
Sheet: 10 1/8 × 8 11/16 inches (25.7 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

180. Plan of the Ground Floor, House of Lords

Plan of the Ground Floor, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink, watercolor, graphite on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 20 1/8 × 20 1/8 inches (51.1 × 51.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

181. Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords

Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
ca. 1794
Materials & Techniques:
Graphite, pen and black ink, watercolor on moderately textured, moderately thick, beige wove paper
Dimensions:
Sheet: 19 5/8 × 16 1/8 inches (49.8 × 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

182. Plan of the Upper Floor of Lord Committee Rooms

Plan of the Upper Floor of Lord Committee Rooms
Creator:
Attributed to office of Sir John Soane, 1753–1837
Date:
1835
Materials & Techniques:
Pen and black ink and watercolor on moderately textured, moderately thick, white wove paper
Dimensions:
Sheet: 9 3/4 × 14 1/4 inches (24.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

183. Plan of Painted Chamber

Plan of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 × 5 9/16 inches (15.9 × 14.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

184. Palace at Westminster

Palace at Westminster
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 6 × 3 1/2 inches (15.2 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

185. Side Window, North, Painted Chamber

Side Window, North, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and ink on medium, slightly textured, white laid paper
Dimensions:
Sheet: 6 7/8 × 7 3/4 inches (17.5 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

186. North Side, Painted Chamber

North Side, Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 × 14 3/8 inches (22.9 × 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

187. Door on South Side of Painted Chamber

Door on South Side of Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Graphite and pen and black ink on medium, slightly textured, white wove paper
Dimensions:
Sheet: 9 3/4 × 6 5/8 inches (24.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

188. Paintings on the Wall by H in Plan

Paintings on the Wall by H in Plan
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1793 and 1799
Materials & Techniques:
Pen and black ink and graphite on medium, slightly textured, white laid paper
Dimensions:
Sheet: 7 5/8 × 12 1/2 inches (19.4 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

189. Plan and View of Room under the Painted Chamber

Plan and View of Room under the Painted Chamber
Creator:
George Birch, 1842–1904
Date:
1827
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 10 13/16 × 8 3/16 inches (27.5 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

190. Princes Chamber, East Side with the Old House of Lords

Princes Chamber, East Side with the Old House of Lords
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/8 × 7 3/8 inches (18.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

191. Door near Painted Chamber

Door near Painted Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slighthly textured, moderately thick, white wove paper
Dimensions:
Sheet: 5 1/2 × 4 3/4 inches (14 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

192. Plan of Princes Chamber, One Pair

Plan of Princes Chamber, One Pair
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 1/4 × 3 1/2 inches (15.9 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

193. Princes Chamber

Princes Chamber
Creator:
Attributed to John Carter, 1748–1817
Date:
between 1800 and 1807
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 7 3/4 × 3 1/4 inches (19.7 × 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

194. Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard

Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white wove paper
Dimensions:
Sheet: 10 1/2 × 9 3/8 inches (26.7 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

195. Ceiling of Front Parlor House in Old Palace Yard

Ceiling of Front Parlor House in Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, and brown wash on smooth, medium, white laid paper
Dimensions:
Sheet: 12 1/4 × 10 3/8 inches (31.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

196. Decoration between Windows of Parlor, No. 3 Old Palace Yard

Decoration between Windows of Parlor, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, brown wash, and pink wash on slightly textured, moderately thick, white wove paper
Dimensions:
Sheet: 12 13/16 × 9 9/16 inches (32.5 × 24.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

197. Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard

Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard
Creator:
Charles James Richardson, 1806–1871
Date:
1871
Materials & Techniques:
Graphite, pen and black ink, brown wash, and pink wash on smooth, medium, white wove paper
Dimensions:
Sheet: 11 5/8 × 10 3/16 inches (29.5 × 25.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

198. Henry VII Chapel, Westminster Abbey

Henry VII Chapel, Westminster Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, brown ink, and watercolor on smooth, medium, white wove paper
Dimensions:
Sheet: 19 1/4 × 26 3/4 inches (48.9 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

199. Seats in Henry VII Chapel, Westminster Abbey

Seats in Henry VII Chapel, Westminster Abbey
Creator:
Attributed to John Carter, 1748–1817
Date:
ca. 1793
Materials & Techniques:
Graphite and pen and black ink on slightley textured, medium, white laid paper
Dimensions:
Sheet: 14 1/2 × 10 3/8 inches (36.8 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

200. Continuation of the Preceeding Ornaments

Continuation of the Preceeding Ornaments
Creator:
Attributed to John Carter, 1748–1817
Date:
1793
Materials & Techniques:
Graphite and pen and black ink on slightly textured, medium, white laid paper
Dimensions:
Sheet: 6 3/4 × 9 3/8 inches (17.1 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection