Study for the Figures of Demitrius and Two Workmen
undated
113
Edward Francis Burney, 1760–1848
Theatrical Scene
undated
114
Edward Francis Burney, 1760–1848
Study for the Figure of St. Paul
undated
115
Edward Francis Burney, 1760–1848
Love Vindicated (L'Amour Vinqe')
undated
116
Edward Francis Burney, 1760–1848
Mother and Children Seated on Cloud
undated
117
Edward Francis Burney, 1760–1848
Wedding of a God
undated
118
Edward Francis Burney, 1760–1848
Putting Arms in Hands of the Indians
undated
119
Edward Francis Burney, 1760–1848
Apollo and Phaeton
undated
120
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of the Indians
undated
121
Edward Francis Burney, 1760–1848
Venus and Cupid
undated
122
Edward Francis Burney, 1760–1848
Putting Arms in the Hands of Indians
undated
123
Edward Francis Burney, 1760–1848
Pamphilia
undated
124
Edward Francis Burney, 1760–1848
Pamphilia
undated
125
Edward Francis Burney, 1760–1848
Bacchanalia
undated
126
Edward Francis Burney, 1760–1848
Vulcan and The Gods and Goddesses
undated
127
Edward Francis Burney, 1760–1848
Design for Commemorative Medallion for Simon Bolivar
undated
128
Edward Francis Burney, 1760–1848
Bacchanalia
undated
129
Edward Francis Burney, 1760–1848
Female Figure carrying Water Jug on her Head
undated
130
Edward Francis Burney, 1760–1848
Design for Monument to Dyde and Scribe
undated
131
Edward Francis Burney, 1760–1848
Study of Ancient Roman Millstone (?)
1827
132
Edward Francis Burney, 1760–1848
Letter with Designs for Signets (?)
undated
133
James Wyatt, 1746–1813
Cobham Hall, Kent: Ceiling of Vestibule
ca. 1790
134
Louis Philippe Boitard, active 1734–1760
Hannah Snell - From the Life (in Male Dress)
undated
135
Michel Vincent Brandoin, 1733–1807
Shepherd, Shepherdess and Dog
undated
136
Peter Casteels, 1684–1749
Feeding Ducks
undated
137
Thomas Stothard, 1755–1834
Tree Study
undated
138
Peter La Cave, active 1769–1810
Mountain Landscape: with cows and goats foreground and figures, left
1801
139
Peter La Cave, active 1769–1810
Composition: two travellers and a dog on a road passing cottages, with ruins on a hill
1799
140
Thomas Stothard, 1755–1834
Illustration to the Virtuous Orphan
undated
141
Thomas Sunderland, 1744–1828
Landscape at Ambleside
ca. 1800
142
Thomas Carwitham, active 1723
Figure studies
1723
143
Thomas Stothard, 1755–1834
Relief Design for a Silver Salt Cellar
undated
144
Henry Scott Tuke, 1858–1929
Standing Male Nude
undated
145
Sir Muirhead Bone, 1876–1953
Spanish Ice Vendor
undated
146
Studio of Sir Jeffry Wyatville, 1766–1840
A House of Assembly, Quebec: Elevation
ca. 1812
147
Philip William May, 1864–1903
Final Instructions
undated
148
William Simpson, 1823–1899
Famine in India
1866
149
John Thomas Smith, 1766–1833
Studies from the Bust of Samuel Johnson
undated
150
Gangaram Chintaman Navgire Tambat, active 1790s
Interior View of the Great Chaitya Hall at Karla
1793
151
Aubrey Vincent Beardsley, 1872–1898
Salome on Settle, The Conductor
between 1892 and 1898
152
Commenced by Sir David Wilkie, 1785–1841
Study for Nelson Sealing the Copenhagen Letter
ca. 1835
153
Keith Vaughan, 1912–1977
The Wall at Ashton Gifford (II)
1944
154
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
155
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
156
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
157
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
158
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
159
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
160
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
161
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
162
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
163
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
164
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
165
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
166
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
167
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
168
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
169
unknown artist
Grave of the Supposed William Lyndewode
1852
170
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
171
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
172
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
173
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
174
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
175
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
176
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
177
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
178
unknown artist
Peers' Entrance
undated
179
unknown artist
Survey view of a lobby, Palace of Westminster
undated
180
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
181
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
182
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
183
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
184
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
185
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
186
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
187
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
188
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
189
George Birch, 1842–1904
Plan and View of Room under the Painted Chamber
1827
190
Attributed to John Carter, 1748–1817
Princes Chamber, East Side with the Old House of Lords
between 1800 and 1807
191
Attributed to John Carter, 1748–1817
Door near Painted Chamber
between 1800 and 1807
192
Attributed to John Carter, 1748–1817
Plan of Princes Chamber, One Pair
between 1800 and 1807
193
Attributed to John Carter, 1748–1817
Princes Chamber
between 1800 and 1807
194
Charles James Richardson, 1806–1871
Corbel and Center Ornament, Ceiling of Boudoir, No. 3 Old Palace Yard
1871
195
Charles James Richardson, 1806–1871
Ceiling of Front Parlor House in Old Palace Yard
1871
196
Charles James Richardson, 1806–1871
Decoration between Windows of Parlor, No. 3 Old Palace Yard
1871
197
Charles James Richardson, 1806–1871
Center Flower, and Cornice, Ceiling of Front Parlour, No. 3 Old Palace Yard