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Fifty Etchings
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Portfolio of 50 etchings on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. XIII

XIII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Sugarlift etching, openbite, scraping and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. VII

VII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching and aquatint with crayon resist, openbite, hardground and various stages of burnishing and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. XV

XV
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Softground etching with hardground, openbite, burnishing and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. XLII

XLII
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Openbite etching, creeping aquatint bite, and polishing back on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

6. XXXIX

XXXIX
Creator:
Sir Christopher Le Brun, born 1951
Date:
1990
Materials & Techniques:
Hardground etching, aquatint, openbite, drypoint scraping, burnishing, and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:
Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
British, Cabinetmaker's frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Artist's frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Mahogony, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 17th century cabinetmaker's frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Oak, parcel gilt and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Tudor frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood, stained, polished and patinated as faux-tortoiseshell
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque moulding frame
Creator:
Paul Mitchell Limited
Date:
4th quarter of 20th century
Materials & Techniques:
Fruitwood, stained, polished and patinated
Dimensions:
Frame: 56 × 46 × 2 1/4 inches (142.2 × 116.8 × 5.7 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Cabinetmaker's frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Oak and veneered walnut, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Cabinetmaker's frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Oak, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Cabinetmaker's frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Oak, stained and polished; gilt sight edge
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque cabinetmaker's frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Carved and moulded wood, water gilt and patinated; stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical style frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Wood, canvas slip, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Artist's frame
Creator:
unknown framemaker
Date:
mid-20th century
Materials & Techniques:
Wood, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Artist's frame
Creator:
unknown framemaker
Date:
mid-20th century
Materials & Techniques:
Oak, stained, polished; painted inlay
Collection:
Frames
Credit Line:
Yale Center for British Art
Netherlandish, Tudor-Stuart frame
Creator:
unknown framemaker
Date:
20th century
Materials & Techniques:
Oak, walnut, lightly stained, polished and patinated with water gilt outer moulding
Collection:
Frames
Credit Line:
Yale Center for British Art
British artist's frame
Creator:
unknown framemaker
Date:
late 19th century
Materials & Techniques:
Wood, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Scotia moulding frame
Creator:
unknown framemaker
Date:
mid-20th century
Materials & Techniques:
Wood; canvas, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), cushion moulding frame
Creator:
unknown framemaker
Date:
late 20th century
Materials & Techniques:
Oak, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), cushion moulding frame
Creator:
unknown framemaker
Date:
late 20th century
Materials & Techniques:
Oak, stained and polished
Collection:
Frames
Credit Line:
Yale Center for British Art