An Allegory of America Carrying the Cap of Liberty
undated
205
Sir Edwin Henry Landseer, 1802–1873
Huntsman with Hounds
undated
206
James Seymour, 1702–1752
A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
undated
207
James Ward, 1769–1859
Head of a Tiger
undated
208
Henry Thomas Alken, 1785–1851
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
209
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
210
Henry Thomas Alken, 1785–1851
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
211
unknown artist
Study of a Lion, Resting
undated
212
James Ward, 1769–1859
A Young Boy with Dogs
ca. 1798
213
unknown artist
Head of an Eagle, Facing Left
undated
214
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
215
Hablot Knight Browne, 1815–1882
The Shyer suddenly Departs but not in Peace
undated
216
David Cox, 1783–1859
Hay Wagon and Horses
undated
217
Henry Thomas Alken, 1785–1851
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
218
Henry Thomas Alken, 1785–1851
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
219
Henry Thomas Alken, 1785–1851
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
220
Henry Thomas Alken, 1785–1851
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
221
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
222
Henry Thomas Alken, 1785–1851
A Charging Mameluke Firing a Pistol
ca. 1823
223
Henry Thomas Alken, 1785–1851
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
224
Henry Thomas Alken, 1785–1851
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
225
Henry Thomas Alken, 1785–1851
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
226
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
227
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
228
Henry Thomas Alken, 1785–1851
Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
between 1818 and 1822
229
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
230
Henry Thomas Alken, 1785–1851
Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
between 1818 and 1822
231
Henry Thomas Alken, 1785–1851
Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
between 1818 and 1822
232
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
233
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
234
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
235
Henry Thomas Alken, 1785–1851
Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
between 1809 and 1823
236
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
237
James Seymour, 1702–1752
Horse, With Rider Lightly Sketched, Walking to Left
undated
238
James Seymour, 1702–1752
Coursing - After the Kill
undated
239
Jan Wyck, ca. 1645–1700
Hare Hunting: The Kill
undated
240
James Seymour, 1702–1752
A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
undated
241
Attributed to Augustin Heckel, 1690–1770
Album of Fifty-five Ornamental Designs
undated
242
George Lambert, 1700–1765
A Young Man Asleep
undated
243
David Cox, 1783–1859
Fishing off Hastings
early 1810s
244
David Cox, 1783–1859
Panorama Old London Bridge
1820s
245
Jonathan Richardson the Elder, 1667–1745
Jonathan Richardson, Jr
undated
246
Michael Dahl, 1656–1743
Portrait of a Gentleman (Mr. Plumer or Plumiere)
undated
247
David Allan, 1744–1796
Study for the Portrait of William Inglis
ca. 1787
248
John Robert Cozens, 1752–1797
Ariccia
ca. 1783
249
John Downman, 1750–1824
Portrait of a Lady, Facing Front
undated
250
John Downman, 1750–1824
Portrait of a Lady, Facing Left
undated
251
John Downman, 1750–1824
Miss Nott
1789
252
unknown artist
Portrait of a Young Woman
between 1680 and 1685
253
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
254
Attributed to Augustin Heckel, 1690–1770
A Grotesque Mask
undated
255
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
256
Attributed to Augustin Heckel, 1690–1770
Sketches of Figures
undated
257
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
258
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
259
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Figures Holding Hands
undated
260
Attributed to Augustin Heckel, 1690–1770
Bacchus & Ariadne; Design for a Gold Box
ca. 1730
261
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
262
Attributed to Augustin Heckel, 1690–1770
A Grotesque
undated
263
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
264
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche of Cupid and Diana
undated
265
Alfred Stevens, 1817–1875
Study for the Portrait of Mr. Coleman: seated facing front, left hand on hip, right arm on table
undated
266
Alfred Stevens, 1817–1875
Design for a Coat of Arms
undated
267
Alfred Stevens, 1817–1875
Study of three figures in Movement
undated
268
unknown artist
The Coast of Sussex from the Downs
undated
269
David Cox, 1783–1859
Llanfair Church, North Wales for A Treatise on Landscape Painting and Effect in Water Colours
ca. 1813
270
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
271
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
272
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
273
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putti
undated
274
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche
undated
275
Attributed to Augustin Heckel, 1690–1770
Two Columns with a Head of a Woman and a Grotesque Head
undated
276
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Putto
undated
277
circle of John Sell Cotman, 1782–1842
Fishing Vessel off Yarmouth
1835
278
John Robert Cozens, 1752–1797
Naples from Sir William Hamilton's Villa, Portici
ca. 1783
279
Attributed to Augustin Heckel, 1690–1770
Design for a Cartouche with Mythological Figures
undated
280
Alfred Stevens, 1817–1875
Study for Massacre of the Innocents
undated
281
Giles Hussey, 1710–1788
Album of 36 Drawings Selected by Benjamin West, P.R.A
between 1730 and 1768
282
Marcellus Laroon the Younger, 1679–1772
A Youth Carrying a Basket
undated
283
John Robert Cozens, 1752–1797
Isola Borromea, Lago Maggiore
ca. 1783
284
Frederick Sandys, 1829–1904
Study of two girls, with a study of a hand to the right
undated
285
James Ward, 1769–1859
Sleeping Pig
undated
286
John Downman, 1750–1824
Mrs. Ives of Catton
1780
287
Isaac Weld, 1774–1856
The Wine Tasting
1819
288
John Flaxman, 1755–1826
Apollo Preceding Hector with His Aegis, and Dispersing the Greeks, Fuseli's Lectures
undated
289
Henry Thomas Alken, 1785–1851
Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
undated
290
Philippe-Jacques de Loutherbourg, 1740–1812
Thomas Gainsborough, R.A
undated
291
John Raphael Smith, 1752–1812
He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22)
ca. 1780
292
John Raphael Smith, 1752–1812
So She Caught Him and Kissed Him (Proverbs, Chapter VII, Verse 13)
ca. 1780
293
Benjamin Robert Haydon, 1786–1846
Study of Feet
undated
294
Benjamin Robert Haydon, 1786–1846
Study of a Soldier
undated
295
Augustus Edwin John, 1878–1961
Study of Gwen John
ca. 1900
296
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
297
unknown artist
Sir Joshua Reynolds
undated
298
Giles Hussey, 1710–1788
Study of classical sculpture or reclining figure
between 1730 and 1768
299
Giles Hussey, 1710–1788
Studies of classical sculptures of Cesi Juno and Zingara