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Materials & Techniques red chalk

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1. Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork

Stout and Plain Country Girl Being Courted by a Yodel with Pitchfork
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 5 inches (17.8 × 12.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 1/8 inches (18.3 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/16 × 9 1/16 inches (17.9 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.

Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire

Three Men in a Room: Gilchrist Seated at a Table, Tom Adam standing, Seen from Behind, and Matt Haughton seated Legs Outspread and Arms Akimbo before a Fire
Creator:
George Shepheard, ca. 1770–1842
Date:
undated
Materials & Techniques:
Black ink, brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 × 6 1/4 inches (17.5 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. An Ornamental Pool and Fountain

An Ornamental Pool and Fountain
Creator:
unknown artist
Date:
ca. 1700
Materials & Techniques:
Gray wash and graphite, verso: red chalk on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 × 10 5/8 inches (18.4 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Study of Female Head

Study of Female Head
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Black chalk and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 6 1/4 inches (18.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

19. St. Jerome Writing

St. Jerome Writing
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 5 1/8 inches (17.8 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

20. Profile Study of Female Head

Profile Study of Female Head
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite, red chalk, blue chalk and black chalk on medium, sightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 6 1/8 inches (18.1 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

21. St. Jerome Meditating

St. Jerome Meditating
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 5 1/8 inches (17.8 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Abel Cary Thomas, Yale BA 1905, transfer from the Yale University Library and the Yale University Art Gallery

22. The Itinerant Pedlar

The Itinerant Pedlar
Creator:
Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Red chalk on medium, cream laid paper
Dimensions:
Sheet: 7 x 4 1/8 inches (17.8 x 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons

Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Black chalk, red chalk, white chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 4 3/4 inches (17.8 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

24. Study of a Woman

Study of a Woman
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Graphite, black chalk, red chalk, brown chalk, blue chalk and white chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 5 1/8 inches (18.4 x 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

25. Portrait of a Man

Portrait of a Man
Creator:
Archibald Rutherford, 1743–1779
Date:
1774
Materials & Techniques:
Pen and black ink, pen and gray ink, brown wash, gray wash and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/4 x 6 1/4 inches (18.4 x 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Hay Wagon and Horses

Hay Wagon and Horses
Creator:
David Cox, 1783–1859
Date:
undated
Materials & Techniques:
Black chalk; verso: red and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Two Columns with a Head of a Woman and a Grotesque Head

Two Columns with a Head of a Woman and a Grotesque Head
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red chalk, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 1/4 × 6 1/8 inches (18.4 × 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Design for a Cartouche

Design for a Cartouche
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red chalk, brown and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 × 6 1/4 inches (17.8 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Design for a Cartouche

Design for a Cartouche
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, red chalk, and gray wash on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 × 3 inches (17.8 × 7.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Design for a Cartouche with Mythological Figures

Design for a Cartouche with Mythological Figures
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Graphite, pen and black ink, gray wash, and red chalk on medium, slightly textured, cream laid paper mounted on thin blue laid paper
Dimensions:
Sheet: 7 1/4 × 6 1/4 inches (18.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Design for a Frontispiece: Allegorical Landscape

Design for a Frontispiece: Allegorical Landscape
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk, incised for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, slightly textured, beige laid paper with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Design for an Engraving: Figures in an Interior

Design for an Engraving: Figures in an Interior
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk, incised for transfer on medium, slightly textured, beige laid paper
Dimensions:
Mount: 15 1/2 × 11 inches (39.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Head of a Young Girl

Head of a Young Girl
Creator:
Prince Hoare, 1755–1834
Date:
1780
Materials & Techniques:
Graphite, red chalk and black chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 7/8 x 4 1/4 inches (17.5 x 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. A Turn Up with the Lads of the Village

No cover image available
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 7/16 inches (18.3 × 24 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection