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201. Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)

Charles Howard, second Baron Howard of Effingham and first Earl of Nottingham (1536-1624)
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Mount: 15 3/8 x 11 inches (39.1 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

202. Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice

Design for an Engraving: Parlement de Paris Reassembling with Figure of Justice
Creator:
Hubert-François Gravelot, 1699–1773
Date:
1762
Materials & Techniques:
Graphite and red chalk, incised and squared for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, beige 19th century laid paper, with gold leaf, watercolor, pen in black and red ink border lines
Dimensions:
Mount: 12 x 11 1/16 inches (30.5 x 28.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

203. Design for a Frontispiece: Allegorical Landscape

Design for a Frontispiece: Allegorical Landscape
Creator:
Hubert-François Gravelot, 1699–1773
Date:
undated
Materials & Techniques:
Graphite and red chalk, incised for transfer on medium, moderately textured, beige laid paper mounted on moderately thick, slightly textured, beige laid paper with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:
Mount: 15 3/8 × 11 1/8 inches (39.1 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

204. "Landscape Scenery", No. 13: Groups of Infantry and Army Horses

"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 9 11/16 inches (16 × 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

205. Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

206. Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck

Symptoms: of None of Your Stuff, of a Declaration, of a Meltonian, of Is that a Writ I See Before Me, of a Love Feast, of a Buck
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 11/16 inches (17 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

207. Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.

Symptoms: of Up With a Down Prospect, of Down with an Up Prospect, of Learning to Trot, of a Hard Mouth.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 9/16 × 9 1/8 inches (19.2 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

208. Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.

Symptoms: of Unwelcome Guests, of Being Off the Curb, of Can't Exactly Say: No Consulation of Physicians, of W'ont Exactly Say: No Consultations of Lawyers.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 11/16 × 8 13/16 inches (17 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

209. Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through

Three Men in (?) Seventeenth Century Dress, in a Street Sword Fight, Central Man Run Through
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 4 15/16 × 6 13/16 inches (12.5 × 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

210. Knight Falling From His Horse at a Squire's Tilt

Knight Falling From His Horse at a Squire's Tilt
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

211. Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail

Hussar with High Plume in His Helmet, Mounted on a Horse, With High Held Swishing Tail
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 5/16 × 5 1/8 inches (18.6 × 13 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

212. "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '

"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 3/16 inches (16.4 × 20.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

213. "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'

"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

214. "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'

"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 3/8 × 8 1/8 inches (16.2 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

215. "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'

"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/16 × 8 1/2 inches (16.4 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

216. "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'

"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/16 inches (17.5 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

217. "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'

"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 1/4 inches (16.5 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

218. "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'

"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 8 5/16 inches (17.3 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

219. "Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'

"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 8 inches (16.8 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

220. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

221. "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'

"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 3/8 inches (16.7 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

222. "Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite with red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

223. Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could

Drawing for "Specimens of Riding near London:" The Pleasure of Riding in Company. One Would Stop if the Other Could
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 9 1/8 inches (17.1 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

224. Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil

Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

225. Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching

Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 3/4 inches (18.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

226. Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 7/8 inches (18.1 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

227. Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.

Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

228. Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty

Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 × 8 13/16 inches (18.4 × 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

229. Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite, and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/16 × 8 15/16 inches (17.9 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

230. Studies of a Sleeping Lion

Studies of a Sleeping Lion
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Charcoal, graphite, and red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 13/16 × 8 15/16 inches (17.3 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

231. Head of a Male Lion

Head of a Male Lion
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black chalk, red chalk, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 5 15/16 inches (16.5 × 15.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

232. Head of a Leopard

Head of a Leopard
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black chalk, red chalk, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 13/16 × 5 3/8 inches (12.2 × 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

233. Figures with a Wagon and Horses

Figures with a Wagon and Horses
Creator:
Thomas Ross, active from 1753
Date:
undated
Materials & Techniques:
Pen and black ink, red chalk, graphite, and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 2 7/8 × 5 11/16 inches (7.3 × 14.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

234. Riders, Figures and a Dog

Riders, Figures and a Dog
Creator:
Thomas Ross, active from 1753
Date:
undated
Materials & Techniques:
Pen and black ink, gray wash, red chalk and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 3 15/16 × 6 1/2 inches (10 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

235. Figures, Horses and Cows

Figures, Horses and Cows
Creator:
Thomas Ross, active from 1753
Date:
undated
Materials & Techniques:
Pen and brown ink, graphite, and red chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 7/16 × 7 inches (11.3 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

236. Two Horses' Heads

Two Horses' Heads
Creator:
John Michael Rysbrack, 1694–1770
Date:
undated
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, red chalk, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 3/16 × 8 11/16 inches (13.2 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

237. Hounds: "Fleur" and "Frogmore"

Hounds: "Fleur" and "Frogmore"
Creator:
Archibald Thorburn, 1860–1935
Date:
1878
Materials & Techniques:
Black chalk, red chalk, white gouache, and pastel on medium, moderately textured, gray wove paper
Dimensions:
Sheet: 6 7/16 × 9 5/8 inches (16.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

238. Hounds: "Seagull"

Hounds: "Seagull"
Creator:
Archibald Thorburn, 1860–1935
Date:
1878
Materials & Techniques:
Black chalk, red chalk, white gouache, pastel, and graphite on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 6 3/8 × 9 1/4 inches (16.2 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

239. An Allegory of America Carrying the Cap of Liberty

An Allegory of America Carrying the Cap of Liberty
Creator:
Edward Francis Burney, 1760–1848
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, and red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 3 1/4 × 2 1/16 inches (8.3 × 5.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

240. Huntsman with Hounds

Huntsman with Hounds
Creator:
Sir Edwin Henry Landseer, 1802–1873
Date:
undated
Materials & Techniques:
Pen and brown ink, red chalk, and white chalk on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

241. A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider

A Lady Riding Side-Saddle, Turns to Look at a Dismounted Rider
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Red chalk, with graphite; verso: graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 7 1/2 × 9 5/16 inches (19.1 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

242. Head of a Tiger

Head of a Tiger
Creator:
James Ward, 1769–1859
Date:
undated
Materials & Techniques:
Black chalk, white chalk, and red chalk on medium, smooth, brown laid paper
Dimensions:
Sheet: 7 3/8 x 8 1/2 inches (18.7 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

243. "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'

"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, smooth, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 7/16 inches (21.1 × 31.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

244. "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'

"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 7/8 × 12 3/8 inches (20 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

245. "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'

"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 5/16 × 12 1/2 inches (21.1 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

246. Study of a Lion, Resting

Study of a Lion, Resting
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/16 × 12 9/16 inches (20.5 × 31.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

247. A Young Boy with Dogs

A Young Boy with Dogs
Creator:
James Ward, 1769–1859
Date:
ca. 1798
Materials & Techniques:
Black and red chalk on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 12 x 19 7/8 inches (30.5 x 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

248. Head of an Eagle, Facing Left

Head of an Eagle, Facing Left
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black chalk, red chalk, graphite, pen and gray ink, and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 × 8 3/8 inches (16.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

249. Entrance Doorway in the Tower, St Stephen's Chapel

Entrance Doorway in the Tower, St Stephen's Chapel
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Graphite and traces of red chalk on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 1/2 × 3 1/2 inches (14 × 8.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

250. The Shyer suddenly Departs but not in Peace

The Shyer suddenly Departs but not in Peace
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Red chalk
Dimensions:
Sheet: 5 5/8 × 4 5/16 inches (14.3 × 11 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

251. Hay Wagon and Horses

Hay Wagon and Horses
Creator:
David Cox, 1783–1859
Date:
undated
Materials & Techniques:
Black chalk; verso: red and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

252. "Scraps", no. 32: Two Mamelukes Talking, One Mounted

"Scraps", no. 32: Two Mamelukes Talking, One Mounted
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 3/8 inches (16.8 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

253. "Scraps", no. 34: Mounted Mameluke Pointing a Pistol

"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

254. "Scraps", no. 33: Mounted Mameluke Brandishing a Sword

"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 9 3/16 inches (16.7 × 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

255. "Scraps", no. 35: Mounted Mameluke with Bamboo Spear

"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Creator:
Henry Thomas Alken, 1785–1851
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 1/4 inches (17.3 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

256. "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team

"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 × 9 7/8 inches (15.6 × 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

257. A Charging Mameluke Firing a Pistol

A Charging Mameluke Firing a Pistol
Creator:
Henry Thomas Alken, 1785–1851
Date:
ca. 1823
Materials & Techniques:
Graphite with traces of red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 10 1/16 inches (16.7 × 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

258. "Scraps", No. 28: Skittle Alley With Players and Spectators

"Scraps", No. 28: Skittle Alley With Players and Spectators
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 13/16 × 9 5/16 inches (17.3 × 23.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

259. "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse

"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 9 1/2 inches (16.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

260. "Landscape Scenery", No. 10: Scenes with Wood-Cutters

"Landscape Scenery", No. 10: Scenes with Wood-Cutters
Creator:
Henry Thomas Alken, 1785–1851
Date:
1821
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 9 5/8 inches (16.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

261. Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 8 7/8 inches (17.5 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

262. Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.

Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 8 3/8 inches (17.8 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

263. Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand

Symptoms: of How Do You Do, of I Should Not Have Known You, of My Lud, Of Easing a Patient, of a Loose Rein, of Wokey, of Tight in Hand
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 3/4 × 8 5/8 inches (17.1 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

264. Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse

Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

265. Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn

Symptoms: of Can't Wait, of Come-to Ther Glass, of Blood & Bone-Going Against Time, of the Reduced List, of Out of Cash & a-Little in Debt at an Inn, of In cash-at an Inn
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 × 8 15/16 inches (19.1 × 22.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

266. Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome

Symptoms: of Entering Quod, of a Hunting Story, of a Gig and Pair, of Wont Go, of Been in Quod some Tome
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1818 and 1822
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/16 × 9 1/16 inches (18.6 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

267. "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'

"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1831 and 1832
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 9/16 × 8 1/4 inches (16.7 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

268. Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.

Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 6 15/16 × 8 11/16 inches (17.6 × 22.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

269. Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 1/16 × 9 1/16 inches (17.9 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

270. Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road

Drawing for "Specimens of Riding Near London:" Fancy - View Near Gray's Inn Road
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1809 and 1823
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/16 × 8 7/8 inches (16 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

271. Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
Creator:
Henry Thomas Alken, 1785–1851
Date:
between 1822 and 1827
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/16 × 9 1/8 inches (18.3 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

272. Horse, With Rider Lightly Sketched, Walking to Left

Horse, With Rider Lightly Sketched, Walking to Left
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Red chalk and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 10 3/16 × 12 3/16 inches (25.9 × 31 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

273. Coursing - After the Kill

Coursing - After the Kill
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Pen and brown ink, red chalk, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 9 1/4 × 12 3/8 inches (23.5 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

274. Hare Hunting: The Kill

Hare Hunting: The Kill
Creator:
Jan Wyck, ca. 1645–1700
Date:
undated
Materials & Techniques:
Pen and brown ink, and red chalk on medium, smooth, beige laid paper
Dimensions:
Sheet: 3 7/8 × 11 9/16 inches (9.8 × 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

275. A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On

A Huntsman Holding a Dead Hare, with Two Greyhounds Looking On
Creator:
James Seymour, 1702–1752
Date:
undated
Materials & Techniques:
Red chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/16 × 12 1/4 inches (23.3 × 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

276. Album of Fifty-five Ornamental Designs

Album of Fifty-five Ornamental Designs
Creator:
Attributed to Augustin Heckel, 1690–1770
Date:
undated
Materials & Techniques:
Collection of graphite and chalk wash drawings on twenty-seven sheets of thin, blue laid paper
Dimensions:
Sheet: 12 1/2 × 10 inches (31.8 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

277. A Young Man Asleep

A Young Man Asleep
Creator:
George Lambert, 1700–1765
Date:
undated
Materials & Techniques:
Red chalk over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 7 1/8 inches (11.4 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

278. Portrait of Thomas Estcourt Esq. of Estcourt

Portrait of Thomas Estcourt Esq. of Estcourt
Creator:
Henry Edridge, 1769–1821
Date:
1806
Materials & Techniques:
Graphite blue and red chalk on medium, smooth, brown wove paper mounted on card
Dimensions:
Sheet: 10 3/8 x 8 3/8 inches (26.4 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

279. Sketch of Three Laborers

Sketch of Three Laborers
Creator:
Sir George Clausen, 1852–1944
Date:
undated
Materials & Techniques:
Graphite and red chalk on medium, slightly textured, beige wove paper mounted on thick, smooth, cream board
Dimensions:
Mount: 10 1/8 × 7 1/8 inches (25.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

280. Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons

Study after Joshua Reynolds's Portrait of Cornet Nehemiah Winter, 11th Dragoons
Creator:
Hercules Brabazon Brabazon, 1821–1906
Date:
undated
Materials & Techniques:
Black chalk, red chalk, white chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 x 4 3/4 inches (17.8 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

281. A Life Drawing

A Life Drawing
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
ca. 1789
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 × 9 1/2 inches (34.3 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Diane Nixon in honor of Lowell Libson

282. Mrs. Cosway as the Milkmaid

Mrs. Cosway as the Milkmaid
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Graphite and red chalk on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 8 1/2 x 8 3/8 inches (21.6 x 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

283. Christ Blessing Little Children

Christ Blessing Little Children
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Graphite, red chalk, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 x 6 1/2 inches (20.3 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

284. Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood

Queen Margaret of Anjou with the Prince, Her Son, Stripped of Her Regalia by Robbers in a Wood
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Graphite, red chalk, and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 1/8 x 6 1/8 inches (20.6 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

285. The Wellesley-Pole Sisters

The Wellesley-Pole Sisters
Creator:
Sir Thomas Lawrence, 1769–1830
Date:
1814
Materials & Techniques:
Graphite, black chalk, red chalk and watercolor on medium, smooth, cream wove paper
Dimensions:
Frame: 25 1/2 × 21 7/16 × 1 3/4 inches (64.8 × 54.5 × 4.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

286. Flight into Egypt

Flight into Egypt
Creator:
Richard Cosway, 1742–1821
Date:
undated
Materials & Techniques:
Gray ink, gray wash, watercolor, black chalk, red chalk and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 1/4 x 7 1/2 inches (23.5 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Stuart P. Feld

287. Fishing off Hastings

Fishing off Hastings
Creator:
David Cox, 1783–1859
Date:
early 1810s
Materials & Techniques:
Graphite, brown wash and red chalk on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 4 7/8 x 7 inches (12.4 x 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

288. Panorama Old London Bridge

Panorama Old London Bridge
Creator:
David Cox, 1783–1859
Date:
1820s
Materials & Techniques:
Graphite with red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 3/4 × 30 1/8 inches (19.7 × 76.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

289. Study of a Boy

Study of a Boy
Creator:
Charles West Cope, 1811–1890
Date:
undated
Materials & Techniques:
Pen and brown ink, gouache, and red chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 3/4 × 3 5/8 inches (24.8 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

290. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 13 1/8 × 10 3/4 inches (33.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

291. Drawings of Hands

Drawings of Hands
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 14 7/8 × 11 1/2 inches (37.8 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

292. Drawing of a Hand

Drawing of a Hand
Creator:
Sir Peter Lely, 1618–1680
Date:
1650s-1660s
Materials & Techniques:
Black chalk, red chalk, and white chalk on medium, moderately textured, brown laid paper
Dimensions:
Sheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

293. Jonathan Richardson, Jr.

Jonathan Richardson, Jr.
Creator:
Jonathan Richardson the Elder, 1667–1745
Date:
undated
Materials & Techniques:
Black chalk and red chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 11 1/8 × 8 1/4 inches (28.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

294. Portrait of a Gentleman (Mr. Plumer or Plumiere)

Portrait of a Gentleman (Mr. Plumer or Plumiere)
Creator:
Michael Dahl, 1656–1743
Date:
undated
Materials & Techniques:
Black chalk, red chalk, white chalk, and graphite, with stumping on medium, moderately textured, buff laid paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

295. Study for the Portrait of William Inglis

Study for the Portrait of William Inglis
Creator:
David Allan, 1744–1796
Date:
ca. 1787
Materials & Techniques:
Black chalk, red chalk, white gouache, and brown gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 1/2 × 7 1/2 inches (26.7 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

296. Ariccia

Ariccia
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1783
Materials & Techniques:
Graphite and red chalk on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 7 5/8 x 9 inches (19.4 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

297. Portrait of a Lady, Facing Front

Portrait of a Lady, Facing Front
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black, red, yellow, and blue chalk over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 × 8 inches (24.4 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

298. Portrait of a Lady, Facing Left

Portrait of a Lady, Facing Left
Creator:
John Downman, 1750–1824
Date:
undated
Materials & Techniques:
Black and red chalk with watercolor and stumping on medium, smooth, cream wove paper
Dimensions:
Sheet: 7 7/8 x 6 3/8 inches (20 x 16.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

299. Miss Nott

Miss Nott
Creator:
John Downman, 1750–1824
Date:
1789
Materials & Techniques:
Watercolor with black and red chalk with stumping on thin, smooth, cream laid paper
Dimensions:
Sheet: 8 5/8 x 7 1/4 inches (21.9 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

300. Portrait of a Young Woman

Portrait of a Young Woman
Creator:
unknown artist
Date:
between 1680 and 1685
Materials & Techniques:
Red chalk on thin, slightly textured, cream laid paper, mounted on wove paper
Dimensions:
Sheet: 6 3/4 × 4 3/4 inches (17.1 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection