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Materials & Techniques red pencil

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Period 20th century

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Subject Terms abstract art

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1. Crouching Female and Standing Male

Crouching Female and Standing Male
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Brushed black ink and red pencil on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

2. Five Abstract Sketches, and Studies for Male and Female Figures

Five Abstract Sketches, and Studies for Male and Female Figures
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Brushed black ink, graphite and red pencil on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Study of a Female Figure, Abstract Figure Study

Study of a Female Figure, Abstract Figure Study
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Brushed black ink, graphite and red pencil on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 x 8 7/8 inches (17.8 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

4. Five Sculptural Studies

Five Sculptural Studies
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Brushed black ink, graphite and red pencil on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 x 8 7/8 inches (17.8 x 22.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

5. Study for a Figural Sculpture, Crouching Figure

Study for a Figural Sculpture, Crouching Figure
Creator:
Henri Gaudier-Brzeska, 1891–1915
Date:
between 1910 and 1915
Materials & Techniques:
Brushed black ink, graphite and red pencil on thin, smooth, cream wove paper
Dimensions:
Sheet: 7 x 8 7/8 inches (17.8 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund