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Family Posed in Front of a Doorway
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper, laid on thick, slightly textured, beige card
Dimensions:
Mount: 14 13/16 x 18 7/8 inches (37.7 x 47.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wooded Landscape with Cottages and Countrywomen, Hurley, Berkshire
Creator:
Joshua Cristall, 1768–1847
Date:
1818
Materials & Techniques:
Watercolor and graphite, with scraping on thick, slightly textured, beige card
Dimensions:
Sheet: 11 3/8 × 18 1/8 inches (28.9 × 46 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

103. Dover Pier

Dover Pier
Creator:
Joshua Cristall, 1768–1847
Date:
ca. 1807
Materials & Techniques:
Watercolor with scraping over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/16 x 16 3/16 inches (31.2 x 41.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arcadian Shepherds by a Pool
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/8 x 8 3/8 inches (30.8 x 21.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ruins of a Monastery with Farmyard Animals
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor over graphite with gouache and scraping on thick, slightly textured, beige card
Dimensions:
Sheet: 15 15/16 × 21 1/4 inches (40.5 × 53.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Loch Scavaig, Isle of Skye
Creator:
William Daniell, 1769–1837
Date:
ca. 1819
Materials & Techniques:
Watercolor with gouache and scraping over graphite on medium, slightly textured, cream wove paper, pasted on very thick, slightly textured, cream card
Dimensions:
Mount: 9 1/8 × 13 3/8 inches (23.2 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Apparition of the Armed Head: Macbeth
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor, pen and black ink, and graphite, with scraping on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 16 × 13 inches (40.6 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 22 15/16 x 17 1/4 inches (58.3 x 43.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Propylaea from the Northern Edge of the Stylobate of the Parthenon, Athens
Creator:
John Fulleylove, 1845–1908
Date:
undated
Materials & Techniques:
Watercolor over graphite with scraping out on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 7 3/8 inches (13.7 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Parthenon from the North End of the Eastern Portico of the Propylae, Evening Light
Creator:
John Fulleylove, 1845–1908
Date:
ca. 1895
Materials & Techniques:
Watercolor and graphite, with scraping out on thick, rough, wove paper
Dimensions:
Sheet: 10 7/8 × 15 3/8 inches (27.6 × 39.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
River Landscape
Creator:
Alfred Downing Fripp, 1822–1895
Date:
1842
Materials & Techniques:
Watercolor and graphite, with gum arabic and scraping out on thick, rough, cream wove paper
Dimensions:
Sheet: 10 3/4 × 20 3/4 inches (27.3 × 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Castalian Spring, Delphi
Creator:
John Fulleylove, 1845–1908
Date:
ca. 1895
Materials & Techniques:
Watercolor over graphite with scraping out on thick, rough cream wove paper
Dimensions:
Sheet: 10 7/8 × 7 1/2 inches (27.6 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Three Witches from Macbeth: Double, Double, Toil and Trouble
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 20 3/4 x 24 3/16 inches (52.7 x 61.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Three Witches from Macbeth: Though the Bark Cannot be Lost...
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:
Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ferdinand and Ariel
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor and graphite, with scraping on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 13 13/16 x 11 1/4 inches (35.1 x 28.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Macbeth, Sleepwalking
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink, scraping, and gouache over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 21 1/16 x 14 1/2 inches (53.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prospero and Miranda
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with gouache, black ink, and scraping over graphite on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 25 11/16 x 18 3/4 inches (65.2 x 47.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ophelia's Death
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with gouache, black ink, and scraping over graphite on moderately thick, slightly textured, cream laid paper mounted on moderately thick, slightly textured, beige laid paper with reminants of contemporary drawn border
Dimensions:
Mount: 22 9/16 x 17 13/16 inches (57.3 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lady Percy Watching the Sleeping Hotspur
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured cream laid paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 24 x 19 1/8 inches (61 x 48.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lear and Cordelia
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with black ink and scraping over graphite on thick, slightly textured, cream laid paper mounted on thick, textured, beige card with contemporary drawn border
Dimensions:
Mount: 22 11/16 x 17 13/16 inches (57.7 x 45.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
Creator:
Mary Hoare, 1744–1820
Date:
1780
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 14 5/8 x 16 9/16 inches (37.1 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Imogen Entering the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1781
Materials & Techniques:
Watercolor with brown ink and scraping over graphite on thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream laid paper with contemporary drawn border
Dimensions:
Mount: 27 5/16 x 21 7/16 inches (69.3 x 54.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Antigonus Disposing of Perdita
Creator:
Mary Hoare, 1744–1820
Date:
ca. 1781
Materials & Techniques:
Watercolor with brown and black ink and scraping over graphite on thick, textured, cream laid paper mounted on thick, textured, beige card with additional inscribed sheet mounted lower center
Dimensions:
Mount: 23 1/16 x 18 5/8 inches (58.5 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Imogen in the Cave, 'Cymbeline', Act III, Scene VI
Creator:
Mary Hoare, 1744–1820
Date:
1782
Materials & Techniques:
Watercolor and graphite with pen and black ink on thick, slightly textured cream wove paper mounted on moderately thick, slightly textured cream laid paper with contemporary drawn border
Dimensions:
Mount: 23 1/16 x 18 5/16 inches (58.5 x 46.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Gentlemen Talking to a Seated Lady
Creator:
Sir John Everett Millais, 1829–1896
Date:
undated
Materials & Techniques:
Pen and gray ink and scraping on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 1/8 x 7 1/4 inches (23.2 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Richard Banks Harraden, 1778–1862
Date:
ca. 1836
Materials & Techniques:
Watercolor, pen and black ink, black chalk, gouache, graphite and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 16 5/16 × 21 1/2 inches (41.4 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Ramsay Richard Reinagle, 1775–1862
Date:
1812
Materials & Techniques:
Watercolor, gum arabic, graphite, and scraping on moderately textured, cream wove paper
Dimensions:
Sheet: 37 1/2 × 55 inches (95.3 × 139.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

128. Tivoli

No cover image available
Creator:
Andrew Wilson, 1780–1848
Date:
1810
Materials & Techniques:
Watercolor, gouache, and graphite with scraping out on moderately textured, cream wove paper
Dimensions:
Sheet: 29 1/2 x 46 1/2 inches (74.9 x 118.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Lionel Percy Smythe, 1839–1918
Date:
1874
Materials & Techniques:
Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/4 × 6 3/4 inches (23.5 × 17.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Dr. Lee MacCormick Edwards Collection, Gift of Alison Edwards Curwen
No cover image available
Creator:
Myles Birket Foster, 1825–1899
Date:
1862
Materials & Techniques:
Watercolor, gouache, graphite, and gum with scraping out on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 30 7/8 × 26 3/4 inches (78.4 × 67.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection