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Materials & Techniques scratching out

Date 1834

1. Stoke Poges Church

Stoke Poges Church

Creator:: John Constable, 1776–1837
Date:: 1834
Materials & Techniques:: Watercolor with pen and dark brown ink and scratching out on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/2 x 7 1/8 inches (21.6 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Study for the Proclamation of Don Carlos

Study for the Proclamation of Don Carlos

Creator:: John Frederick Lewis, 1804–1876
Date:: between 1834 and 1838
Materials & Techniques:: Watercolor, gouache, black chalk and graphite with scratching out on medium, slightly textured, beige wove paper mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/2 x 10 3/8 inches (44.5 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

3. Mont-Valérien from Bois de Boulogne

Mont-Valérien from Bois de Boulogne

Creator:: William Callow, 1812–1908
Date:: 1834
Materials & Techniques:: Watercolor with pen and brown ink over graphite, with scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 9 5/8 inches (11.4 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Study after the Story of Apollo and Daphne

Study after the Story of Apollo and Daphne

Creator:: Attributed to John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 22 1/4 inches (40 × 56.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Elliot Sussman, MD, MBA, Yale BA 1973

5. The Plains of Marathon

The Plains of Marathon

Creator:: John Varley, 1778–1842
Date:: 1834
Materials & Techniques:: Watercolor over graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 13/16 x 10 5/16 inches (17.3 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

6. St. Anne's Hill, No. II

St. Anne's Hill, No. II

Creator:: Print made by Edward Goodall, 1795–1870
Date:: 1834
Materials & Techniques:: Etching and line engraving, with graphite and scratching out; touched engraver's proof (b) on medium, slightly textured, beige wove paper
Dimensions:: Mount: 16 15/16 × 12 1/8 inches (43 × 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Crossing Lancaster Sands

Crossing Lancaster Sands

Creator:: David Cox, 1783–1859
Date:: mid-1830s
Materials & Techniques:: Watercolor, gouache and graphite and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 14 5/16 × 20 1/16 inches (36.4 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Girl on Lane, Entering Wooded Area

Girl on Lane, Entering Wooded Area

Creator:: Thomas Sully, 1783–1872
Date:: 1834
Materials & Techniques:: Watercolor, graphite, gouache, gum arabic, scratching out, and sponging on thick, smooth, beige wove paper
Dimensions:: Sheet: 10 1/16 × 7 7/8 inches (25.6 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection