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Remove constraint Materials & Techniques: scratching outExhibition History British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)
Remove constraint Exhibition History: British Watercolors - Drawings of the 18th and 19th Centuries from the Yale Center for British Art (Portland Art Museum, 1985-04 - 1986-08)Search Results
- Date:
- between 1870 and 1880
- Materials & Techniques:
- Watercolor with some scratching out over graphite on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 11 1/16 x 15 1/4 inches (28.1 x 38.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1843
- Materials & Techniques:
- Watercolor, pen and brown ink, brown wash, graphite, and scratching out on thick, slightly textured, cream wove paper
- Dimensions:
- Mount: 20 3/16 × 15 5/16 inches (51.3 × 38.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Yale Art Gallery Collection, Gift of Henry Schnakenberg
- Date:
- 1855
- Materials & Techniques:
- Watercolor, pen and black ink, brown ink, graphite, gouache, and scratching out on moderately thick, rough, cream wove paper
- Dimensions:
- Sheet: 8 3/16 × 19 15/16 inches (20.8 × 50.6 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- early 1850s
- Materials & Techniques:
- Watercolor, graphite, black chalk and scratching out on thick, rough, cream wove paper
- Dimensions:
- Mount: 16 × 22 1/2 inches (40.6 × 57.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Date:
- 1851
- Materials & Techniques:
- Watercolor, pen and brown ink, gouache, gum arabic, graphite, and scratching out on moderately thick, slightly textured, beige wove paper
- Dimensions:
- Sheet: 14 7/8 x 20 7/8 inches (37.8 x 53 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund