Materials & Techniques: soft-ground etching / Genre: animal art / Subject Terms: animal art - YCBA Collections Search Search Results

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Materials & Techniques soft-ground etching

Genre animal art

Subject Terms animal art

1. A Sleeping Leopard

A Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1791
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 13 3/4 inches (25.4 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. A Tiger and a Sleeping Leopard

A Tiger and a Sleeping Leopard

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1788
Materials & Techniques:: Soft-ground etching with roulette on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 12 1/2 inches (24.8 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Head of the Thorough-bred Horse "Phantom"

Head of the Thorough-bred Horse "Phantom"

Creator:: Print made by unknown artist
Date:: undated
Materials & Techniques:: Soft-ground etching on medium, slightly textured, beige wove paper mounted on moderately thick, smooth, beige wove paper
Dimensions:: Mount: 9 11/16 x 7 11/16 inches (24.6 x 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

4. XIV

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

5. XV

Creator:: Sir Christopher Le Brun, born 1951
Date:: 1990
Materials & Techniques:: Softground etching with hardground, openbite, burnishing and polishing on white 300gsm Somerset TP Textured wove paper
Dimensions:: Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund