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Materials & Techniques stipple engraving
Remove constraint Materials & Techniques: stipple engravingCollection Prints and Drawings
Remove constraint Collection: Prints and DrawingsGenre literary theme
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1
- The Alto Relievo
- 1796
2
- The Fall of Agandecca
- 1783
3
- Prospero Disarming Ferdinand, Act I, Scene II
- 1793
4
- Mrs. Jordan in the Character of the Romp
- 1788
5
- Miss Elizabeth Beauclerc as 'Una'
- 1782
6
- Sylvia
- 1786
7
- The Huguenot: Eve of St. Bartholomew's Day, 1572
- 1857
8
- Ophelia: There Is Rue for You and Here's Some for Me
- 1784
9
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
10
- Queen Katherine's Dream - "Henry VIII"
- 1788
11
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
12
- Mr. Kemble in the Character of King Richard the Third - "Richard III," Act V, Scene V
- 1789
13
- David Garrick as Richard III in the Drury Lane Theatre Performance, 1759
- 1811
14
- "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
- 1802
15
- "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
- 1802
16
- "Hubert, let me not be bound!"
- 1802
17
- "Then go, bid the huntsmen wake them with their horns"
- 1802
18
- "Mark your divorce young sir, whom son I dare not call"
- 1804
19
- Taming the Shrew, Act III, Scene II
- 1793
20
- Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
- 1794
21
- Fallstaff Playing the Prince, The Prince Playing the King
- 1796
22
- Mr. Macklin and Mrs. Pope in the Characters of Shylock and Portia
- 1789
23
- "Tempest", Act I, Scene I
- 1797
24
- Taming Of The Shrew, Act III, Scene II
- 1795
25
- Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
- 1792
26
- The Three Witches
- 1786
27
- Falstaff and his Friends
- ca. 1868
28
- Elizabeth Carter
- 1808
29
- George Colman, The Elder
- 1813
30
- Ralph Cudworth
- undated
31
- Lady Elizabeth Cavendish (née Hervey), Duchess of Devonshire
- 1787
32
- David Garrick Esq
- 1807
33
- Mrs. Frances Abington (née Barton) as Roxalana in "The Sultan"
- 1791
34
- Shakespeare, Macbeth Act IV, Scene I
- 1802
35
- Reflections on Clarissa Harlow
- 1785
36
- The Cottagers
- 1794
37
- King Henry VI, Second Part, Act 3, Scene 3
- 1801
38
- Hamlet in Scotland
- 1794
39
- John Hawkesworth
- 1806
40
- Thomas Percy, Bishop of Dromore
- undated
41
- Mrs. Robinson
- 1792
42
- Mrs Seaforth as, Tuccia - The Vestal Virgin
- 1798
43
- Elizabeth Ann Sheridan (née Linley) as St. Cecilia
- 1779
44
- Sir Philip Sidney
- 1741
45
- Edmund Spenser
- 1727
46
- Sir John Suckling
- 1744
47
- Joseph Warton
- 1807
48
- Dr. Joseph Warton
- undated
49
- Isaac Watts
- undated
50
- Lovelace in Prison
- 1788
51
- Tom Jones Assisting Molly Seagrim
- 1782
52
- The Cottagers
- 1794
53
- Mrs. Siddons, in the Character of the Tragic Muse
- 1787
54
- Cymon and Iphigenia
- 1797
55
- Joseph Baretti
- 1794
56
- Reverend Hugh Blair, D.D
- 1801
57
- Little Red Riding Hood
- after 1856
58
- The Death of Arcite
- 1790
59
- Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
- 1791
60
- King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
- 1792
61
- Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
- 1793
62
- King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
- 1789
63
- Twelfth Night, Act V, Scene I: The Street
- 1803
64
- Twelfth Night, Act III, Scene IV: Olivia's House
- 1803
65
- The Death of Cora
- 1788
66
- The Interview of Tom Jones and Sophia, After the Reconciliation
- 1789
67
- Ticket: Anacreontic Society Meeting
- 1779
68
- King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
- 1801
69
- The Death of Alcestis
- 1796
70
- John Henderson as Iago
- before 1786
71
- Mrs. Abington as Thalia
- ca. 1783
72
- Miss Anna Brunton
- 1785
73
- Jane Shore
- 1790
74
- Griselda Returning to her Father
- after 1785
75
- Tancred and Clorinda
- 1785
76
- Gualtherus and Griselda
- 1784
77
- Alphonso and Aciloe
- 1788
78
- Celadon and Amelia
- 1782
79
- Fonrose
- 1798
80
- Alcander and Nerina
- 1784
81
- Maria of Moulines
- 1784
82
- Sophia and Olivia
- 1784
83
- Adelaide
- 1798
84
- Ticket: For The Benefit Of Mad' Banti
- 1795
85
- Ophelia: There's Rue for You, and Here's Some for Me
- 1784
86
- Ticket for the Benefit of Madame Banti
- 1797
87
- Ticket for the Benefit of Madame Banti
- 1797
88
- Concert Ticket: Benefit Night of Luigi Borghi
- 1780
89
- Queen Katherine's Dream
- 1788
90
- Cecilia
- 1783
91
- I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
- ca.1785
92
- February
- 1793
93
- June
- 1789
94
- May
- 1793
95
- July
- 1789
96
- April
- 1790
97
- September
- 1793
98
- August
- 1793
99
- October
- 1793
100
- Poetry And History, Presenting Painting, With Subjects For Her Pencil
- 1794