Materials & Techniques: stipple engraving / On-site Access: Accessible by appointment in the Study Room / Subject Terms: hair

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Materials & Techniques stipple engraving

On-site Access Accessible by appointment in the Study Room

Subject Terms hair

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by William Blake, 1757–1827

Thomas Hayley (1780-1800)

1800

Print made by Anthony Cardon, 1772–1813

E. Edwards, Associate and Teacher of Perspective in the Royal Academy

1808

Edward Francis Finden, 1791–1857

Hester Lynch Thrale, afterwards, Hester Lynch Piozzi

1835

Print made by Thomas Burke, 1749–1815

Honorable Elizabeth Rushout

undated

Print made by Francesco Bartolozzi, 1728–1815

The Right Honorable Lady Jane Dundas

ca. 1802

Print made by Thomas Burke, 1749–1815

Rebecca First Lady Northwick

undated

Print made by Thomas Burke, 1749–1815

Lady Rushout and Daughter

1784

Print made by Thomas Burke, 1749–1815

Honorable Harriet Rushout

undated

Print made by Thomas Burke, 1749–1815

Honorable Anne Rushout

undated

Print made by Bradshaw & Blacklock, active ca.1850

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things

after 1850

Print made by Matthew Darly, active 1754–1778

The Preposterous Head Dress, or the Feathered Lady

1776

Bradshaw & Blacklock, active ca.1850

Returning from the Spring. Virginia

after 1850

Print made by Francesco Bartolozzi, 1728–1815

Lady Gertrude, Marchioness of Halifax

undated

Print made by Francesco Bartolozzi, 1728–1815

Henryk Ludwik Lubomirski

1787

Print made by Francesco Bartolozzi, 1728–1815

Miss Price

1792

Print made by Francesco Bartolozzi, 1728–1815

Cleone

1784

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