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Materials & Techniques stipple engraving

Remove constraint Materials & Techniques: stipple engraving

Period 18th century

Remove constraint Period: 18th century

Width [cm] 49

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Francis Haward Cymon and Iphigenia
Print made by Francis Haward, 1759–1797
Cymon and Iphigenia
1797
Richard Earlom Hon. George Cranfield Berekley
Print made by Richard Earlom, 1743–1822
Hon. George Cranfield Berekley
1793
William S. Leney Taming the Shrew, Act III, Scene II
William S. Leney, 1769–1831
Taming the Shrew, Act III, Scene II
1793
Robert Mitchell Meadows Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
Robert Mitchell Meadows, Died before 1812
Dodbery and Verges, with the Watch; "Much Ado About Nothing", Act III, Scene II
1794
Thomas Macklin Fallstaff Playing the Prince, The Prince Playing the King
Print made by Thomas Macklin, active 1779–1793
Fallstaff Playing the Prince, The Prince Playing the King
1796
Peltro W. Tomkins Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
Peltro W. Tomkins, 1760–1840
Sir Andrew Aguecheek, Sir Toby Belch and the Clown - "Twelfth Night", Act II, Scene III
1792
John Browne The Sportsman
Print made by John Browne, 1741–1801
The Sportsman
1775
Richard Earlom The West Window of the Chapel, New College Oxford:
Richard Earlom, 1743–1822
The West Window of the Chapel, New College Oxford
1785
George Siegmund Facius West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
George Siegmund Facius, 1750–1804
West Window of the Chapel, New College Oxford: Shepherd Boy and Dog, Part Nativity Window
1785
John Whessell The Itinerant Potters
John Whessell, 1760–ca. 1823
The Itinerant Potters
1797
John Jones The Resurrection
John Jones, ca. 1745–1797
The Resurrection
1796
William Dickinson The Deserter
William Dickinson, 1746–1823
The Deserter
1784