Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
3
William Finden, 1787–1852
An Arabesque
1834
4
William Finden, 1787–1852
An Arabesque
1834
5
William Finden, 1787–1852
A Voyage of Discovery
1834
6
William Finden, 1787–1852
The Mask
1834
7
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
8
William Finden, 1787–1852
Shepherds
1834
9
William Finden, 1787–1852
Lady Jane Grey
1834
10
William Finden, 1787–1852
The Bird's Nest
1834
11
William Finden, 1787–1852
Children Swinging
1834
12
William Finden, 1787–1852
An Alcove
1834
13
Francesco Bartolozzi, 1728–1815
Jane Shore
1790
14
Francesco Bartolozzi, 1728–1815
Adelaide
1798
15
Print made by Thomas A. Woolnoth, 1785–1857
Mrs. W. West as Cordelia
1820
16
James Heath, 1757–1834
"This is fairy gold, boy, and will prove so"
1804
17
Francesco Bartolozzi, 1728–1815
Fonrose
1798
18
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
19
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
20
Print made by Francesco Bartolozzi, 1728–1815
Twelfth Night, Act V, Scene I: The Street
1803
21
Thomas Ryder, 1746–1810
Twelfth Night, Act III, Scene IV: Olivia's House
1803
22
Peter Simon, 1750–1810
Tom Jones: 'The Philosopher Square, Discovered in Molly Seagrim's Garret'
1789
23
Print made by Robert Thew, 1758–1802
King Richard the Second, Act V, Scene II (The Entrance of King Richard & Bolingbroke into London)
1801
24
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
25
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
26
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
27
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
1786
28
Francesco Bartolozzi, 1728–1815
Concert Ticket For The Benefit of Madame Banti
1795
29
Print made by Francesco Bartolozzi, 1728–1815
Mrs. Abington as Thalia
1783
30
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
31
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
32
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
33
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
34
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
35
Print made by George Vertue, 1684–1756
William Cavendish of Newcastle
1739
36
after Sir Anthony Van Dyck, 1599–1641
William Cavendish, Duke of Newcastle
1836
37
Print possibly made by George Vertue, 1684–1756
William Cavendish, Marquis of Newcastle, General of His Majesties Army in the North
1713
38
Print made by unknown artist
William Cavendish, first Duke of Newcastle-upon-Tyne
undated
39
Print made by George Vertue, 1684–1756
William Cavendish, Duke of Newcastle
1739
40
Print made by Richard Hamilton, 1922–2011
How a Great Daily Organ is Turned Out
1990
41
Print made by Richard Hamilton, 1922–2011
In Horne's House
1982
42
Print made by Jacobus Houbraken, 1698–1780
Sir Kenelm Digby
1748
43
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
44
Francesco Bartolozzi, 1728–1815
Lauretta
1776
45
Francesco Bartolozzi, 1728–1815
Hercules and Omphale
46
Francesco Bartolozzi, 1728–1815
The Snuff Box, Calais
1799
47
Francesco Bartolozzi, 1728–1815
The Shepherdess of the Alps
1776
48
Francesco Bartolozzi, 1728–1815
The Hours
1788
49
Francesco Bartolozzi, 1728–1815
Selim of the Shepherd's Moral
1788
50
Francesco Bartolozzi, 1728–1815
The Dead Ass, Nampont
1799
51
Francesco Bartolozzi, 1728–1815
Lodona
1792
52
Francesco Bartolozzi, 1728–1815
Vede di Mezzo il Fiume un Cavaliero..
1773
53
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
54
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
55
Francesco Bartolozzi, 1728–1815
Lo Corse ad Abbracciare, e a Sargli Sesta..
1773
56
Francesco Bartolozzi, 1728–1815
Angelica, e Medoro in Varj Modi..
1773
57
Francesco Bartolozzi, 1728–1815
E d'Uccider se Stesso in Pensier Venne..
1773
58
Francesco Bartolozzi, 1728–1815
Stava Ella Nel Sepolcro; e Quivi Attrita..
1773
59
Francesco Bartolozzi, 1728–1815
Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance into The World
1778
60
Francesco Bartolozzi, 1728–1815
Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille Rosis
1778
61
Francesco Bartolozzi, 1728–1815
Title page: L'Amico' de Fanciulli, Vol. III
1788
62
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
63
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
64
Francesco Bartolozzi, 1728–1815
Ophelia vide Hamlet, Act 4, Scene VII
1794
65
Francesco Bartolozzi, 1728–1815
Troilus and Cressida, Act 4, Scene II
1794
66
Francesco Bartolozzi, 1728–1815
As You Like It, Act IV, Orlando and Oliver
1788
67
Francesco Bartolozzi, 1728–1815
Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background
undated
68
Francesco Bartolozzi, 1728–1815
Coriolanus, Act 5, Scene III
1783
69
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
70
Francesco Bartolozzi, 1728–1815
Cordelia
1784
71
Francesco Bartolozzi, 1728–1815
Sappho Embracing Love
1783
72
Francesco Bartolozzi, 1728–1815
Alexander and Nerina
1784
73
Francesco Bartolozzi, 1728–1815
The Freeing of Amoret
1792
74
Francesco Bartolozzi, 1728–1815
The Deserted Village
1795
75
Francesco Bartolozzi, 1728–1815
Vortigern And Rowena
1788
76
Francesco Bartolozzi, 1728–1815
Tancred and Erminia
1784
77
Francesco Bartolozzi, 1728–1815
Title page: Depicting Cupid, Venus, and Juno
1782
78
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
79
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXIII, Mallet
1785
80
Francesco Bartolozzi, 1728–1815
Cecilia
1783
81
Francesco Bartolozzi, 1728–1815
My Son attend unto my Wisdom, and Bow Thine ear to my Understanding; Proverbs, Chapter V
82
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
83
Francesco Bartolozzi, 1728–1815
Chryseis Restored To Her Father
1786
84
Francesco Bartolozzi, 1728–1815
Death of Dido
85
Francesco Bartolozzi, 1728–1815
Jupiter and Io
1784
86
Francesco Bartolozzi, 1728–1815
Orlando Rescues Olympia From The Orca In The Island Ebuda
1768
87
Francesco Bartolozzi, 1728–1815
Polyhemus, Playing The Panpipes For Galatea
1783
88
Francesco Bartolozzi, 1728–1815
King Alboin Forcing Rosamund to Drink From The Skull of Her Murdered Father, Cunimund, King of the Gepids
1779
89
Francesco Bartolozzi, 1728–1815
Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"
1782
90
Francesco Bartolozzi, 1728–1815
Shakespeare's Tomb
1782
91
Francesco Bartolozzi, 1728–1815
The Birth of Shakespeare
1782
92
Francesco Bartolozzi, 1728–1815
Anthony and Cleopatra, Act 3, Scene II
1794
93
Francesco Bartolozzi, 1728–1815
King Lear, Act 4, Scene VII
1794
94
Francesco Bartolozzi, 1728–1815
Macbeth, Act I, Scene II
1784
95
Francesco Bartolozzi, 1728–1815
April
1790
96
Francesco Bartolozzi, 1728–1815
August
1793
97
Francesco Bartolozzi, 1728–1815
October
1793
98
Francesco Bartolozzi, 1728–1815
Poetry And History, Presenting Painting, With Subjects For Her Pencil