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Materials & Techniques stipple engraving

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1. The Relief

The Relief
Creator:
William Dickinson, 1746–1823
Date:
1781
Materials & Techniques:
Stipple engraving and etching on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 11 7/16 × 13 3/8 inches (29 × 34 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. "Then go, bid the huntsmen wake them with their horns"

"Then go, bid the huntsmen wake them with their horns"
Creator:
James Heath, 1757–1834
Date:
1802
Materials & Techniques:
Etching and stipple engraving on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 16 13/16 x 12 15/16 inches (42.7 x 32.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

3. Specimens of Waltzing

Specimens of Waltzing
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1817
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 13 13/16 inches (24.7 × 35.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Sportsman

The Sportsman
Creator:
Print made by John Browne, 1741–1801
Date:
1775
Materials & Techniques:
Etching, line engraving, and stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 15 7/8 x 19 3/8 inches (40.4 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!

Very Unpleasant Weather, or, the Old Saying Verified "Raining Cats, Dogs, & Pitchforks."!!!
Creator:
Print made by George Cruikshank, 1792–1878
Date:
1835
Materials & Techniques:
Etching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 10 11/16 x 16 5/16 inches (27.1 x 41.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Eight Rural Subjects

Eight Rural Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 1/2 × 11 3/16 inches (31.8 × 28.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 7/16 x 3 1/4 inches (11.3 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.

Here's Dada Coming. My Pretty Dada. Shoulder Arms. What Pretty Things.
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 5 9/16 x 2 7/16 inches (14.1 x 6.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Oriental Scenes

Oriental Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Rural Scenes

Rural Scenes
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Etching, stipple engraving, and color woodcut on cream card mounted on beige card
Dimensions:
Image: 2 3/4 x 6 13/16 inches (7 x 17.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting

To His Grace The Duke Of Newcastle, This Print Of The Return From Shooting
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1792
Materials & Techniques:
Color-printed stipple engraving with aquatint and drypoint
Dimensions:
Sheet: 21 x 26 1/4in. (53.3 x 66.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Great Exhibition: Exterior View from the Southwest

The Great Exhibition: Exterior View from the Southwest
Creator:
Print made by George Baxter, 1804–1867
Date:
1851
Materials & Techniques:
Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:
Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Castles in England

Castles in England
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Double Hairpin Set

Double Hairpin Set
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:
Sheet: 6 5/8 × 7 5/16 inches (16.8 × 18.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Eight colour prints

Eight colour prints
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 12 5/8 × 11 inches (32 × 28 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 5/16 x 3 1/4 inches (11 x 8.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Four Subjects

Four Subjects
Creator:
Print made by Bradshaw & Blacklock, active ca.1850
Date:
after 1850
Materials & Techniques:
Aquatint, etching, stipple engraving and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:
Image: 4 3/8 x 3 1/4 inches (11.1 x 8.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Stone Bow, Lincoln

The Stone Bow, Lincoln
Creator:
Frederick James Havell, 1801–1840
Date:
1836
Materials & Techniques:
Etching with stipple engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 5 13/16 × 8 3/4 inches (14.7 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. Evening

Evening
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
undated
Materials & Techniques:
Stipple engraving and etching, hand colored on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 × 10 5/8 inches (33 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection