Materials & Techniques: stipple engraving - YCBA Collections Search Search Results

Print made by Niccoló Schiavonetti, 1771–1813

New Mackrel, New Mackrel

1795

Print made by Giovanni Vendramini, 1769–1839

Old Chairs to Mend

1795

Print made by Giovanni Vendramini, 1769–1839

Strawberrys, Scarlet Strawberrys

1795

Print made by Anthony Cardon, 1772–1813

Round & Sound, Five Pence a Pound, Duke Cherries

1795

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by Giovanni Vendramini, 1769–1839

Hot Spice Gingerbread, Smoking Hot!

1796

Print made by Anthony Cardon, 1772–1813

A New Love Song, Only ha'Penny a Piece

1796

Print made by William Faithorne, ca. 1620–1691

Portrait of Francis Moore

ca. 1663

Print made by Robert Cooper, ca. 1800–1836

A. More

1826

Print made by Henry Hoppner Meyer, ca. 1782–1847

James Northcote

1815

unknown artist

Peter Oliver, A Celebrated Painter in the Reign of James I and Charles I

ca. 1765

Print made by William Thomas Fry, 1789–1843

Martin Archer Shee, Esq., R. A

1817

Print made by Samuel Freeman, 1773–1857

John Smith

undated

Print made by R. Clamp, fl.1789–1798

John Taylor

1796

Alexander Bannerman, ca. 1730–1780

Anthony Vandyck

undated

Print made by unknown artist

Hermitage Castle, Border Minstrelsy

William Camden Edwards, 1777–1855

Nicholas Hilliard

1826

Print made by Robert Cooper, ca. 1800–1836

Julius Caesar Ibbetson

undated

Print made by John Chapman, active ca. 1792–1823

Angelica Kauffmann

undated

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Print made by Paulus Pontius, 1603–1658

Theodorus Rombouts

ca. 1635

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1852

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Conrad Martin Metz, 1749–1827

Christ the Judge and Saints John the Baptist and Abel

1801

Conrad Martin Metz, 1749–1827

The Elect

1801

Print made by Peter Simon, 1750–1810

Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)

1791

Print made by Robert Thew, 1758–1802

King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)

1792

Print made by Robert Thew, 1758–1802

King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)

1789

Alexander Bannerman, ca. 1730–1780

Daniel Mytens

1762

Print made by George Cooke, 1781–1834

Humphry Repton, Esq

1820

Print made by John Condé, 1765–1794

Sir Joshua Reynolds, Knt. L. L. D., President of the Royal Academy

1793

Alexander Bannerman, ca. 1730–1780

Henry Steenwyck

undated

Print made by Samuel Freeman, 1773–1857

Henry Tresham, R. A

1809

Print made by Anthony Cardon, 1772–1813

Henry Tresham, Esq. R. A

1814

Print made by Thomas Anthony Dean, 1801–1860

Portrait of Lawrence When a Boy

1831

Print made by A. Birrell, ca.1770–ca. 1820

Sir Peter Lely

undated

Edward Harding, 1755–1840

Sir John Medina

1797

Print made by unknown artist

Sir Godfrey Kneller

undated

Print made by Thomas Cook, 1744–1818

William Hogarth

1809

Imitator of George Baxter, 1804–1867

Funeral of the Late Duke of Wellington

after 1893

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "One Day as I was Walking in the Woods..."

1789

Print made by Francesco Bartolozzi, 1728–1815

King Henry VIII with Will Somer, Edward VI, Mary I, and Elizabeth I

1800

Print made by T. Blood, active 1812–1814

John Bacon Esqr., F. A. S

1815

Print made by Robert Blyth, 1750–1784

John Hamilton Mortimer

1782

Print made by William Carpenter, 1818–1899

Charles Fox

1849

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

ca. 1793

Print made by Thomas Chambars, ca. 1724–1789

Sir Nathaniel Bacon

1793

Print made by Thomas Chambars, ca. 1724–1789

Sir Balthazar Gerbier

undated

Francesco Bartolozzi, 1728–1815

Concert Ticket: Benefit Night of Luigi Borghi

1780

Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799

Print made by Francesco Bartolozzi, 1728–1815

John Henderson as Iago

1786

Print made by Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1763

Print made by Francesco Bartolozzi, 1728–1815

For the Benefit of Mr. Borghi

1789

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1770

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1782

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1780

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791

Print made by Francesco Bartolozzi, 1728–1815

For the Benefit of Mr. Guadagni

1767

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Sal Pietro

1773

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

between 1768 and 1776

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1778

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

between 1769 and 1787

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

between 1768 and 1776

Francesco Bartolozzi, 1728–1815

Concert Ticket For The Benefit of Madame Banti

1795

Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini

1782

Francesco Bartolozzi, 1728–1815

Ticket to Mr. Fierville's Ball

1781

Print made by Francesco Bartolozzi, 1728–1815

Francis Grose

1787

Francesco Bartolozzi, 1728–1815

Orpheus and Eurydice

Print made by Francesco Bartolozzi, 1728–1815

Mrs. Abington as Thalia

1783

Print made by Francesco Bartolozzi, 1728–1815

Luis Pinto de Sousa Coutinho, 1st Viscount of Balsemão

before 1797

Guillaume Philippe Benoist Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..

1745

Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower

1745

Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door

1745

Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to

1745

Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

Print made by Guillaume Philippe Benoist, 1725–ca. 1770

Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire

1745

Print made by Francesco Bartolozzi, 1728–1815

Samuel Johnson

1785

Francesco Bartolozzi, 1728–1815

Design for Sir Joshua Reynold's Funeral Card

Print made by Francesco Bartolozzi, 1728–1815

Angelica Kauffman

1780

Print made by Samuel Freeman, 1773–1857

Reverend Timothy Dwight, D.D., President of Yale College

undated

Pieter de Jode II, ca. 1606–1674

Nobilissimus et Integerrimus Vir, D. Paulus Halmalius, Senator Ant

undated

Print made by Jacob Bonneau, 1741–1786

One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

1751

Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

Print made by Thomas Gaugain, 1748–1812

Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782

1796