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Materials & Techniques stopping out
Remove constraint Materials & Techniques: stopping outCredit Line Yale Center for British Art, Paul Mellon Fund
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon FundSearch Results
- Date:
- 1826
- Materials & Techniques:
- Watercolor with stopping out, and scraping out on moderately thick slightly textured cream wove paper
- Dimensions:
- Sheet: 30 3/4 x 42 1/2 inches (78.1 x 108 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1830
- Materials & Techniques:
- Watercolor with stopping out, scraping out, and gouache on moderately thick, slightly textured, cream wove paper
- Dimensions:
- Sheet: 31 x 42 inches (78.7 x 106.7 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
3. II
- Date:
- 1990
- Materials & Techniques:
- Softground etching with stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
4. XLVII
- Date:
- 1990
- Materials & Techniques:
- Aquatint and stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
5. XXIV
- Date:
- 1990
- Materials & Techniques:
- Aquatint bitten evenly to black over white plate then burnished back and open bitten through stop-out varnish on white 300gsm Somerset TP Textured wove paper
- Dimensions:
- Sheet: 19 3/4 × 16 1/2 inches (50.2 × 41.9 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- 1828
- Materials & Techniques:
- Watercolor over graphite with stopping-out, scraping out and gum on medium, smooth, white wove paper
- Dimensions:
- Sheet: 15 7/8 x 25 1/2 inches (40.3 x 64.8 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund