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Materials & Techniques water gilding

Remove constraint Materials & Techniques: water gilding

Subject Terms frame status: Period

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British, Louis XIV style frame
Creator:
unknown framemaker
Date:
mid-18th century
Materials & Techniques:
Carved wood, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Wood & compo (or papier mâché?), later oil gilding over original oil and water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Dimensions:
Frame: 26 5/8 × 34 1/2 × 2 1/2 inches (67.6 × 87.6 × 6.4 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Regency/Victorian frame
Creator:
unknown framemaker
Date:
2nd quarter of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
19th century
Materials & Techniques:
Wood and compo, original oil and water gilding, partially regilded
Dimensions:
Frame: 17 × 24 1/2 × 2 inches (43.2 × 62.2 × 5.1 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British or Irish (?), Provincial variant Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
1st half of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
Continental Europe, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood, later patinated water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Carved wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XVI Revival frame
Creator:
unknown framemaker
Date:
2nd half of 19th century
Materials & Techniques:
Wood, compo, oak frieze; canvas, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British (?), Baroque style moulding frame
Creator:
unknown framemaker
Date:
late 19th to early 20th century
Materials & Techniques:
Wood and compo, water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Provincial Variant Neoclassical frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, partially regilded over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Rococo frame
Creator:
unknown framemaker
Date:
3rd quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding and punched and lattice ground
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Louis XIV 'Flower corner' frame
Creator:
unknown framemaker
Date:
late 17th to early 18th century
Materials & Techniques:
Carved wood, partially regilded over original water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival frame
Creator:
unknown framemaker
Date:
1st half of 19th century
Materials & Techniques:
Wood and compo, original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Carved wood, later patinated water gilding over original gilding
Dimensions:
Frame: 22 1/8 × 29 × 2 3/8 inches (56.2 × 73.7 × 6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, later oil and water gilding over original gilding
Dimensions:
Frame: 36 × 30 3/4 × 2 3/8 inches (91.4 × 78.1 × 6 cm)
Collection:
Frames
Credit Line:
Yale Center for British Art
British, 'Carlo Maratta' frame
Creator:
unknown framemaker
Date:
2nd half of 18th century
Materials & Techniques:
Carved wood, water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Baroque frame
Creator:
unknown framemaker
Date:
1st quarter of 18th century
Materials & Techniques:
Carved wood, later oil gilding and over original oil and water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
late 18th to early 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Louis XIV style frame
Creator:
unknown framemaker
Date:
4th quarter of 17th century
Materials & Techniques:
Carved wood, later oil gilding over original oil and water gilding and sanded frieze
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical frame
Creator:
unknown framemaker
Date:
early 19th century
Materials & Techniques:
Wood and compo, later oil and water gilding over original gilding
Collection:
Frames
Credit Line:
Yale Center for British Art
British, Neoclassical Revival style frame
Creator:
unknown framemaker
Date:
2nd and 3rd quarters of 19th century
Materials & Techniques:
Wood and compo, oil and water gilt and patinated
Collection:
Frames
Credit Line:
Yale Center for British Art
French, Baroque moulding frame
Creator:
unknown framemaker
Date:
2nd half of 19th century
Materials & Techniques:
Wood, original matt and burnished water gilding
Collection:
Frames
Credit Line:
Yale Center for British Art