Materials & Techniques: watercolor / Creator Gender: male / Date: 1820

1. Rustic Contentment

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 15 3/4 inches (18.4 x 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Wayside Smithy

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 7 3/8 inches (25.1 x 18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Timber Wagon Crossing a Stream

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 8 3/4 inches (17.5 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Barns

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, gray wove paper
Dimensions:: Sheet: 10 × 13 9/16 inches (25.4 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Study of a Pilgrim

Creator:: attributed to Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper
Dimensions:: Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Harlech Castle

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, varnish, and graphite, with scraping out on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 8 5/8 x 11 5/8 inches (21.9 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Mount Siabod from Tyn-y-Coed near Capel Curig

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gouache, watercolor, and graphite with pen and brown ink on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 7/8 x 18 5/8 inches (37.8 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. A Barn with a Mossy Roof, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, white gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 7/8 x 14 7/8 inches (27.6 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Thatched Cottage and Church

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/8 x 4 1/8 inches (7.9 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Evening, Cattle Watering

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Gouache and watercolor and scraping out with varnish on card
Dimensions:: Sheet: 4 1/4 x 3 inches (10.8 x 7.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Scene in Wales

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor and black chalk on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 3 3/8 x 7 1/2 inches (8.6 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of George Dix, B.A. 1934

12. Ivy Cottage, Shoreham

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, gouache, and pen and brown ink ; verso: graphite and white chalk on thick, slightly textured, blue wove paper
Dimensions:: Frame: 23 1/4 x 30 x 1in. (59.1 x 76.2 x 2.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Bright Cloud

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor on thick, smooth, cream wove paper
Dimensions:: Sheet: 5 15/16 x 7 1/4 inches (15.1 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The Valley of Dolwyddelan

Creator:: Samuel Palmer, 1805–1881
Date:: undated
Materials & Techniques:: Watercolor, black chalk, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11 1/8 inches (19.4 x 28.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. A Sea Piece - A Rough Sea with a Fishing Boat

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: 1820 to 1830
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 7/8 x 11 5/8 inches (20 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. Barnard Castle, Durham

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1825
Materials & Techniques:: Watercolor, gouache, pen and black ink, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 x 16 1/4 inches (29.5 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Parable of the Wise and Foolish Virgins

Creator:: William Blake, 1757–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 16 5/8 x 13 7/8 inches (42.2 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The Revolutionaire: Single Corvette

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Mount: 14 7/8 × 16 7/8 inches (37.8 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

19. A Maiden Lady and her Family

Creator:: Print made by unknown artist
Date:: between 1820 and 1840
Materials & Techniques:: Lithograph with hand coloring in watercolor on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/2 x 8 7/8 inches (29.2 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Greenwich Hospital from Woolwich Reach

Creator:: David Cox, 1783–1859
Date:: 1820s
Materials & Techniques:: Watercolor and graphite with scratching out on moderately thick, moderately textured, white wove paper
Dimensions:: Sheet: 5 3/4 × 8 3/4 inches (14.6 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Mill Yard, Holland Estate, St. Thomas in the East

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Holland Estate, St. Thomas in the East, View from the Change of Air House

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 1/2 inches (31.1 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Holland Estate, St. Thomas in the East, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 16 1/2in. (30.5 x 41.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Part of the West Cliff, Hastings, 8 October 1820

Creator:: Capt. Thomas Hastings, 1778–1854
Date:: 1820
Materials & Techniques:: Graphite; verso: watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 5 1/4 inches (10.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

Creator:: Print made by John Franklin, c.1800–1868
Date:: ca. 1825
Materials & Techniques:: Lithograph with watercolor on moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 12 15/16 x 17 13/16 inches (32.8 x 45.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection, Fry Print Collection

26. Elevation for the West Front of the New Quadrangle of Corpus Christi College, Cambridge

Creator:: William Wilkins, 1778–1839
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 18 5/8 × 36 5/8 inches (47.3 × 93 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Coast Scene with Figures

Creator:: Robert Brandard, 1805–1862
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 × 12 5/8 inches (15.2 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Elevation of a Proposed Design for King's College, Cambridge

Creator:: William Wilkins, 1778–1839
Date:: ca. 1825
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream laid paper
Dimensions:: Sheet: 16 × 39 inches (40.6 × 99.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Elevation of a Proposed Design for King's College, Cambridge

Creator:: William Wilkins, 1778–1839
Date:: ca. 1825
Materials & Techniques:: watercolor, pen and black ink on slightly textured, thick, brown wove paper
Dimensions:: Sheet: 11 7/8 × 24 1/8 inches (30.2 × 61.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Lyssons Estate, St. Thomas in the East, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 16 1/2 inches (30.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Some Do and Some Don't: It is All a Notion:" Getting Home

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1820 and 1821
Materials & Techniques:: Graphite, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 9/16 × 10 5/8 inches (19.2 × 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Steeplechasing: Three Riders Taking a Brook

Creator:: Henry Thomas Alken, 1785–1851
Date:: ca. 1825
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The London-Dover Royal Mail, c. 1830-1840

Creator:: Charles B. Newhouse, fl. c.1820–1836
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, red ink, gum arabic, gouache, and graphite on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 13/16 × 15 1/4 inches (27.5 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 19 3/4 × 14 inches (50.2 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Still Life with a Ginger Jar

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 inches (19.1 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. William Short

Creator:: John Linnell, 1792–1882
Date:: 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/4 x 7 1/4 inches (24.8 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Study for "Reading the Will"

Creator:: Sir David Wilkie, 1785–1841
Date:: 1820
Materials & Techniques:: Watercolor with gray ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 x 5 5/8 inches (10.2 x 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. A View of London from Highgate

Creator:: George Barret Jr., 1767–1842
Date:: 1820
Materials & Techniques:: Watercolor over graphite with scraping and gum on thick, smooth, cream card
Dimensions:: Sheet: 20 1/2 × 32 1/8 inches (52.1 × 81.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Near Broadstairs

Creator:: William J. Blacklock, 1805–1858
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 × 8 1/2 inches (14 × 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Boat Building on the Teign

Creator:: Samuel Lucas, 1805–1870
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 18 1/8 inches (23.8 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

45. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, with pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 4 1/4 × 7 inches (10.8 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. In the American Garden

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 13/16 × 6 5/16 inches (19.8 × 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 4 5/16 × 7 inches (11 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 9 3/4 × 13 5/16 inches (24.8 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Greenwich

Creator:: David Cox, 1783–1859
Date:: between 1820 and 1829
Materials & Techniques:: Watercolor with scratching out on thick, smooth, cream wove paper
Dimensions:: Sheet: 7 5/8 x 11in. (19.4 x 27.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Remains of Purton Hall, Staffordshire

Creator:: Cornelius Varley, 1781–1873
Date:: 1820
Materials & Techniques:: Watercolor, graphite, and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 × 21 3/8 inches (37.8 × 54.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Haughton Court, Hanover, Jamaica

Creator:: James Hakewill, 1778–1843
Date:: between 1820 and 1821
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 × 16 5/8 inches (31.1 × 42.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Beach Scene

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1825
Materials & Techniques:: Watercolor with scraping out on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 3/8 x 7 1/8 inches (13.7 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Design for Hyde Park and St. James' Park Entrance

Creator:: Sir John Soane, 1753–1837
Date:: ca. 1826
Materials & Techniques:: Watercolor and graphite on three joined sheets of moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 15 3/4 × 50 1/4 inches (40 × 127.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. The Tenth Day of the Decameron

Creator:: Thomas Stothard, 1755–1834
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8in. (27 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. St. Jacques, Dieppe

Creator:: Henry William Burgess, active 1809–1860
Date:: 1820
Materials & Techniques:: Watercolor, pen and brown ink, black ink, green ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 17 1/2 inches (30.3 × 44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Dr. Syntax and his Counterpart

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Aquatint and etching with hand coloring in watercolor on medium, slightly texture, cream wove paper
Dimensions:: Frame: 23 11/16 × 30 inches (60.2 × 76.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Eugene Galleries, Inc.

57. Saint Lo

Creator:: David Roberts, 1796–1864
Date:: ca. 1825
Materials & Techniques:: Watercolor with some gouache over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 x 13 1/2in. (25.4 x 34.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Traders and a Warship in Coastal Waters

Creator:: George Chambers, 1803–1840
Date:: between 1820 and 1840
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 9 x 12 1/4 inches (22.9 x 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

59. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

Creator:: John Buckler FSA, 1770–1851
Date:: 1820
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Doctor Syntax loses his Money on the Race Ground at York

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 5/16 x 6 13/16 inches (11 x 17.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Dr. Syntax Attends the Execution

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Bodmin Moor

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 3/16 x 16 15/16 inches (28.4 x 43 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Dr. Syntax Bound to a Tree by Highwaymen

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor with pen and brown and red ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 1/4 inches (13.3 x 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Dr Syntax Meditating on the Tombstones

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1820
Materials & Techniques:: Watercolor and graphite with pen and red ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 7/16 x 7 7/16 inches (11.3 x 18.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: 1820
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper mounted to thick, slightly textured, gray wove paper
Dimensions:: Sheet: 4 3/4 × 7 7/8 inches (12.1 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Huckster of Port Orotava, Tenerife

Creator:: Alfred Diston, active 1818–1829
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 6 3/8 inches (21.3 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Summer Landscape

Creator:: Lionel Constable, 1828–1887
Date:: ca. 1825
Materials & Techniques:: Watercolor and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 4 7/8 x 6 3/4 inches (12.4 x 17.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Hamlet and the Ghost

Creator:: George Cruikshank, 1792–1878
Date:: ca. 1825
Materials & Techniques:: Watercolor with black ink and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 7/8 x 8 5/16 inches (17.4 x 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

70. View of Lambeth Palace on Thames

Creator:: David Cox, 1783–1859
Date:: between 1820 and 1829
Materials & Techniques:: Watercolor, gouache, and graphite, with scratching out on thick, slightly textured, white wove paper
Dimensions:: Sheet: 9 5/8 x 13 inches (24.4 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Albany Street, Regents Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and black ink, brown ink, green ink, graphite, and gouache on very thick, slightly textured, beige card
Dimensions:: Sheet: 14 1/8 × 18 inches (35.9 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Yarmouth Sands, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1820 to 1830
Materials & Techniques:: Watercolor, gouache, graphite, and scraping out on medium smooth cream wove paper
Dimensions:: Sheet: 11 3/4 x 16 1/2 inches (29.8 x 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Ruin of a Norman Church

Creator:: after John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor, brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 5/8 x 8 7/8 inches (32.1 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Errand Boy Asleep in a Church

Creator:: circle of John Sell Cotman, 1782–1842
Date:: ca. 1825
Materials & Techniques:: Watercolor over graphite on medium slightly textured cream wove paper
Dimensions:: Sheet: 9 3/8 x 11 3/8 inches (23.8 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Erlestoke, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, with pen and brown ink, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 13 9/16 inches (18.3 × 34.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Edington Church, Wiltshire, England

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 10 inches (17.8 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Erlestoke House and Park

Creator:: unknown artist
Date:: ca. 1825
Materials & Techniques:: Watercolor with pen and brown ink, graphite, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 12 7/16 inches (19.1 × 31.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. St. Nicholas Church, Newcastle Upon Tyne

Creator:: Thomas Miles Richardson Sr., 1784–1848
Date:: ca. 1825
Materials & Techniques:: Watercolor on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 8 3/4 inches (29.2 × 22.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The Nauroure Rocks at the Division of the Waters of the Canal du Midi from the North

Creator:: Charles Hamilton Smith, 1776–1859
Date:: 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Avignon from the Island, Mont Ventoux in the Distance.

Creator:: Charles Hamilton Smith, 1776–1859
Date:: 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Magic – The Green Bag Metamorphosed, or the Mountain in Labour

Creator:: Print made by Charles Williams, active 1796–1830
Date:: 1820
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 × 15 1/4 inches (26.7 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Stephen H. Borkowski in honor of Dr. Colin Andrew Lee

82. The Turkey at Bay

Creator:: Print made by Robert Seymour, 1798–1836
Date:: ca. 1825
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 × 18 inches (30.8 × 45.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Godfrey Pearlson

83. Design for Alterations in Ice House

Creator:: Captain Wyndham R.N., active ca. 1825
Date:: ca. 1825
Materials & Techniques:: Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/4 × 10 7/8 inches (33.7 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

YCBA Collections Search

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Search Constraints

Materials & Techniques watercolor

Creator Gender male

Date 1820

Search Results

1. Rustic Contentment

2. The Wayside Smithy

3. Timber Wagon Crossing a Stream

4. The Barns

5. Study of a Pilgrim

6. Harlech Castle

7. Mount Siabod from Tyn-y-Coed near Capel Curig

8. A Barn with a Mossy Roof, Shoreham

9. Thatched Cottage and Church

10. Evening, Cattle Watering

11. Scene in Wales

12. Ivy Cottage, Shoreham

13. The Bright Cloud

14. The Valley of Dolwyddelan

15. A Sea Piece - A Rough Sea with a Fishing Boat

16. Barnard Castle, Durham

17. The Parable of the Wise and Foolish Virgins

18. The Revolutionaire: Single Corvette

19. A Maiden Lady and her Family

20. Greenwich Hospital from Woolwich Reach

21. Mill Yard, Holland Estate, St. Thomas in the East

22. Holland Estate, St. Thomas in the East, View from the Change of Air House

23. Holland Estate, St. Thomas in the East, Jamaica

24. Part of the West Cliff, Hastings, 8 October 1820

25. Monsignor Alexandre's Characters in his Entertainment of the Devil on Two Sticks, or, Asmodeus in London

26. Elevation for the West Front of the New Quadrangle of Corpus Christi College, Cambridge

27. Coast Scene with Figures

28. Elevation of a Proposed Design for King's College, Cambridge

29. Elevation of a Proposed Design for King's College, Cambridge

30. Lyssons Estate, St. Thomas in the East, Jamaica

31. "Some Do and Some Don't: It is All a Notion:" Getting Home

32. Steeplechasing: Three Riders Taking a Brook

33. The London-Dover Royal Mail, c. 1830-1840

34. North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley

35. North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

36. The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield

37. Principal Entrance of Westwood house, Worcestershire; the Seat of Sir John Packington Bart.

38. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

39. Still Life with a Ginger Jar

40. William Short

41. Study for "Reading the Will"

42. A View of London from Highgate

43. Near Broadstairs

44. Boat Building on the Teign

45. Erlestoke House and Park

46. In the American Garden

47. Erlestoke House and Park

48. Erlestoke House and Park

49. Greenwich

50. Remains of Purton Hall, Staffordshire

51. Haughton Court, Hanover, Jamaica

52. Beach Scene

53. Design for Hyde Park and St. James' Park Entrance

54. The Tenth Day of the Decameron

55. St. Jacques, Dieppe

56. Dr. Syntax and his Counterpart

57. Saint Lo

58. Traders and a Warship in Coastal Waters

59. South West View of Cobham hall Kent, the Seat of the Right Honourable the Earl of Darnley

60. South Front of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

61. Doctor Syntax loses his Money on the Race Ground at York

62. Dr. Syntax Attends the Execution

63. Bodmin Moor

64. Dr. Syntax Bound to a Tree by Highwaymen

65. Dr Syntax Meditating on the Tombstones

66. The Convent and Part of the Town of Candelaria, on the south side of Tenerife

67. Huckster of Port Orotava, Tenerife

68. Summer Landscape

69. Hamlet and the Ghost

70. View of Lambeth Palace on Thames

71. Albany Street, Regents Park

72. Yarmouth Sands, Norfolk

73. Ruin of a Norman Church