Materials & Techniques: watercolor / Creator Gender: male / Width [cm]: 20

attributed to Samuel Palmer, 1805–1881

Study of a Pilgrim

undated

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Joseph Mallord William Turner, 1775–1851

Fishing Boats Becalmed off le Havre

undated

Joseph Mallord William Turner, 1775–1851

Fisherman's Cottage, Dover

ca. 1790s

Edward Lear, 1812–1888

Sliema

1866

Edward Lear, 1812–1888

Harb. Gozo

1866

Edward Lear, 1812–1888

Tepelene, 19 April 1857

1857

Edward Lear, 1812–1888

Deir Kadige, noon, January 2, 1867 (26)

1867

Edward Lear, 1812–1888

Near Dakkeh

1867

Edward Lear, 1812–1888

Sunset

1867

Edward Lear, 1812–1888

Dendera

1867

Edward Lear, 1812–1888

Between Thebes and Erment

1867

Edward Lear, 1812–1888

Kulat Adde, near Abu Simbel

1867

Edward Lear, 1812–1888

Abou Simbel; 8:10 A.M., 8 Feb. 1867 (369)

1867

Robert Smirke, 1752–1845

Scene from Don Quixote

undated

Luigi Balugani, 1737–1770

Fiore di Berberra

undated

Luigi Balugani, 1737–1770

Cuzzo (Hagenia abyssinica)

undated

Luigi Balugani, 1737–1770

Mimosa Pigra; Selcienn (Dispyros abyssinica)

undated

Thomas Rowlandson, 1756–1827

Cat Like Courtship

undated

circle of Edward Dayes, 1763–1804

Milkmaid and Dog in a Landscape

undated

James Sowerby, 1756–1822

A Finch (Siskin?)

undated

James Sillett, 1764–1840

The Summer Lodden, Sept. 1832: A Still Life Study of Three Apples

1832

John Thomas Smith, 1766–1833

Vale of Health - Hampstead

1830

Edward Francis Burney, 1760–1848

Landscape with Pasture Gate

undated

attributed to Richard Dadd, 1817–1886

A Seated Figure on Horseback

undated

Sir Robert Smirke the younger, 1781–1867

Argos, Remains of a Roman Building

1802-1804

Print made by unknown artist

A Maiden Lady and her Family

between 1820 and 1840

John White Abbott, 1763–1851

A View of Core's Library, Dawlish, Devon

1837

William Alexander, 1767–1816

Remains of a Bridge at San-Sien-Wey on the Pei-Ho near Tong-Tcheou, August 15, 1793

1793

Giovanni Battista Borra, 1713–1770

View of the Theater and Plan of the Ionic Temple at Sardis

ca. 1750

Giovanni Battista Borra, 1713–1770

View of the Valley of Sardis and View of a Ruined Bridge

ca. 1750

Giovanni Battista Borra, 1713–1770

Plan of the Temple of Juno at Samos and Details of a Column

ca. 1750

Capt. Thomas Hastings, 1778–1854

East Cowes, Isle of Wight

undated

Joseph Cartwright, c.1789–1829

Sixty-six Guns: Single Frigate

undated

Joseph Cartwright, c.1789–1829

Single Battleship, Stern Forward

undated

William Callow, 1812–1908

Château d'Ecouen

1833

George Shepheard, ca. 1770–1842

Devereux House, the Strand, London

1811

Frederick Calvert, ca. 1785–ca. 1845

Undercliff, Isle of Wight

undated

Frederick Calvert, ca. 1785–ca. 1845

A Lane with Figures - Isle of Wight (?)

undated

Frederick Calvert, ca. 1785–ca. 1845

Carisbrook Castle, Isle of Wight

undated

James Sowerby, 1756–1822

A Blue Tit

1794

James Sowerby, 1756–1822

Eurasian skylark

undated

James Sowerby, 1756–1822

A mandrill

undated

Sir Robert Smirke the younger, 1781–1867

Mountains Near St. Johann, Austria

1802-1804

Sir Robert Smirke the younger, 1781–1867

Road Between Rattenberg & St. Johann

1802 to 1804

Print made by Frederick Christian Lewis the Elder, 1779–1856

New Weir on the Wye

1825

unknown artist

A Cutter and Other Shipping in a Breeze

1827-1828

David Charles Read, 1790–1851

Landscape With a Ploughed Field in the Foreground

undated

Mrs. P. D. H. Page, 20th century

Indian Charnel House, after the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 41 A]

undated

Mrs. P. D. H. Page, 20th century

Tropic Bird, after the Original by John White in the British Museum [Caribbean and Oceanic, No. 17]

undated

Mrs. P. D. H. Page, 20th century

Burfish, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 97 A]

undated

Mrs. P. D. H. Page, 20th century

Common Box Tortoise, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 104]

undated

Mrs. P. D. H. Page, 20th century

Remora, Dorsal View I, After the Original by John White in the British Museum [Caribbean and Oceanic, No. 28 A]

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'

undated

Henry Thomas Alken, 1785–1851

Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'

undated

Peter Casteels, 1684–1749

Three Greyhounds in a Room

undated

Samuel Howitt, 1756–1822

Woodcock Shooting

undated

Thomas Rowlandson, 1756–1827

An English Postilion

ca. 1785

Thomas Sidney Cooper, 1803–1902

A Horse in Harness Seen From the Near Side

undated

Michael Angelo Hayes, 1811–1880

A Soldier's Knapsack: Two Studies, Side and Front View

undated

Samuel Hieronymus Grimm, 1733–1794

Langworth

1785

Dr. William Crotch, 1775–1847

Windsor Castle View - King George IV Gate and the Round Tower, July 28, 1832, 11:30 am

1832

Mrs. P. D. H. Page, 20th century

Swallow-Tail Butterfly, After the Original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 108 A]

undated

Cecil Charles Windsor Aldin, 1870–1935

'The Hounds Began Suddenly to Howl in Chorus'

undated