'Love, and love only, is the loan for love' (Page 37)
ca. 1797
12
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
13
William Blake, 1757–1827
"We the reins to slaughter give..." (Design 73)
between 1797 and 1798
14
William Blake, 1757–1827
"Hurry, hurry, to the field!" Design 75)
between 1797 and 1798
15
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
16
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
17
William Blake, 1757–1827
"Fell thirst and famine scowl A baleful smile upon their baffled guest..." (Design 61)
between 1797 and 1798
18
Print made by William Blake, 1757–1827
Pity
ca. 1795
19
Thomas Rowlandson, 1756–1827
The Guards on the March for the Duke of York's Campaign in France
undated
20
William Alexander, 1767–1816
The Dinner in Mote Park, Maidstone, after the Royal Review of the Kentish Volunteers
ca. 1799
21
William Daniell, 1769–1837
View from the Round Tower, Windsor Castle
1827
22
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
23
Francis Wheatley, 1747–1801
Donnybrook Fair, 1782
1782
24
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
25
Thomas Rowlandson, 1756–1827
Interior of a Stable
undated
26
Paul Sandby, 1731–1809
North-East View of Sir John Elvil's House on Englefield Green near Egham in Surrey
undated
27
Paul Sandby, 1731–1809
The Light Dragoons
undated
28
Paul Sandby, 1731–1809
Bayswater - London
undated
29
George Sidney Shepherd, 1784–1862
Finsbury Square
1814
30
Thomas Hosmer Shepherd, 1792–1864
St. Paul's Cathedral
undated
31
Peter Tillemans, 1684–1734
Cavalry Troops and Camp Followers on the Move
undated
32
unknown artist
A Forest Road
undated
33
attributed to Peter DeWint, 1784–1849
Haymaking on the Banks of a Lincolnshire River
ca. 1820
34
John White Abbott, 1763–1851
A View of Core's Library, Dawlish, Devon
1837
35
Henry Thomas Alken, 1785–1851
Shot from a Gun
undated
36
William Beilby, 1740–1819
Brick Bridge
undated
37
Thomas Shotter Boys, 1803–1874
Regent Street, Looking Toward Piccadilly From Waterloo Place
undated
38
William Bradford, active 1809
Pass in the Mountains Between Nisa and Villa Velha
1809
39
Thomas Bradshaw, Born 1767
Port Louis from La Petite Montagne (Twilight) with a Rider and Figures in Foreground
undated
40
Samuel Howitt, 1756–1822
The Village Inn
1798
41
John Linnell, 1792–1882
Horses in a Paddock
1811
42
John Preston Neale, 1771/80–1847
Welsh Fair
1813
43
Edmund Thomas Parris, 1793–1873
Sketches from Life
1826
44
Edmund Thomas Parris, 1793–1873
Studies of Figures: Women, Tradespeople, etc
undated
45
James Hakewill, 1778–1843
Mill Yard, Holland Estate, St. Thomas in the East
between 1820 and 1821
46
James Hakewill, 1778–1843
Holland Estate, St. Thomas in the East, View from the Change of Air House
between 1820 and 1821
47
Thomas Girtin, 1775–1802
The Village of Kirkstall, Yorkshire
1801
48
Benjamin Thomas Pouncey, active 1772–1799
Farningham, Kent
1784
49
Godfrey Thomas Vigne, 1801–1863
Cerco de Paro, Lima
ca. 1855
50
Godfrey Thomas Vigne, 1801–1863
Tucumán, Argentina
1854
51
William Simpson, 1823–1899
The Residency, Lucknow
1864
52
William Simpson, 1823–1899
The Dilkoosha, Lucknow in the Distance
1866
53
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
54
Thomas Rowlandson, 1756–1827
View on Exmoor
undated
55
David Charles Read, 1790–1851
Landscape With Figures and a Wagon
undated
56
unknown artist
Morning
1799
57
unknown artist
Evening
1799
58
unknown artist
Mid-Day
1799
59
George Alken, 1794–active 1837
Foxhunting: Rider, Taking a Fence
undated
60
George Alken, 1794–active 1837
Foxhunting: Full Cry
between 1827 and 1837
61
Henry Thomas Alken, 1785–1851
A Gentleman Riding With a Groom, and Coversing
undated
62
George Alken, 1794–active 1837
Foxhunting: Drawing Covert
undated
63
Henry Thomas Alken, 1785–1851
An Illustration of C.J. Apperley ('Nimrod'), "The Life of a Sportsman": 'A Night Scene with Sir Thomas Mostyn'
1842
64
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Meet: 'With Bright Faces and Merry Hearts'
undated
65
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field:" Full Cry: 'Let's Keep the Lead'
undated
66
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Check: 'What the Devil Do You Do Here..'
undated
67
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": The Leap: 'That Will Shut Out Many, and Make the Thing Select'
undated
68
Henry Thomas Alken, 1785–1851
Illustration for R.S. Surtees', "The Analysis of the Hunting Field": Getting Away: 'Let's Take the Lead'
undated
69
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
70
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks Beats the Baron for Speed'
undated
71
Henry Thomas Alken, 1785–1851
Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": 'Mr. Jorrocks's Surprize on Seeing the Paris Diligence, "My Vig, Here's Wombwell's Wildbeast show" '
undated
72
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
73
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it No How
1818
74
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
75
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
76
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
77
Henry Thomas Alken, 1785–1851
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
78
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
79
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
80
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
81
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
82
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
83
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
84
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
85
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
86
Henry Thomas Alken, 1785–1851
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
87
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
88
Hablot Knight Browne, 1815–1882
Point-to-Point Racing
undated
89
attributed to Peter DeWint, 1784–1849
Three Cart-Horses in Traces
undated
90
Robert Dighton, 1752–1814
"The King and Noblemen Before the Stag is Turn'd Out"
undated
91
unknown artist
Panoramic View with Two Horsemen by a Jump, Sept. 30, 1713 (? 1718)
between 1713 and 1718
92
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
93
Possibly Samuel Howitt, 1756–1822
The Departure of a Post-Chaise From the (?) Red Lion Inn, Bagshot