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Materials & Techniques watercolor

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Subject Terms shepherd

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1. The Lonely Tower

The Lonely Tower
Creator:
Samuel Palmer, 1805–1881
Date:
1868
Materials & Techniques:
Watercolor, gouache and gum arabic on London board: a high-quality pasteboard sheet made of Whatman's finest drawing paper
Dimensions:
Sheet: 20 1/4 x 27 7/8 inches (51.4 x 70.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Rising Moon

The Rising Moon
Creator:
Print made by Samuel Palmer, 1805–1881
Date:
1857
Materials & Techniques:
Etching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Mer de Glace, in the Valley of Chamonix

Mer de Glace, in the Valley of Chamonix
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
1803
Materials & Techniques:
Watercolor, graphite, gum, scraping out and stopping out on moderately thick, slightly textured, cream wove paper mounted on thick, smooth wove paper
Dimensions:
Sheet: 27 3/4 x 41 inches (70.5 x 104.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)

Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Poems of Thomas Gray, Design 65, "The Bard."

The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. Songs of Innocence, Plate 1, Frontispiece (Bentley 2)

Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)

Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 9, "Condens'd his Emanations...."

Jerusalem, Plate 9, "Condens'd his Emanations...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Book of Thel, Plate 2, Title Page

The Book of Thel, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Moorland with Sheep and Shepherd

Moorland with Sheep and Shepherd
Creator:
Claude Hayes, 1852–1922
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 19 3/8 × 29 1/4 inches (49.2 × 74.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Landscape with beech trees and man driving cattle and sheep

Landscape with beech trees and man driving cattle and sheep
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, and black chalk on medium, slightly textured, cream laid paper on blue wove paper mount
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Classic Composition

Classic Composition
Creator:
John Varley, 1778–1842
Date:
ca. 1800
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 6 1/16 x 4 9/16 inches (15.4 x 11.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. Glencoe: A Shepherd Boy Crossing a Burn

Glencoe: A Shepherd Boy Crossing a Burn
Creator:
Walter Goodall, 1830–1889
Date:
1857
Materials & Techniques:
Watercolor over graphite with scratching out on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 19 3/8 inches (33.3 × 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Ruins of the College of Lincluden, Near Dumfries

The Ruins of the College of Lincluden, Near Dumfries
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1778
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/8 x 10 inches (18.1 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. A Park Landscape with Shepherd and Sheep

A Park Landscape with Shepherd and Sheep
Creator:
Samuel Howitt, 1756–1822
Date:
1793
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 5/8 × 8 1/4 inches (14.3 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Landscape with Shepherd and Sheep

Landscape with Shepherd and Sheep
Creator:
Thomas Barker, 1769–1847
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 6 3/4 × 10 inches (17.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Shepherd and Shepherdess by Moonlight

Shepherd and Shepherdess by Moonlight
Creator:
Welby Sherman, active 1827
Date:
undated
Materials & Techniques:
Pen and ink and watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/2 × 4 3/4 inches (6.4 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Oxford from Boar's Hill

Oxford from Boar's Hill
Creator:
Hugh O'Neill, 1784–1824
Date:
1811
Materials & Techniques:
Watercolor with scratching out over graphite on medium, slightly textured, wove paper
Dimensions:
Sheet: 11 7/8 × 18 1/4 inches (30.2 × 46.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Landscape with Ruined Castle on the Esk

Landscape with Ruined Castle on the Esk
Creator:
Richard Principle Leitch, 1844–1875
Date:
1874
Materials & Techniques:
Watercolor, gouache, and graphite, with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/16 x 15 3/4in. (26.5 x 40cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Hengar Wood, St. Tudy, Cornwall

Hengar Wood, St. Tudy, Cornwall
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and red brown and gray ink over graphite on thick, slightly textured, beige wove support paper
Dimensions:
Sheet: 6 3/4 x 10 5/16 inches (17.1 x 26.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Shepherd - Evening

The Shepherd - Evening
Creator:
Francis Oliver Finch, 1802–1862
Date:
1845
Materials & Techniques:
Watercolor, graphite, and gum, with scraping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 × 12 3/4 inches (20.3 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Old British Camp in Bulstrode Park

Old British Camp in Bulstrode Park
Creator:
George Arthur Fripp, 1813–1896
Date:
1860
Materials & Techniques:
Watercolor, gouache, graphite, and gum with scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 7/8 × 24 1/4 inches (35.2 × 61.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. A Shepherd with Flock Beneath a Large Tree

A Shepherd with Flock Beneath a Large Tree
Creator:
Arthur James Stark, 1831–1902
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, graphite, and gouache on thick, slightly textured, cream wove paper, mounted on board
Dimensions:
Contemporary drawn border: 5 7/8 × 13 1/4 inches (14.9 × 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. In the Camp Vaccinio at Rome

In the Camp Vaccinio at Rome
Creator:
John Warwick Smith, 1749–1831
Date:
ca. 1777
Materials & Techniques:
Watercolor and gouache over graphite on medium, rough, cream laid paper
Dimensions:
Sheet: 15 1/8 x 23 13/16 inches (38.4 x 60.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Shepherding the Flock, Windy Day

Shepherding the Flock, Windy Day
Creator:
David Cox, 1783–1859
Date:
1848
Materials & Techniques:
Watercolor and graphite on thick, rough, wove Scotch paper
Dimensions:
Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Landscape with trees

Landscape with trees
Creator:
Anthony Devis, 1729–1817
Date:
1801
Materials & Techniques:
Watercolor, graphite and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 8 inches (13.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Driving sheep to market

Driving sheep to market
Creator:
Anthony Devis, 1729–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 5 3/8 × 8 inches (13.7 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Landscape with Shepherd and Sheep

Landscape with Shepherd and Sheep
Creator:
Anthony Devis, 1729–1817
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 8 inches (14 × 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Galleria di Sopra, Albano

Galleria di Sopra, Albano
Creator:
John Robert Cozens, 1752–1797
Date:
ca. 1778
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on moderately thick, slightly textured, cream laid paper
Dimensions:
Mount: 18 3/8 x 24 1/2 inches (46.7 x 62.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Rocca del Papa, with Monte Cavo

Rocca del Papa, with Monte Cavo
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 x 9 1/4 inches (16.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. A Bard and a Shepherd

A Bard and a Shepherd
Creator:
Samuel Woodforde, 1763–1817
Date:
undated
Materials & Techniques:
Watercolor over graphite, pen and black ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 20 3/16 x 15 1/8 inches (51.3 x 38.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Views in the Levant: Rocky Landscape by the Sea with Shepherd and Flock

No cover image available
Creator:
unknown artist
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 10 7/16 × 14 5/8 inches (26.5 × 37.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job

No cover image available
Creator:
Published by Arnold Fawcus, 1917–1979
Date:
1972
Materials & Techniques:
Collotype with hand coloring in watercolor on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/2 × 6 1/4 inches (14 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection