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Materials & Techniques watercolor

Remove constraint Materials & Techniques: watercolor

Date 1770

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Subject Terms architectural subject

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Westminster Bridge and the Royal Barge (The Royal Barge and Westminster)
Creator:
Thomas Stothard, 1755–1834
Date:
undated
Materials & Techniques:
Gray wash and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 5 1/2 inches (10.5 × 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a Country Mansion
Creator:
James Playfair, 1755–1794
Date:
undated
Materials & Techniques:
Graphite, pen and brown ink and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:
Sheet: 5 3/8 × 11 1/8 inches (13.7 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. James's Park, London: Plan
Creator:
Lancelot ('Capability') Brown, 1716–1783
Date:
1770
Materials & Techniques:
Pen and black and brown ink, watercolor on moderately thick, smooth, cream vellum
Dimensions:
Sheet: 19 1/2 x 27 1/16 inches (49.5 x 68.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study for a Stable Court of Kirkdale, Wigtownshire, Scotland
Creator:
Robert Adam, 1728–1792
Date:
between 1770 and 1780
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rockhewn Temple of Elephanta
Creator:
Student of Thomas Sandby, 1721–1798
Date:
ca. 1770-1790
Materials & Techniques:
Watercolor and gray wash over graphite on slightly textured, moderately thick, beige wove paper
Dimensions:
Sheet: 18 5/8 × 27 inches (47.3 × 68.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Colosseum, Rome, with Arch to the Left
Creator:
George Robertson, 1749–1788
Date:
after 1770
Materials & Techniques:
Pen and gray ink and watercolor on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 11/16 × 16 9/16 inches (32.2 × 42.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Map of the Land in Starson
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on vellum
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Map of Hardwick-Hall Farm
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on vellum
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Map of Redenhall Farm or Clyntegate Farm
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on vellum
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Map of Pulham Farm
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on vellum
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Map of the Farm in Mr. Briten's Use
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on vellum
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Plan of the Mansion-house and Paddock of Edward Bacon
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on vellum
Dimensions:
Sheet: 20 3/8 × 23 3/4 inches (51.8 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Earlham, Norfolk
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Earlham House, Norfolk
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Map of the Land in Needham
Creator:
Isaac Johnson, 1754–1835
Date:
undated
Materials & Techniques:
Pen and brown ink and watercolor on vellum
Dimensions:
Sheet: 15 × 22 1/2 inches (38.1 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View on the Island of Antigua: the English Barracks and Saint John's Church Seen from the Hospital
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1775
Materials & Techniques:
Watercolor and black ink over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/4 x 29 inches (51.4 x 73.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
No cover image available
Creator:
Stephen Riou, 1720–1780
Date:
1770
Materials & Techniques:
Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 15 3/4 × 24 7/16 inches (40 × 62 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Stephen Riou, 1720–1780
Date:
1770
Materials & Techniques:
Graphite, pen and brown and black ink, watercolor on slightly textured, medium, cream laid paper
Dimensions:
Sheet: 16 15/16 × 24 7/16 inches (43 × 62 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund