Materials & Techniques: watercolor / Period: 18th century / Height [cm]: 30

1. The First Book of Urizen, Plate 22 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The First Book of Urizen, Plate 24 (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The First Book of Urizen, Plate 14 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The First Book of Urizen, Plate 16 (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The First Book of Urizen, Plate 21 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 5 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The First Book of Urizen, Plate 8 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The First Book of Urizen, Plate 12 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Cuzzo (Hagenia abyssinica)

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 7 7/8 inches (30.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Mimosa Pigra; Selcienn (Dispyros abyssinica)

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 7 7/8 inches (30.2 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. On the Road to Datchet

Creator:: after Thomas Sandby, 1721–1798
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 19 3/8 inches (29.8 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Felis caligata (Booted Lynx)

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Watercolor, pen and black ink, over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Brighton Town and Church

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Boats, Fishermen and Peasents near a Weir

Creator:: George Robertson, 1749–1788
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 16 1/2 inches (29.8 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Buildings by a River

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 23 3/4 inches (29.8 × 60.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. View on the River Bhima at Deval Gaun, 28 Miles East of Poona

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: 1792 to 1794
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Image: 11 × 16 7/8 inches (27.9 × 42.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Waterfall of Doomar Leyna, Dry Except in Rains

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Watercolor, gouache, graphite, and pen and black ink on two joined sheets of medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 38 inches (30.2 × 96.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Ipswich from the Grounds of Christchurch Mansion

Creator:: Paul Sandby, 1731–1809
Date:: undated
Materials & Techniques:: Watercolor and pen and brown ink over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 18 1/8 inches (30.2 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 9 1/4 inches (29.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Blackfriars Bridge and St. Paul's

Creator:: Francis Nicholson, 1753–1844
Date:: ca. 1790
Materials & Techniques:: Watercolor with pen and brown ink over graphite, sheet edged with pen and brown ink border on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

Creator:: Robert Adam, 1728–1792
Date:: between 1770 and 1780
Materials & Techniques:: Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 5/8 inches (30.2 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Thames Ditton, Surrey: Design for Gothic Church

Creator:: Sir Robert Taylor, 1714–1788
Date:: ca. 1776
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 15 7/8 inches (30.2 x 40.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Half Timbered and Thatched Shack

Creator:: Thomas Hearne, 1744–1817
Date:: 1798
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Jerboa

Creator:: James Bruce, 1730–1794
Date:: ca. 1768
Materials & Techniques:: Pen and black ink, watercolor, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 9 3/4 inches (29.8 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Decorative Wall Designs

Creator:: James Bruce, 1730–1794
Date:: undated
Materials & Techniques:: Graphite and watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 17 5/8 inches (29.5 × 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Paper Mill at Rickmansworth

Creator:: Attributed to Robert Udney, 1740–1808
Date:: between 1765 and 1781
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 17 1/4 inches (29.5 x 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Rocks with Central Cavern Among Trees

Creator:: James Baynes, 1766–1837
Date:: 1797
Materials & Techniques:: Watercolor, pen and black ink, with traces of grouche and graphite on medium, moderately textured, gray laid paper
Dimensions:: Sheet: 11 11/16 × 18 15/16 inches (29.7 × 48.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Goodrich Castle on the Wye, Hertfordshire

Creator:: John Webber, 1752–1793
Date:: 1788
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 13/16 × 16 3/8 inches (30 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. London Bridge and The Monument

Creator:: Francis Nicholson, 1753–1844
Date:: ca. 1795
Materials & Techniques:: Watercolor with pen and black ink over graphite on medium slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 3/8 inches (29.5 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 5/8 × 9 1/8 inches (37.1 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

49. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

Creator:: Print made by Elizabeth Blackwell, died 1774
Date:: 1737
Materials & Techniques:: Etching and line engraving with hand coloring in watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 9 1/4 inches (36.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John D. Viener, Yale AB 1961

50. Guisborough Priory

Creator:: follower of Thomas Girtin, 1775–1802
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 11 15/16 x 20 1/8 inches (30.3 x 51.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. A Worn Out Debauchée

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor with pen and yellow and gray-black ink on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 13/16 x 7 13/16 inches (30 x 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. November

Creator:: Print made by William Nelson Gardiner, 1766–1814
Date:: 1788
Materials & Techniques:: Stipple engraving and etching with watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/8 x 13 5/16 inches (41.6 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Haweswater, Westmoreland

Creator:: Edward Dayes, 1763–1804
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 x 17 5/8 inches (30 x 44.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Craig y Ladron - The Thieves Precipice

Creator:: John Warwick Smith, 1749–1831
Date:: 1797
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 9 1/8 inches (14 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of Jamestown, St. Helena, From the Sea with Shipping

Creator:: John Cleveley the younger, 1747–1786
Date:: undated
Materials & Techniques:: Watercolor, graphite on smooth, medium, cream laid paper
Dimensions:: Sheet: 11 7/8 × 18 3/8 inches (30.2 × 46.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Cattle Watering by a Stream

Creator:: imitator of Thomas Gainsborough, 1727–1788
Date:: undated
Materials & Techniques:: Watercolor and gouache with black chalk over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 14 1/4 inches (29.5 x 36.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

Creator:: Mary Hoare, 1744–1820
Date:: ca. 1781
Materials & Techniques:: Watercolor and graphite, with scraping on moderately thick, slightly textured, cream laid paper
Dimensions:: Contemporary drawn border: 11 11/16 × 11 5/16 inches (29.7 × 28.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Front of a Town House

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 19 1/4 inches (29.8 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. View of the Rhydaer

Creator:: Francis Towne, 1740–1816
Date:: 1777
Materials & Techniques:: Watercolor and black ink over graphite on medium slightly textured cream laid paper
Dimensions:: Sheet: 11 3/4 x 14 3/4 inches (29.8 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor and graphite on medium, smooth, cream wove paper
Dimensions:: Mount: 11 5/8 × 17 9/16 inches (29.5 × 44.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Newgate

Creator:: Thomas Malton the Younger, 1748–1804
Date:: 1799
Materials & Techniques:: Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 15 7/16 inches (29.8 × 39.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Female Dancer with a Tambourine

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1790 and 1795
Materials & Techniques:: Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, wove paper, mounted on thick, moderately textured, wove paper
Dimensions:: Sheet: 11 11/16 x 8 11/16 inches (29.7 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Turver's Farm, Wimbish, Essex

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor with pen and brown ink and gouache over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 16 3/8 inches (30.2 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Glasgow Cathedral

Creator:: Thomas Girtin, 1775–1802
Date:: between 1794 and 1795
Materials & Techniques:: Watercolor, pen in brown and black ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 6 9/16 inches (21.9 x 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground

Creator:: William Anderson, 1757–1837
Date:: 1790
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 3/4 inches (29.8 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The U Collection. In appreciation of Choh Shiu and Man Foo U, loving parents, and Dorothea and Frank Cockett, dear friends

66. The Northern Boundary of St. Bride's Bay

Creator:: John Warwick Smith, 1749–1831
Date:: 1792
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Unloading the Shipping

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1799
Materials & Techniques:: Watercolor, pen and ink, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 17 1/4 inches (30.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Paul Lubetkin

68. The Village of Buxadaur [Buxa Duar] [Thibet]

Creator:: Samuel Davis, 1760–1819
Date:: 1783
Materials & Techniques:: Watercolor, graphite and pen and brown ink on moderately thick, slightly textured, beige card
Dimensions:: Sheet: 11 5/8 × 16 1/4 inches (29.5 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Coast Near Sorrento

Creator:: John Warwick Smith, 1749–1831
Date:: 1764-1831
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 18 1/8 inches (29.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. River Scene and Bridge with Artist Sketching in Foreground

Creator:: Samuel Davis, 1760–1819
Date:: 1777
Materials & Techniques:: Watercolor, pen, black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 16 inches (29.8 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Pluscardine Abbey, Elgin

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor, pen and ink, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 9/16 x 6 5/8 inches (21.7 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Figures and Boats on the Thames

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 34 7/8 inches (29.8 x 88.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund, in honor of John Baskett

73. The Cheesecake House, Hyde Park

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 1/8 inches (30.3 × 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Watergate and York Buildings with Westminster Bridge in the left distance

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 16 1/2 inches (30.2 × 41.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. An Encampment in St. James Park

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1780
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 17 7/8 inches (30.2 x 45.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Outside View of Indus Sabha

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: undated
Materials & Techniques:: Pen and black ink, gray wash and watercolor on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 19 1/8 inches (30.2 × 48.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. View of Parbati, a Hill near Poona Occupied by Temples frequented by the Peshwa

Creator:: Attributed to Gangaram Chintaman Tambat, active 1790s
Date:: 1795
Materials & Techniques:: Watercolor, graphite and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 × 19 3/4 inches (29.8 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. A Nautch or Dance

Creator:: Attributed to James Wales, ca.1747–1795
Date:: ca. 1792
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Image: 8 7/8 × 12 1/4 inches (22.5 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A Boy Playing a Drum in the Garden of a Country House

Creator:: William Henry Pyne, 1769–1843
Date:: 1793
Materials & Techniques:: Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/4 × 15 inches (29.8 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Sacred Cave of Archidamus

Creator:: William Pars, 1742–1782
Date:: undated
Materials & Techniques:: Watercolor with pen and black and gray ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 5/8 x 18 7/16 inches (29.5 x 46.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Views in the Levant: Faceless Bust of Statue Supporting a Broken Capital on Her Head

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 5/8 × 8 1/4 inches (29.5 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Credulity

Creator:: Print made by Anthony Cardon, 1772–1813
Date:: 1796
Materials & Techniques:: Color-printed etching and stipple engraving, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 9 5/16 inches (30 × 23.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Aspis cornutus (Horned Viper or Cerastes)

Creator:: Luigi Balugani, 1737–1770
Date:: 1765-1773
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 7/8 × 9 3/4 inches (30.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Propagation of a Lie (Right)

Creator:: Print made by William Dickinson, 1746–1823
Date:: 1794
Materials & Techniques:: Stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper (printed on three plates joined together, now detached)
Dimensions:: Sheet: 11 5/8 × 21 7/8 inches (29.5 × 55.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of William S. Konecky

YCBA Collections Search

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Materials & Techniques watercolor

Period 18th century

Height [cm] 30

Search Results

1. The First Book of Urizen, Plate 22 (Bentley 24)

2. The First Book of Urizen, Plate 24 (Bentley 26)

3. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

4. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

5. The First Book of Urizen, Plate 14 (Bentley 14)

6. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

7. The First Book of Urizen, Plate 16 (Bentley 17)

8. The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

9. The First Book of Urizen, Plate 21 (Bentley 27)

10. The First Book of Urizen, Plate 18 (Bentley 21)

11. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

12. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

13. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

14. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

15. The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

16. The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

17. The First Book of Urizen, Plate 5 (Bentley 12)

18. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

19. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

20. The First Book of Urizen, Plate 8 (Bentley 9)

21. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

22. The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

23. The First Book of Urizen, Plate 12 (Bentley 22)

24. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

25. The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

26. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

27. Cuzzo (Hagenia abyssinica)

28. Mimosa Pigra; Selcienn (Dispyros abyssinica)

29. On the Road to Datchet

30. Felis caligata (Booted Lynx)

31. Brighton Town and Church

32. Boats, Fishermen and Peasents near a Weir

33. Buildings by a River

34. View on the River Bhima at Deval Gaun, 28 Miles East of Poona

35. The Waterfall of Doomar Leyna, Dry Except in Rains

36. Ipswich from the Grounds of Christchurch Mansion

37. Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House

38. Blackfriars Bridge and St. Paul's

39. Study for a Stable Court of Kirkdale, Wigtownshire, Scotland

40. Thames Ditton, Surrey: Design for Gothic Church

41. Half Timbered and Thatched Shack

42. Jerboa

43. Decorative Wall Designs

44. The Paper Mill at Rickmansworth

45. Rocks with Central Cavern Among Trees

46. Goodrich Castle on the Wye, Hertfordshire

47. London Bridge and The Monument

48. Pastinaca (Parsnip), Plate 379 from 'A Curious Herbal', volume II, London, 1737

49. Lysimachia (Loosestrife), Plate 278 from 'A Curious Herbal', volume II, London, 1737

50. Guisborough Priory

51. A Worn Out Debauchée

52. November

53. Haweswater, Westmoreland

54. Craig y Ladron - The Thieves Precipice

55. View of Jamestown, St. Helena, From the Sea with Shipping

56. Cattle Watering by a Stream

57. The Three Witches from Macbeth: Though the Bark Cannot be Lost...

58. The Front of a Town House

59. View of the Rhydaer

60. View from the Vidette Near Hakin on Signal Hill, Looking Beyond Nangle Point and Thorn Island, Pembrokeshire

61. Newgate

62. Female Dancer with a Tambourine

63. Turver's Farm, Wimbish, Essex

64. Glasgow Cathedral

65. A Two-Decker Running up the Estuary with Figures on the Beach in the Foreground

66. The Northern Boundary of St. Bride's Bay

67. Unloading the Shipping

68. The Village of Buxadaur [Buxa Duar] [Thibet]

69. Coast Near Sorrento

70. River Scene and Bridge with Artist Sketching in Foreground

71. Pluscardine Abbey, Elgin

72. Figures and Boats on the Thames

73. The Cheesecake House, Hyde Park