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Materials & Techniques watercolor

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Period 18th century

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William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 91, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
between 1797 and 1798
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827
Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
1789
William Blake The Poems of Thomas Gray, Design 27, "A Long Story."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 27, "A Long Story."
between 1797 and 1798
William Blake Europe. A Prophecy, Plate 13 (Bentley 10)
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 13 (Bentley 10)
1794
Louis Philippe Boitard A Fisherwoman, Hands under Apron
Louis Philippe Boitard, active 1734–1760
A Fisherwoman, Hands under Apron
undated
Louis Philippe Boitard Man Asleep in a Long Blue Coat
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
Francis Wheatley Country Scene: Figures by a Cottage Door and Cattle in a Stream
Francis Wheatley, 1747–1801
Country Scene: Figures by a Cottage Door and Cattle in a Stream
1795
Francis Wheatley Soldiers and Country Women
Francis Wheatley, 1747–1801
Soldiers and Country Women
undated
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
Francis Wheatley Adelaide
Francis Wheatley, 1747–1801
Adelaide
between 1785 and 1786
Francis Wheatley St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
Francis Wheatley, 1747–1801
St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
undated
Francis Wheatley Lismore Castle, Ireland
Francis Wheatley, 1747–1801
Lismore Castle, Ireland
1783
Francis Wheatley An Old Fisherwoman with Two Women Digging for Bait
Francis Wheatley, 1747–1801
An Old Fisherwoman with Two Women Digging for Bait
undated
Paul Sandby Two Girls Carrying a Basket
Paul Sandby, 1731–1809
Two Girls Carrying a Basket
undated
Bernard Lens III Portrait of a Lady
Bernard Lens III, 1682–1740
Portrait of a Lady
undated
Paul Sandby London Cries: A Milkmaid
Paul Sandby, 1731–1809
London Cries: A Milkmaid
ca. 1759
Francis Wheatley The Rustic Lover
Francis Wheatley, 1747–1801
The Rustic Lover
1786
Thomas Rowlandson George Morland
Thomas Rowlandson, 1756–1827
George Morland
between 1780 and 1799
Thomas Rowlandson The Love Letter
Thomas Rowlandson, 1756–1827
The Love Letter
ca. 1790
William Alexander A Chinese Girl
attributed to William Alexander, 1767–1816
A Chinese Girl
undated
Edward Edwards A Young Lady Seated Wearing a White Dress
Edward Edwards, 1738–1806
A Young Lady Seated Wearing a White Dress
1788
Thomas Rowlandson The Runaway Coach
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
Samuel Alken P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle
Samuel Alken, 1756–1815
P. Wilkinson Esq. Sitting Under the Shade of an Oak Learning to Whistle
ca. 1785
John Downman John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
John Downman, 1750–1824
John Edwin and Mrs. Mary Wells as Lingo and Cowslip in "The Agreeable Surprise"
1787
John Downman Portrait of a Lady, Facing Left
John Downman, 1750–1824
Portrait of a Lady, Facing Left
undated
John Collet A Lady of Fashion with Black Shawl and Black Shoes
Attributed to John Collet, ca. 1725–1780
A Lady of Fashion with Black Shawl and Black Shoes
1778
unknown artist A Jew
unknown artist
A Jew
ca. 1760
unknown artist Fishing near a Waterfall
unknown artist
Fishing near a Waterfall
1790
Samuel Scott A Groom on Horseback, Drinking
Samuel Scott, 1701/2–1772
A Groom on Horseback, Drinking
undated
George Townly Stubbs Warren Hastings on his Arabian Horse
George Townly Stubbs, 1748–1815
Warren Hastings on his Arabian Horse
ca. 1796
William Ward A Young Lady Encouraging the Low Comedian
Print made by William Ward, 1766–1826
A Young Lady Encouraging the Low Comedian
1787