Materials & Techniques: watercolor / Period: 18th century / Subject Terms: horse (animal)

1. Man with Horse and Cart Entering a Quarry

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. The Poems of Thomas Gray, Design 79, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. The Poems of Thomas Gray, Design 55, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. Brighton Town and Church

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Watercolor with black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 13/16 × 18 13/16 inches (30 × 47.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The Gypsy Fortune-Teller

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1758
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 12 1/8 inches (24.4 x 30.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. Halfway House, Sadler's Wells

Creator:: Paul Sandby, 1731–1809
Date:: 1780
Materials & Techniques:: Gouache, watercolor, pen and black ink with varnish on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/2 x 11 inches (26.7 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Hilly Landscape with Figures Approaching a Bridge

Creator:: Thomas Gainsborough, 1727–1788
Date:: ca. 1763
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream laid paper, on contemporary mount
Dimensions:: Sheet: 11 x 15 inches (27.9 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, James W. and Mary C. Fosburgh Collection

16. Ruins of the Basilica of Maxentius in the Roman Forum

Creator:: Abraham Louis Rodolphe Ducros, 1748–1810
Date:: 1779
Materials & Techniques:: Watercolor with pen and black ink over graphite on laid paper
Dimensions:: Sheet: 20 7/8 x 29 1/8 inches (53 x 74 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The River Avon: with Passing Vessels

Creator:: Nicholas Pocock, 1740–1821
Date:: 1785
Materials & Techniques:: Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 3/8 × 22 1/8 inches (41.6 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

Creator:: Peter La Cave, active 1769–1810
Date:: 1799
Materials & Techniques:: Watercolor, pen and black ink on medium, slightly textured, wove paper
Dimensions:: Sheet: 4 1/2 × 5 7/8 inches (11.4 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Carisbrooke Castle, Isle of Wight

Creator:: attributed to Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/8 x 16 1/4 inches (25.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

Creator:: John Warwick Smith, 1749–1831
Date:: July 14, 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 5 1/8 x 8 1/2 inches (13 x 21.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Entrance to Festiniog, Wales

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 x 16 3/8 inches (14.3 x 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Gluttony - Oh! What a Dismal Sight!

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 4 inches (8.9 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. When Swift They Saw John Gilpin Ride, Bare-Headed as Before

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Pen and black ink and watercolor on thick, moderately textured, white wove paper
Dimensions:: Sheet: 3 3/4 × 4 inches (9.5 × 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Design for an Engraving: Battle of Troy with the Trojan Horse

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Pen and brown ink, pen and black ink, red chalk, graphite, watercolor and gold leaf on medium, moderately textured, beige laid paper mounted on moderately thick, moderately textured, cream laid paper, with gold leaf, watercolor, pen in black and red ink, border lines
Dimensions:: Mount: 12 1/8 × 11 inches (30.8 × 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. A Young Man with a Horse, with Studies of Hounds and Dead Hare

Creator:: John Hoppner, 1758–1810
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Coursing: The Kill

Creator:: Samuel Howitt, 1756–1822
Date:: 1794
Materials & Techniques:: Watercolor, with pen, in black ink and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 3/16 inches (17.5 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Sporting Undergraduate

Creator:: Henry William Bunbury, 1750–1811
Date:: 1772
Materials & Techniques:: Graphite, pen and black ink and watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 3 3/4 × 3 1/8 inches (9.5 × 7.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Tattersall's Training School

Creator:: unknown artist
Date:: 1771
Materials & Techniques:: Pen and gray ink, brown ink, graphite, and gray wash on medium, moderately textured, cream laid paper
Dimensions:: Mount: 12 3/8 × 14 7/16 inches (31.4 × 36.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Sporting Lady

Creator:: Hubert-François Gravelot, 1699–1773
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, gray ink, gouache, and graphite, with squared lines on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 6 9/16 x 8 7/16 inches (16.7 x 21.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Bathing Machine on the Common, near Southsea Castle

Creator:: John Nixon, ca. 1760–1818
Date:: 1788
Materials & Techniques:: Watercolor, pen, and gray ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 7 5/8 inches (12.1 x 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Watercolor, with pen, in black ink on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 3 1/8 × 4 13/16 inches (7.9 × 12.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Stable Boy Holding a Horse in a Landscape

Creator:: John Collet, ca. 1725–1780
Date:: undated
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 4 1/16 × 5 7/8 inches (10.3 × 14.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Pass of Killiecrankie

Creator:: John Warwick Smith, 1749–1831
Date:: 1788
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 17 1/8 inches (30.5 x 43.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Figures in a Rocky Romantic Landscape

Creator:: Robert Adam, 1728–1792
Date:: 1787
Materials & Techniques:: Watercolor and graphite on medium, rough, cream laid paper
Dimensions:: Sheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Tempio d' Antonio e Faustina

Creator:: Thomas Girtin, 1775–1802
Date:: between 1798 and 1799
Materials & Techniques:: Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Chapel Church, Surrey

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1799
Materials & Techniques:: Watercolor, gouache and scraping over graphite on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 12 1/4 x 16 inches (31.1 x 40.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Saint Cuthbert's Holy Island

Creator:: Thomas Girtin, 1775–1802
Date:: 1797
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Jedburgh Abbey, Roxburghshire

Creator:: Thomas Girtin, 1775–1802
Date:: ca. 1793
Materials & Techniques:: Watercolor over graphite, and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 5/8 x 8 9/16 inches (16.8 x 21.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A Groom on Horseback, Drinking

Creator:: Samuel Scott, 1701/2–1772
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 1/8 x 4 inches (15.6 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Lesson Westward, or, A Morning Visit to Betsy Cole

Creator:: Robert Dighton, 1752–1814
Date:: 1782
Materials & Techniques:: Watercolor, gouache, pen, and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 x 10 inches (33 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Return of the Fleet to Great Yarmouth in 1797

Creator:: Thomas Rowlandson, 1756–1827
Date:: 1797
Materials & Techniques:: Watercolor and pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 x 17 inches (27.3 x 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Gate at Blenheim

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: 1787
Materials & Techniques:: Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Contemporary drawn border: 10 3/8 x 14 3/4 inches (26.4 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Warren Hastings on his Arabian Horse

Creator:: George Townly Stubbs, 1748–1815
Date:: ca. 1796
Materials & Techniques:: Graphite and watercolor; extensive retouching of design on moderately thick, slightly textured, cream wove paper; previously all over mounted to canvas and wood strainer with black and gold residual accretion around edges from eglomise glass
Dimensions:: Sheet: 24 x 19 1/4 inches (61 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Keilghee or Ornament for Horses Forelock

Creator:: Robert Mabon, died 1798
Date:: undated
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 5/8 × 9 1/2 inches (34.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Sketch of an Elaborately Saddled Horse

Creator:: Robert Mabon, died 1798
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 1/2 × 13 3/8 inches (24.1 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Horse Guard's Parade, Whitehall

Creator:: Samuel Hieronymus Grimm, 1733–1794
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 x 13 1/2 inches (22.9 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Gadshill

Creator:: Print made by Philip Dawe, ca.1745–ca.1809
Date:: 1796
Materials & Techniques:: Color printed mezzotint with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 16 5/16 x 12 3/16 inches (41.5 x 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. View Within the Northern Entrance of Gundecotta Pass (1 of 6)

Creator:: Thomas Anburey, 1759–1840
Date:: ca. 1792
Materials & Techniques:: Watercolor on thin, slightly textured, cream wove paper laid down on card
Dimensions:: Sheet: 16 7/8 x 22 1/16 inches (42.9 x 56 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques watercolor

Period 18th century

Subject Terms horse (animal)

Search Results

1. Man with Horse and Cart Entering a Quarry

2. The Poems of Thomas Gray, Design 81, "The Descent of Odin."

3. The Poems of Thomas Gray, Design 85, "The Descent of Odin."

4. The Poems of Thomas Gray, Design 79, "The Descent of Odin."

5. The Poems of Thomas Gray, Design 55, "The Bard."

6. Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"

7. Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"

8. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

9. Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

10. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

11. Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"

12. Brighton Town and Church

13. The Gypsy Fortune-Teller

14. Halfway House, Sadler's Wells

15. Hilly Landscape with Figures Approaching a Bridge

16. Ruins of the Basilica of Maxentius in the Roman Forum

17. The River Avon: with Passing Vessels

18. Composition: two travellers and a dog on a road passing cottages, with ruins on a hill

19. Carisbrooke Castle, Isle of Wight

20. The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire

21. Entrance to Festiniog, Wales

22. Gluttony - Oh! What a Dismal Sight!

23. When Swift They Saw John Gilpin Ride, Bare-Headed as Before

24. Design for an Engraving: Battle of Troy with the Trojan Horse

25. A Young Man with a Horse, with Studies of Hounds and Dead Hare

26. Coursing: The Kill

27. The Sporting Undergraduate

28. Tattersall's Training School

29. The Sporting Lady

30. Bathing Machine on the Common, near Southsea Castle

31. Stable Boy Leading a Trotting Horse in a Landscape with a Castle Tower

32. Stable Boy Holding a Horse in a Landscape

33. The Pass of Killiecrankie

34. Figures in a Rocky Romantic Landscape

35. Tempio d' Antonio e Faustina

36. Chapel Church, Surrey

37. Saint Cuthbert's Holy Island

38. Jedburgh Abbey, Roxburghshire

39. A Groom on Horseback, Drinking

40. A Lesson Westward, or, A Morning Visit to Betsy Cole

41. The Return of the Fleet to Great Yarmouth in 1797

42. The Gate at Blenheim

43. Warren Hastings on his Arabian Horse

44. Keilghee or Ornament for Horses Forelock

45. Sketch of an Elaborately Saddled Horse

46. The Horse Guard's Parade, Whitehall

47. Gadshill

48. View Within the Northern Entrance of Gundecotta Pass (1 of 6)