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Materials & Techniques watercolor

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Period 18th century

Remove constraint Period: 18th century

Subject Terms man

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Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner A Great Tree
Joseph Mallord William Turner, 1775–1851
A Great Tree
ca. 1794
William Blake "Him the dog of darkness spied..." (Design 79)
William Blake, 1757–1827
"Him the dog of darkness spied..." (Design 79)
between 1797 and 1798
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
William Blake "Hie thee hence, and boast at home..." (Design 85)
William Blake, 1757–1827
"Hie thee hence, and boast at home..." (Design 85)
between 1797 and 1798
William Blake "Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
William Blake, 1757–1827
"Leaning from her golden cloud, The venerable Marg'ret see!..." (Design 99)
between 1797 and 1798
William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)
Print made by William Blake, 1757–1827
'Oft bursts my song beyond the bounds of life' (Page 16)
1797
William Blake 'Emblem of that which shall awake the dead' (Page 19)
Print made by William Blake, 1757–1827
'Emblem of that which shall awake the dead' (Page 19)
1797
William Blake 'We censure nature for a span too short' (Page 23)
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
1797
William Blake 'Time, in advance, behind him hides his wings' (Page 24)
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
William Blake 'Measuring his motions by revolving spheres' (Page 26)
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'As if the sun could envy, check'd his beam' (Page 49)
Print made by William Blake, 1757–1827
'As if the sun could envy, check'd his beam' (Page 49)
1797
William Blake 'This King of Terrors is the Prince of Peace' (Page 63)
Print made by William Blake, 1757–1827
'This King of Terrors is the Prince of Peace' (Page 63)
1797
William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
William Blake 'The thunder, if in that the Almighty dwells' (Page 80)
Print made by William Blake, 1757–1827
'The thunder, if in that the Almighty dwells' (Page 80)
1797
William Blake 'His hand the good man fastens on the skies' (Page 86)
Print made by William Blake, 1757–1827
'His hand the good man fastens on the skies' (Page 86)
1797
William Blake 'If angels tremble, 'tis at such a sight' (Page 93)
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
William Blake Poems by Mr. Gray; Title Page
William Blake, 1757–1827
Poems by Mr. Gray; Title Page
between 1797 and 1798
William Blake "Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
William Blake, 1757–1827
"Headlong, from the mountain's height, Deep in the roaring tide he plung'd to endless night." (Design 65)
between 1797 and 1798
William Blake Sigtryg with the Silken Beard (Design 69)
William Blake, 1757–1827
Sigtryg with the Silken Beard (Design 69)
between 1797 and 1798
William Blake 'Teaching, we learn; and giving, we retain' (Page 35)
Print made by William Blake, 1757–1827
'Teaching, we learn; and giving, we retain' (Page 35)
1797
William Blake "Nor fear the rocks, nor seek the shore..." (Design 101)
William Blake, 1757–1827
"Nor fear the rocks, nor seek the shore..." (Design 101)
between 1797 and 1798
William Blake Epitaph on Mrs. Clarke; Title Page
William Blake, 1757–1827
Epitaph on Mrs. Clarke; Title Page
between 1797 and 1798
William Blake Elegy Written in a Country Church-Yard; Title Page
William Blake, 1757–1827
Elegy Written in a Country Church-Yard; Title Page
between 1797 and 1798
William Blake "Oft did the harvest to their sickle yield..." (Design 109)
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
William Blake A Shepherd Reading the Epitaph (Design 115)
William Blake, 1757–1827
A Shepherd Reading the Epitaph (Design 115)
between 1797 and 1798
William Blake Ode on a Distant Prospect of Eton College; Title Page
William Blake, 1757–1827
Ode on a Distant Prospect of Eton College; Title Page
between 1797 and 1798
William Blake "Her Henry's holy shade..." (Design 15)
William Blake, 1757–1827
"Her Henry's holy shade..." (Design 15)
between 1797 and 1798
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
William Blake Ode on the Spring; Title Page
William Blake, 1757–1827
Ode on the Spring; Title Page
between 1797 and 1798
William Blake "My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
William Blake, 1757–1827
"My Lade rose, and with a grace– She smil'd, and bid him come to dinner..." (Design 33)
between 1797 and 1798
William Blake "And purple tyrants vainly groan..." (Design 37)
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
William Blake Ode to Adversity; Title Page
William Blake, 1757–1827
Ode to Adversity; Title Page
between 1797 and 1798
William Blake The Progress of Poesy, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Progress of Poesy, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake "Cytherea's Day..." (Design 45)
William Blake, 1757–1827
"Cytherea's Day..." (Design 45)
between 1797 and 1798
William Blake "Where shaggy forms o'er ice-built mountains roam..." (Design 47)
William Blake, 1757–1827
"Where shaggy forms o'er ice-built mountains roam..." (Design 47)
between 1797 and 1798
William Blake "Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
William Blake, 1757–1827
"Brush'd by the hand of rough Mischance, Or chill'd by Age..." (Design 5)
between 1797 and 1798
William Blake The Bard, A Pindaric Ode; Title Page
William Blake, 1757–1827
The Bard, A Pindaric Ode; Title Page
between 1797 and 1798
William Blake The Bard Weaving Edwards Fate (Design 55)
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
John Warwick Smith The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
John Warwick Smith, 1749–1831
The Lakes of Llanberis - from the Road from Caernarfon Going to Llanberis, Caernarfonshire
July 14, 1792
Philip Dawe Gadshill
Print made by Philip Dawe, ca.1750–ca.1790
Gadshill
1796
Gangaram Chintaman Navgire Tambat Jeytie Lifting Weights
Gangaram Chintaman Navgire Tambat, active 1790s
Jeytie Lifting Weights
between 1790 and 1796
Gangaram Chintaman Navgire Tambat Devotee in a Green Turban
Gangaram Chintaman Navgire Tambat, active 1790s
Devotee in a Green Turban
between 1790 and 1796
Gangaram Chintaman Navgire Tambat Man with a Blue Cloth over his Legs
Gangaram Chintaman Navgire Tambat, active 1790s
Man with a Blue Cloth over his Legs
between 1790 and 1796
Robert Mabon Standing Dignitary
Robert Mabon, died 1798
Standing Dignitary
undated
Paul Sandby My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
Paul Sandby, 1731–1809
My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
ca. 1759
Paul Sandby London Cries: "Do You Want any Spoons..."
Paul Sandby, 1731–1809
London Cries: "Do You Want any Spoons..."
ca. 1759
Paul Sandby London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
Paul Sandby, 1731–1809
London Cries: "Turn your Copper into Silver Now before Your Eyes" (Title Page Design)
1760
Paul Sandby London Cries: A Man with a Bundle, Old Clothes
Paul Sandby, 1731–1809
London Cries: A Man with a Bundle, Old Clothes
undated
Paul Sandby London Cries: Fun upon Fun
Paul Sandby, 1731–1809
London Cries: Fun upon Fun
1759
William Alexander A Raree Show
William Alexander, 1767–1816
A Raree Show
between 1792 and 1793
Louis Philippe Boitard Man Asleep in a Long Blue Coat
Louis Philippe Boitard, active 1734–1760
Man Asleep in a Long Blue Coat
undated
Horace Hone Gentleman in a Blue Coat
Horace Hone, 1756–1825
Gentleman in a Blue Coat
1781
unknown artist Gentleman in a Plum-Colored Coat
unknown artist
Gentleman in a Plum-Colored Coat
ca. 1760
Samuel Finney Portrait of a Gentleman
Samuel Finney, 1718–1798
Portrait of a Gentleman
undated
John Hoppner A Young Man with a Horse, with Studies of Hounds and Dead Hare
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
Henry William Bunbury The Sporting Undergraduate
Henry William Bunbury, 1750–1811
The Sporting Undergraduate
1772
Thomas Rowlandson An English Postilion
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
Thomas Rowlandson Four O'Clock in the Country
Thomas Rowlandson, 1756–1827
Four O'Clock in the Country
between 1788 and 1790
Thomas Rowlandson The Runaway Coach
Thomas Rowlandson, 1756–1827
The Runaway Coach
ca. 1791
Capt. Francis Grose Nun Mill, Northamptonshire
Capt. Francis Grose, 1731–1791
Nun Mill, Northamptonshire
1762
Charles Wilson Peale Portrait of a Gentleman
Charles Wilson Peale, 1741–1827
Portrait of a Gentleman
ca. 1785
unknown artist Sam Adams
unknown artist
Sam Adams
ca. 1790
Thomas Gaugain Turnips & Carrots ho
Print made by Thomas Gaugain, 1748–1812
Turnips & Carrots ho
1797
Richard Westall Rosebud, or the Judgment of Paris
Richard Westall, 1765–1836
Rosebud, or the Judgment of Paris
1791
Paul Sandby Couple in a Farmyard
Paul Sandby, 1731–1809
Couple in a Farmyard
1782
Francis Wheatley The Rustic Lover
Francis Wheatley, 1747–1801
The Rustic Lover
1786
James Bruce Man Playing a Harp
James Bruce, 1730–1794
Man Playing a Harp
undated
Gangaram Chintaman Navgire Tambat Self-Portrait as a Devotee
Gangaram Chintaman Navgire Tambat, active 1790s
Self-Portrait as a Devotee
between 1790 and 1796
unknown artist Portrait of Azim-ush-Shan
unknown artist
Portrait of Azim-ush-Shan
undated
Gangaram Chintaman Navgire Tambat A Fool Named Gungarum [Gangaram]
Gangaram Chintaman Navgire Tambat, active 1790s
A Fool Named Gungarum [Gangaram]
ca. 1790
Gangaram Chintaman Navgire Tambat Bickshoo Moonee
Gangaram Chintaman Navgire Tambat, active 1790s
Bickshoo Moonee
undated
Robert Mabon A Waterman with his Ox or Bullock
Robert Mabon, died 1798
A Waterman with his Ox or Bullock
undated
Robert Mabon A Hindu Austere
Robert Mabon, died 1798
A Hindu Austere
ca. 1792
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
Thomas Hearne The Ruins of the College of Lincluden, Near Dumfries
Thomas Hearne, 1744–1817
The Ruins of the College of Lincluden, Near Dumfries
ca. 1778
Thomas Hearne The Cheesecake House, Hyde Park
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
Louis Philippe Boitard Simon Eady of Northhampton, Opener of the Gospel
Louis Philippe Boitard, active 1734–1760
Simon Eady of Northhampton, Opener of the Gospel
undated
Robert Dighton A Lesson Westward, or, A Morning Visit to Betsy Cole
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
William Pars The Secundini Monument at Ighel in the Duchy of Luxembourg
William Pars, 1742–1782
The Secundini Monument at Ighel in the Duchy of Luxembourg
undated
Paul Sandby Conway Castle
Paul Sandby, 1731–1809
Conway Castle
1789
Louis Philippe Boitard Portrait of a Man with a Double Chin
Louis Philippe Boitard, active 1734–1760
Portrait of a Man with a Double Chin
undated
Julius Tidd A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
Ozias Humphry Portrait of a Gentleman
Ozias Humphry, 1742–1810
Portrait of a Gentleman
undated
James Scouler Portrait of a Gentleman
James Scouler, 1741–1812
Portrait of a Gentleman
1796
unknown artist Hawkstone Hall, Shropshire
unknown artist
Hawkstone Hall, Shropshire
ca. 1790
Paul Sandby London Cries: A Muffin Man
Paul Sandby, 1731–1809
London Cries: A Muffin Man
ca. 1759
Paul Sandby London Cries: Last Dying Speech and Confession
Paul Sandby, 1731–1809
London Cries: Last Dying Speech and Confession
ca. 1759
Paul Sandby London Cries: A Tinker and His Wife
Paul Sandby, 1731–1809
London Cries: A Tinker and His Wife
ca. 1759
Paul Sandby Trees, with a Man Crossing a Footbridge
Paul Sandby, 1731–1809
Trees, with a Man Crossing a Footbridge
undated
Michael "Angelo" Rooker Almshouses in St. Cuthbert's Churchyard, Wells
Michael "Angelo" Rooker, 1746–1801
Almshouses in St. Cuthbert's Churchyard, Wells
undated
Paul Sandby Italianate Landscape with Travelers, No. 1
Paul Sandby, 1731–1809
Italianate Landscape with Travelers, No. 1
ca. 1765
Paul Sandby Landscape with a man playing a pipe under an old tree
style of Paul Sandby, 1731–1809
Landscape with a man playing a pipe under an old tree
undated
Paul Sandby Landscape with beech trees and man driving cattle and sheep
style of Paul Sandby, 1731–1809
Landscape with beech trees and man driving cattle and sheep
undated
James Moore The Artist Sketching Mlle. de St. Legier as a Shepherdess
James Moore, 1762–1799
The Artist Sketching Mlle. de St. Legier as a Shepherdess
1787
Thomas Hearne Half Timbered and Thatched Shack
Thomas Hearne, 1744–1817
Half Timbered and Thatched Shack
1798
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783