Materials & Techniques: watercolor / Period: 19th century / Height [cm]: 21

1. The Vine

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: 1852
Materials & Techniques:: Etching and drypoint, retouched with white watercolor, gouache or chalk on thick, smooth, cream wove paper
Dimensions:: Sheet: 11 9/16 x 8 1/4 inches (29.3 x 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. At Hailsham, Sussex: a Storm Approaching

Creator:: Samuel Palmer, 1805–1881
Date:: 1821
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. "Albion thy fear has made me tremble..." (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. "Highgates heights & Hampsteads..." (Plate 84)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. "Became a Space & an Allegory..." (Plate 85)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. "Repelling weeping Enion blind & age-bent..." (Plate 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

10. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

11. "The Feminine separates from the Masculine..." (Plate 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

12. "It is easier to forgive an enemy..." (Plate 91)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. "Albion cold lays on his Rock..." (Plate 94)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. "Awake! Awake Jerusalem..." (Plate 97)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. "Then each an Arrow flaming from his Quiver..." (Plate 98)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. "And the Two that escaped..." (Plate 30)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. "Elevate into the Region of Brotherhood..." (Plate 34)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. "Reuben return'd to his place, in vain..." (Plate 36)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. "With one accord in love sublime..." (Plate 44)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. "In Great Eternity every particular Form..." (Plate 54)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. "When those who disregard all Mortal Things..." (Plate 55)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. "In beauty the Daughters of Albion divide..." (Plate 58)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. "The clouds of Albions Druid Temples..." (Plate 60)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. "Repose on me till the morning of the Grave..." (Plate 62)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. "O Skofield why art thou cruel?..." (Plate 68)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. "Then all the Males conjoined into One Male..." (Plate 69)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. "I have mock'd those who refused cruelty..." (Plate 81)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Harvesters Resting in a Corn Field

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1805 and 1810
Materials & Techniques:: Watercolor, pen and black ink, pen and red ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 3/4 inches (20.6 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Haymakers

Creator:: Louisa Anne Beresford, 1818–1891
Date:: undated
Materials & Techniques:: Graphite, watercolor and gouache on very thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 19 1/2 inches (21.3 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. A Cockatoo

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 7 1/8 inches (21 × 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Ruins of the Temple of Jupiter on the Plains of Nemea

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 7/16 × 11 3/8 inches (21.4 × 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Amphitheatre at Nîmes

Creator:: Sir Robert Smirke the younger, 1781–1867
Date:: 1803
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/4 inches (21 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. A View of Core's Library, Dawlish, Devon

Creator:: John White Abbott, 1763–1851
Date:: 1837
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream laid paper, laid on contemporary mount
Dimensions:: Sheet: 5 1/4 x 8 inches (13.3 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Pass in the Mountains Between Nisa and Villa Velha

Creator:: William Bradford, active 1809
Date:: 1809
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper mounted to card
Dimensions:: Sheet: 8 1/8 × 12 inches (20.6 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Boats and Men on Beach

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, gum arabic, and scratching out on thick, rough, cream wove paper
Dimensions:: Sheet: 8 7/16 × 7 1/2 inches (21.4 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 11 3/16 inches (20.5 × 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Government House from St. Andrew's Library - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, white gouache, and graphite on thick, moderately textured, blue/gray, wove paper
Dimensions:: Mount: 8 3/16 × 20 15/16 inches (20.8 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. A Parrot

Creator:: James de Carle Sowerby, 1787–1871
Date:: undated
Materials & Techniques:: Watercolor, blue gouache, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 3/16 × 5 5/8 inches (20.8 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. A Storm Damaged Windmill

Creator:: John Middleton, 1826–1856
Date:: undated
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 11 7/8in. (21.3 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Lincoln Cathedral From Brayford Pool

Creator:: David Cox, 1783–1859
Date:: ca. 1808
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, cream laid paper
Dimensions:: Mount: 8 3/8 x 11 inches (21.3 x 27.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. A Struggle With a Load of Clay

Creator:: James Abbott Pasquier, active 1851–1872
Date:: 1855
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and gouache on medium, slightly textured, brown wove paper
Dimensions:: Mount: 8 3/8 × 13 1/2 inches (21.3 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Exercising a Racehorse

Creator:: George Alken, 1794–active 1837
Date:: undated
Materials & Techniques:: Watercolor, graphite, gouache, and pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 10 3/4 inches (20.5 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 5 11/16 inches (21.3 × 14.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Two Riders Taking a Double Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 10 11/16 inches (21 × 27.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 10 7/8 inches (20.5 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "Fanny's Colt", July 26, 1886

Creator:: John Frederick Tayler, 1802–1889
Date:: 1886
Materials & Techniques:: Watercolor, graphite, pen and brown ink, and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 × 10 3/16 inches (21.4 × 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. St. George's Chapel, Windsor, West End, July 19, 1832, 10 am

Creator:: Dr. William Crotch, 1775–1847
Date:: 1832
Materials & Techniques:: Graphite, watercolor, and gouache on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 7/8 × 10 7/16 inches (32.7 × 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Backswords

Creator:: Charles Turner, 1774–1857
Date:: 1810
Materials & Techniques:: Watercolor over etched outline on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 1/2 × 14 5/8 inches (29.2 × 37.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Gentleman and a Lady

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Watercolor, graphite and gouache on medium, slightly textured, beige wove paper mounted to card
Dimensions:: Sheet: 8 1/4 × 7 1/4 inches (21 × 18.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

56. Four Ponies on a Welsh Moor

Creator:: Thomas Creswick, 1811–1869
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 8 1/8 × 11 13/16 inches (20.6 × 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 7/8 inches (20.6 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 × 10 3/4 inches (20.8 × 27.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 10 13/16 inches (20.6 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/16 × 10 7/8 inches (20.8 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 10 13/16 inches (21.1 × 27.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "The National Sports of Great Britain," 1821: Owling

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Graphite and watercolor on medium, slightly textured, cream wove paper
Dimensions:: Mount: 13 5/8 × 18 3/4 inches (34.6 × 47.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Two Turkish Cavalrymen

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 7/16 × 11 1/2 inches (21.4 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Riders Taking a Fence

Creator:: Samuel Henry Gordon Alken, 1810–1894
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 11 3/4 inches (21 × 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Foxhunting: Hunt Servants Leading Out Hounds

Creator:: Samuel Henry Gordon Alken, 1810–1894
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 9 5/16 inches (21.4 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Back View of Stout Rider on a Chestnut Horse

Creator:: Sir Francis Grant, 1803–1878
Date:: undated
Materials & Techniques:: Watercolor, and pen and brown ink on medium, smooth, blue, wove paper
Dimensions:: Sheet: 8 3/8 × 13 1/4 inches (21.3 × 33.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Wrestling

Creator:: Charles Turner, 1774–1857
Date:: 1810
Materials & Techniques:: Watercolor over etched outline on moderately thick, moderately textured, cream wove paper
Dimensions:: Mount: 11 5/8 × 14 3/4 inches (29.5 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Ile de la Cite

Creator:: Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 11 3/8 inches (20.6 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Near Honfleur

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1823
Materials & Techniques:: Watercolor and graphitre on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Boy Tying a Girl's Shoe

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 3/4 x 7 7/8 inches (22.2 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Two Girls Under an Umbrella

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream card mounted on moderately thick, slightly textured, beige wove paper
Dimensions:: Mount: 8 9/16 x 7 5/16 inches (21.8 x 18.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Boy Holding an Apple for a Girl with Two Girls Beyond

Creator:: Print made by Robert Barnes, 1840–1895
Date:: undated
Materials & Techniques:: Wood-engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 7 1/16 inches (20.9 x 17.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Oare Village

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 15/16 × 17 5/16 inches (35.4 × 44 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor, graphite on smooth, moderately thick, cream wove paper
Dimensions:: Sheet: 13 5/8 × 17 3/8 inches (34.6 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1837
Materials & Techniques:: Etching on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: undated
Materials & Techniques:: Graphite and watercolor on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. [One from] A Volume of Drawings and Prints

Creator:: Rev. James Bulwer, 1794–1879
Date:: 1834
Materials & Techniques:: Pen and brown ink, watercolor, graphite on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Dining Room at Newby Hall, Yorkshire

Creator:: John Buckler FSA, 1770–1851
Date:: 1816
Materials & Techniques:: Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:: Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache, verso: yellow gouache on medium, smooth, wove paper
Dimensions:: Sheet: 8 3/8 × 9 3/4 inches (21.3 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:: Sheet: 8 1/4 × 2 3/4 inches (21 × 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache, verso; white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 8 1/4 × 5 inches (21 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Black ink, graphite, watercolor and gouache on thin, smooth, cream laid paper
Dimensions:: Sheet: 8 1/8 × 3 5/8 inches (20.6 × 9.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Kits Coty House, Near Maidstone, Kent

Creator:: Alfred Gomersal Vickers, 1810–1837
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/16 × 12 inches (20.5 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. The Hall, Rugby School

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and white gouache on medium, moderately textured, cream wove paper mounted to card
Dimensions:: Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Statue of the Marquis of Hastings in Tank Square - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: between 1833 and 1838
Materials & Techniques:: Watercolor, gray wash, white gouache, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Sheet: 8 1/4 × 15 inches (21 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Hilly Landscape with River and Cattle

Creator:: John Glover, 1767–1849
Date:: ca. 1810
Materials & Techniques:: Watercolor over graphite on moderateley thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 x 12 3/4 inches (21 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Theatrical Group

Creator:: Theodor von Holst, 1810–1844
Date:: undated
Materials & Techniques:: Watercolor, gouache and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 × 5 1/2 inches (21 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Design for an Egyptian Column

Creator:: Thomas Grieve, 1799–1882
Date:: undated
Materials & Techniques:: Watercolor and graphite; verso: graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/2 x 3 1/4in. (21.6 x 8.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Hog Deer

Creator:: Samuel Howitt, 1756–1822
Date:: after 1813
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 5 5/8 inches (21.3 × 14.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A British Frigate Dropping Anchor

Creator:: William Joy, 1803–1867
Date:: undated
Materials & Techniques:: Watercolor with scraping and gum on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 12 1/2in. (21.3 x 31.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Winkle Street, Southampton

Creator:: George Shepheard, ca. 1770–1842
Date:: 1819
Materials & Techniques:: Watercolor, black ink, and graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 inches (20.6 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Bridge

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 12 1/4 inches (20.6 × 31.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Kitchen Scene: Dunkerrin, September 1835

Creator:: Sir David Wilkie, 1785–1841
Date:: 1835
Materials & Techniques:: Watercolor and graphite with pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 x 10 5/8 inches (20.6 x 27 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Englishman in Inca Costume

Creator:: George Augustus Sala, 1828–1895
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/8 × 5 13/16 inches (20.6 × 14.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

95. Eton from the Thames

Creator:: attributed to David Cox, 1783–1859
Date:: between 1800 and 1829
Materials & Techniques:: Watercolor and graphite, with scratching out on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/8 x 13 1/8 inches (21.3 x 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Letter with Sketches: a Man at a Table, a Man Pointing a Stick and Other Slight Sketches

Creator:: George Cruikshank, 1792–1878
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and watercolor on medium, slightly textured, blue laid paper
Dimensions:: Sheet: 8 3/8 x 7 3/4in. (21.3 x 19.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Paddle Steamer Near Weymouth

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, graphite, and pen and black ink on medium, rough, cream wove paper
Dimensions:: Sheet: 8 3/8 × 10 1/2 inches (21.3 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. On the Tiber/ Castle of St. Angelo

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Watercolor, with pen and gray ink, brown ink, over graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 3/16 × 14 3/4 inches (20.8 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Mt. St. Bernard (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: 1816
Materials & Techniques:: Watercolor, pen and gray ink, gouache, and graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 8 5/16 × 12 15/16 inches (21.1 × 32.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Women in "Old Italian Costume - Naples"

Creator:: Isaac Weld, 1774–1856
Date:: 1818
Materials & Techniques:: Graphite, pen and brown ink and watercolor on medium, slightly textured, light blue, wove paper
Dimensions:: Sheet: 8 1/4 × 9 13/16 inches (21 × 24.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques watercolor

Period 19th century

Height [cm] 21

Search Results

1. The Vine

2. At Hailsham, Sussex: a Storm Approaching

3. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

4. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

5. "Albion thy fear has made me tremble..." (Plate 22)

6. "Highgates heights & Hampsteads..." (Plate 84)

7. "Became a Space & an Allegory..." (Plate 85)

8. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

9. "Repelling weeping Enion blind & age-bent..." (Plate 87)

10. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

11. "The Feminine separates from the Masculine..." (Plate 90)

12. "It is easier to forgive an enemy..." (Plate 91)

13. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

14. "Albion cold lays on his Rock..." (Plate 94)

15. "Awake! Awake Jerusalem..." (Plate 97)

16. "Then each an Arrow flaming from his Quiver..." (Plate 98)

17. "And the Two that escaped..." (Plate 30)

18. "Elevate into the Region of Brotherhood..." (Plate 34)

19. "Reuben return'd to his place, in vain..." (Plate 36)

20. "With one accord in love sublime..." (Plate 44)

21. "From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)

22. "The secret coverts of Albion & the hidden places of America..." (Plate 49)

23. "In Great Eternity every particular Form..." (Plate 54)

24. "When those who disregard all Mortal Things..." (Plate 55)

25. "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)

26. "In beauty the Daughters of Albion divide..." (Plate 58)

27. "The clouds of Albions Druid Temples..." (Plate 60)

28. "Repose on me till the morning of the Grave..." (Plate 62)

29. "By those who drink their blood & the blood of their Covenant..." (Plate 67)

30. "O Skofield why art thou cruel?..." (Plate 68)

31. "Then all the Males conjoined into One Male..." (Plate 69)

32. Chapter 4. "The Spectres of Albions Twelve Sons..." (Plate 78)

33. "I have mock'd those who refused cruelty..." (Plate 81)

34. Harvesters Resting in a Corn Field

35. Haymakers

36. A Cockatoo

37. Ruins of the Temple of Jupiter on the Plains of Nemea

38. The Amphitheatre at Nîmes

39. A View of Core's Library, Dawlish, Devon

40. Pass in the Mountains Between Nisa and Villa Velha

41. Boats and Men on Beach

42. South View of St. Neot's Bridge, Built About 1589 Out of the Ruins of the Priory

43. Government House from St. Andrew's Library - Calcutta

44. A Parrot

45. A Storm Damaged Windmill

46. Lincoln Cathedral From Brayford Pool

47. A Struggle With a Load of Clay

48. Exercising a Racehorse

49. Illustration to R.S. Surtees', "Jorrocks's Jaunts and Jollities": Title page

50. Two Riders Taking a Double Fence

51. "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'

52. "Fanny's Colt", July 26, 1886

53. St. George's Chapel, Windsor, West End, July 19, 1832, 10 am

54. Backswords

55. Gentleman and a Lady

56. Four Ponies on a Welsh Moor

57. "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'

58. "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'

59. "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'

60. "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'

61. "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'

62. "The National Sports of Great Britain," 1821: Owling

63. Two Turkish Cavalrymen

64. Riders Taking a Fence

65. Foxhunting: Hunt Servants Leading Out Hounds

66. Back View of Stout Rider on a Chestnut Horse

67. Wrestling

68. Ile de la Cite

69. Near Honfleur

70. Boy Tying a Girl's Shoe

71. Two Girls Under an Umbrella

72. Boy Holding an Apple for a Girl with Two Girls Beyond

73. Oare Village