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Materials & Techniques watercolor

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Period 19th century

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Samuel Palmer The Weald of Kent
Samuel Palmer, 1805–1881
The Weald of Kent
between 1833 and 1834
William Blake "And Hand & Hyle rooted into Jerusalem..." (Plate 15)
Print made by William Blake, 1757–1827
"And Hand & Hyle rooted into Jerusalem..." (Plate 15)
1804 to 1820
William Blake "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
Print made by William Blake, 1757–1827
"And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)
1804 to 1820
William Blake "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
Print made by William Blake, 1757–1827
"Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)
1804 to 1820
William Blake "And One stood forth from the Divine Family..." (Plate 37)
Print made by William Blake, 1757–1827
"And One stood forth from the Divine Family..." (Plate 37)
1804 to 1820
William Blake "His face and bosom with petrific hardness..." (Plate 38)
Print made by William Blake, 1757–1827
"His face and bosom with petrific hardness..." (Plate 38)
1804 to 1820
William Blake "Bath, healing City!..." (Plate 45)
Print made by William Blake, 1757–1827
"Bath, healing City!..." (Plate 45)
1804 to 1820
William Blake "The secret coverts of Albion & the hidden places of America..." (Plate 49)
Print made by William Blake, 1757–1827
"The secret coverts of Albion & the hidden places of America..." (Plate 49)
1804 to 1820
William Blake "And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
Print made by William Blake, 1757–1827
"And the voices of Bath & Canterbury & York & Edinburgh, Cry..." (Plate 57)
1804 to 1820
William Blake "The Four Zoa's clouded rage..." (Plate 74)
Print made by William Blake, 1757–1827
"The Four Zoa's clouded rage..." (Plate 74)
1804 to 1820
William Blake The Entrance Front of Hayley's House at Eartham
William Blake, 1757–1827
The Entrance Front of Hayley's House at Eartham
1801
Edward Lear Fruit trees, 3 April 1863
Edward Lear, 1812–1888
Fruit trees, 3 April 1863
1863
John Absolon Peasant Girls
attributed to John Absolon, 1815–1895
Peasant Girls
undated
John Absolon Trees by a Pool
John Absolon, 1815–1895
Trees by a Pool
Undated
John Linnell Old Olive Tree
John Linnell, 1792–1882
Old Olive Tree
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Henry Thomas Alken, 1785–1851
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
Thomas William Wood Birds of Paradise
Thomas William Wood, 1855–1872
Birds of Paradise
1862
William Henry Hunt A Fallen Oak
attributed to William Henry Hunt, 1790–1864
A Fallen Oak
ca. 1815
Patrick Nasmyth Part of Regent's Park
Patrick Nasmyth, 1787–1831
Part of Regent's Park
1805
Richard Dadd Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage
Richard Dadd, 1817–1886
Still Life with Gooseberries, Raspberries, Red Currants, Spring Onions, a Gherkin and Foliage
1874
unknown artist Lear in the Storm
unknown artist
Lear in the Storm
undated
John Absolon Family Group
John Absolon, 1815–1895
Family Group
undated
John Absolon Group of Peasants with Musical Instruments
Attributed to John Absolon, 1815–1895
Group of Peasants with Musical Instruments
undated
unknown artist Ruins of a Monastery with Farmyard Animals
unknown artist
Ruins of a Monastery with Farmyard Animals
undated
Rev. Charles Annesley The Devil's Bridge, Aberystwyth
Rev. Charles Annesley, 1787–1863
The Devil's Bridge, Aberystwyth
undated
Robert Hills A Gate Reflected in a Pool
Robert Hills, 1769–1844
A Gate Reflected in a Pool
1805
Robert Hills Woodland Shadow
Robert Hills, 1769–1844
Woodland Shadow
after 1801