Materials & Techniques: watercolor / Period: 19th century / Subject Terms: praying - YCBA Collections Search Search Results

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Materials & Techniques watercolor

Period 19th century

Subject Terms praying

1. The Stoning of Saint Stephen

The Stoning of Saint Stephen

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Bushey Churchyard with the Tombs of Edridge, Hearne and H. Monro

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1822
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/4 x 16 1/4 inches (31.1 x 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Interior of Milan Cathedral

Interior of Milan Cathedral

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor with scraping over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 19 1/2 × 13 1/2 inches (49.6 × 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Sketch for the Passions: Pride

Sketch for the Passions: Pride

Creator:: Richard Dadd, 1817–1886
Date:: ca. 1854
Materials & Techniques:: Watercolor, black ink, and graphite on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/8 inches (36.8 x 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Group of Women at Mass

A Group of Women at Mass

Creator:: Sir David Wilkie, 1785–1841
Date:: undated
Materials & Techniques:: Watercolor with black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/8 x 6 inches (19.4 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, Fund

6. Job Accepting Charity

Job Accepting Charity

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 3/4 inches (8.9 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. The Vision of God

The Vision of God

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 5/8 x 5 inches (9.2 x 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Job's Sacrifice

Job's Sacrifice

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Watercolor and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 3 1/2 inches (12.1 x 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

9. The Interior of the Lower Basilica of St. Francis of Assisi

The Interior of the Lower Basilica of St. Francis of Assisi

Creator:: Thomas Hartley Cromek, 1809–1873
Date:: 1839
Materials & Techniques:: Watercolor and gouache with gum arabic on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 13 11/16 x 19 7/16 inches (34.7 x 49.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Friends of British Art Fund

10. Job and His Family

Job and His Family

Creator:: circle of John Linnell, 1792–1882
Date:: undated
Materials & Techniques:: Black ink and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 5/8 inches (8.9 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection