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Materials & Techniques watercolor

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Genre religious and mythological subject

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Width [cm] 14

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William Blake Songs of Innocence, Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Songs of Innocence, Frontispiece (Plate 1)
1789
William Blake The Divine Image (Plate 12)
Print made by William Blake, 1757–1827
The Divine Image (Plate 12)
1789
William Blake Infant Joy (Plate 14)
Print made by William Blake, 1757–1827
Infant Joy (Plate 14)
1789
William Blake The Little Boy Lost (Plate 20)
Print made by William Blake, 1757–1827
The Little Boy Lost (Plate 20)
1789
William Blake Spring (Plate 26)
Print made by William Blake, 1757–1827
Spring (Plate 26)
1789
William Blake "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
Print made by William Blake, 1757–1827
"As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)
1804 to 1820
William Blake "Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
Print made by William Blake, 1757–1827
"Then Los heaved his thund'ring Bellows on the Valley of Middlesex..." (Plate 56)
1804 to 1820
William Blake "Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
Print made by William Blake, 1757–1827
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)
1804 to 1820
William Blake "Her voice pierc'd Albions clay cold ear..." (Plate 95)
Print made by William Blake, 1757–1827
"Her voice pierc'd Albions clay cold ear..." (Plate 95)
1804 to 1820
Robert Smirke Scene of a Bacchanalia
Robert Smirke, 1752–1845
Scene of a Bacchanalia
undated
William Mulready The Disobedient Prophet
William Mulready, 1786–1863
The Disobedient Prophet
1848, retouched 1863
Hubert-François Gravelot Design for an Engraving: Battle of Troy with the Trojan Horse
Hubert-François Gravelot, 1699–1773
Design for an Engraving: Battle of Troy with the Trojan Horse
undated