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Materials & Techniques watercolor

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William Blake The Prophetess Rising from Her Grave (Design 81)
William Blake, 1757–1827
The Prophetess Rising from Her Grave (Design 81)
between 1797 and 1798
William Blake The Triumphs of Owen, A Fragment; Title Page
William Blake, 1757–1827
The Triumphs of Owen, A Fragment; Title Page
between 1797 and 1798
William Blake 'O treacherous conscience! while she seems to sleep" (Page 27)
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
William Blake 'Like that, the dial speaks; and points to thee' (Page 33)
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
William Blake 'Love, and love only, is the loan for love' (Page 37)
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
William Blake "Then all the Males conjoined into One Male..." (Plate 69)
Print made by William Blake, 1757–1827
"Then all the Males conjoined into One Male..." (Plate 69)
1804 to 1820
William Henry Hunt Two Peasants by a Window
attributed to William Henry Hunt, 1790–1864
Two Peasants by a Window
undated
Thomas Rowlandson 'Slender Billy' Taking Refreshment
Thomas Rowlandson, 1756–1827
'Slender Billy' Taking Refreshment
undated
Thomas Rowlandson Taunting with Smoke from a Pipe
Thomas Rowlandson, 1756–1827
Taunting with Smoke from a Pipe
1823