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Materials & Techniques watercolor

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Samuel Palmer Guildford
Samuel Palmer, 1805–1881
Guildford
1844
Samuel Palmer The Weald of Kent
Samuel Palmer, 1805–1881
The Weald of Kent
between 1833 and 1834
John Constable Borrowdale: Evening after a Fine Day, 1 October 1806
John Constable, 1776–1837
Borrowdale: Evening after a Fine Day, 1 October 1806
1806
Robert Polhill Bevan The Pink Apron
Robert Polhill Bevan, 1865–1925
The Pink Apron
ca. 1904
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
ca. 1792–1794
Joseph Mallord William Turner The Bridge over the River Rye at Helmsley, with the Castle Beyond
Joseph Mallord William Turner, 1775–1851
The Bridge over the River Rye at Helmsley, with the Castle Beyond
between 1798 and 1799
Joseph Mallord William Turner Man with Horse and Cart Entering a Quarry
Joseph Mallord William Turner, 1775–1851
Man with Horse and Cart Entering a Quarry
ca. 1797
Joseph Mallord William Turner St. Augustine's Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
St. Augustine's Gate, Canterbury
between 1792 and 1793
Joseph Mallord William Turner Interior of St. John's Palace, Eltham
Joseph Mallord William Turner, 1775–1851
Interior of St. John's Palace, Eltham
ca. 1793
William Blake The Ancient of Days; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
The Ancient of Days; Frontispiece (Plate 1)
1794
William Blake "The red limb'd Angel siez'd in horror and torment..." (Plate 15)
Print made by William Blake, 1757–1827
"The red limb'd Angel siez'd in horror and torment..." (Plate 15)
1794
William Blake "Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)
1794
William Blake Albion's Angel; Frontispiece (Plate 1)
Print made by William Blake, 1757–1827
Albion's Angel; Frontispiece (Plate 1)
1793
William Blake "The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
William Blake "Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
Print made by William Blake, 1757–1827
"Sound! sound! my loud war-trumpets & alarm my Thirteen Angels!..." (Plate 11)
1793
William Blake "Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
Print made by William Blake, 1757–1827
"Thus wept the Angel voice & as he wept the terrible blasts..." (Plate 12)
1793
William Blake "So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
Print made by William Blake, 1757–1827
"So cried he, rending off his robe & throwing down his scepter..." (Plate 14)
1793
William Blake Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
Print made by William Blake, 1757–1827
Fiery the Angels rose, & as they rose deep thunder roll'd..." (Plate 13)
1793
William Blake "What time the thirteen Governors that England sent convene..." (Plate 15)
Print made by William Blake, 1757–1827
"What time the thirteen Governors that England sent convene..." (Plate 15)
1793
William Blake "In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
Print made by William Blake, 1757–1827
"In the flames stood & view'd the armies drawn out in the sky..." (Plate 16)
1793
William Blake "On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
Print made by William Blake, 1757–1827
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)
1793
William Blake "Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
Print made by William Blake, 1757–1827
"Over the hills, the vales, the cities, rage the red flames fierce..." (Plate 18)
1793
William Blake America, A Prophecy; Title Page (Plate 2)
Print made by William Blake, 1757–1827
America, A Prophecy; Title Page (Plate 2)
1793
William Blake Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium. "The shadowy daughter of Urthona stood before red Orc..." (Plate 3)
1793
William Blake "Silent as despairing love, and strong as jealousy..." (Plate 4)
Print made by William Blake, 1757–1827
"Silent as despairing love, and strong as jealousy..." (Plate 4)
1793
William Blake A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The Guardian Prince of Albion burns in his nightly tent..." (Plate 5)
1793
William Blake "Appear to the Americans upon the cloudy night..." (Plate 6)
Print made by William Blake, 1757–1827
"Appear to the Americans upon the cloudy night..." (Plate 6)
1793
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
William Blake "The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
Print made by William Blake, 1757–1827
"The morning comes, the night decays, the watchmen leave their stations..." (Plate 8)
1793
William Blake "In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
Print made by William Blake, 1757–1827
"In thunders ends the voice. Then Albions Angel wrathful burnt..." (Plate 9)
1793
William Blake Europe a Prophecy; Title Page (Plate 2)
Print made by William Blake, 1757–1827
Europe a Prophecy; Title Page (Plate 2)
1794
William Blake Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
Print made by William Blake, 1757–1827
Preludium, "The nameless shadowy female rose from out the breast of Orc..." (Plate 3)
1794
William Blake "Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
Print made by William Blake, 1757–1827
"Unwilling I look up to heaven! unwilling count the stars!..." (Plate 4)
1794
William Blake A Prophecy. "The deep of winter came..." (Plate 5)
Print made by William Blake, 1757–1827
A Prophecy. "The deep of winter came..." (Plate 5)
1794
William Blake "Enitharmon slept. ..." (Plate 10)
Print made by William Blake, 1757–1827
"Enitharmon slept. ..." (Plate 10)
1794
William Blake "In thoughts perturb'd they rose..." (Plate 11)
Print made by William Blake, 1757–1827
"In thoughts perturb'd they rose..." (Plate 11)
1794
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake Plague (Plate 13)
Print made by William Blake, 1757–1827
Plague (Plate 13)
1794
William Blake "And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
Print made by William Blake, 1757–1827
"And the clouds & fires pale rolld round in the night of Enitharmon"... (Plate 14)
1794
William Blake "Shot from the heights of Enitharmon..." (Plate 17)
Print made by William Blake, 1757–1827
"Shot from the heights of Enitharmon..." (Plate 17)
1794
William Blake "The shrill winds wake!..." (Plate 6)
Print made by William Blake, 1757–1827
"The shrill winds wake!..." (Plate 6)
1794
William Blake "Now comes the night of Enitharmons joy!..." (Plate 7)
Print made by William Blake, 1757–1827
"Now comes the night of Enitharmons joy!..." (Plate 7)
1794
William Blake Famine (Plate 8)
Print made by William Blake, 1757–1827
Famine (Plate 8)
1794
William Blake "Arise 'O Rintrah eldest born..." (Plate 9)
Print made by William Blake, 1757–1827
"Arise 'O Rintrah eldest born..." (Plate 9)
1794
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
Edward Lear Leonessa, 3 October 1844
Edward Lear, 1812–1888
Leonessa, 3 October 1844
1844
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Opposite Beni Hassan, Looking North
Edward Lear, 1812–1888
Opposite Beni Hassan, Looking North
1867
Edward Lear Gebel Sheikh Eredi
Edward Lear, 1812–1888
Gebel Sheikh Eredi
1867
Edward Lear Dendera, 9:00 am, 15 January 1867 (156)
Edward Lear, 1812–1888
Dendera, 9:00 am, 15 January 1867 (156)
1867
Edward Lear Dendera, 9:15 am, 15 January 1867 (157)
Edward Lear, 1812–1888
Dendera, 9:15 am, 15 January 1867 (157)
1867
Edward Lear Rizaghat
Edward Lear, 1812–1888
Rizaghat
1867
Edward Lear Dawn on the Nile
Edward Lear, 1812–1888
Dawn on the Nile
1867
Edward Lear Shelaal, 2:30 am, 29 January 1867 (260)
Edward Lear, 1812–1888
Shelaal, 2:30 am, 29 January 1867 (260)
1867
Edward Lear Shelaal, 5:30 am, 29 January 1867 (264)
Edward Lear, 1812–1888
Shelaal, 5:30 am, 29 January 1867 (264)
1867
Edward Lear Dehmyt, 7:30 am, 31 January 1867 (278)
Edward Lear, 1812–1888
Dehmyt, 7:30 am, 31 January 1867 (278)
1867
Edward Lear Near Gamille
Edward Lear, 1812–1888
Near Gamille
1867
Edward Lear Near Tapha, 9:45 am, 31 January 1867 (287)
Edward Lear, 1812–1888
Near Tapha, 9:45 am, 31 January 1867 (287)
1867
Edward Lear Near Sabooa
Edward Lear, 1812–1888
Near Sabooa
1867
Edward Lear Korosko
Edward Lear, 1812–1888
Korosko
1867
Edward Lear Between Derr and Ibreem
Edward Lear, 1812–1888
Between Derr and Ibreem
1867
Edward Lear Near Abu Simbel
Edward Lear, 1812–1888
Near Abu Simbel
1867
Edward Lear Near Wady Halfeh
Edward Lear, 1812–1888
Near Wady Halfeh
1867
Edward Lear Abu Seer, Wady Halfeh
Edward Lear, 1812–1888
Abu Seer, Wady Halfeh
1867
Edward Lear Faras Westbank
Edward Lear, 1812–1888
Faras Westbank
1867
Edward Lear Abu Simbel
Edward Lear, 1812–1888
Abu Simbel
1867
Edward Lear Ibreem
Edward Lear, 1812–1888
Ibreem
1867
Anna Mills The Entrance to Hengrave Hall, 1819
Anna Mills, active 1819
The Entrance to Hengrave Hall, 1819
1819
unknown artist Two Scorpions and Two Centipedes
unknown artist
Two Scorpions and Two Centipedes
1829
Thomas Hosmer Shepherd The Vine Inn, Vine Yard, Aldersgate in the City of London
Thomas Hosmer Shepherd, 1792–1864
The Vine Inn, Vine Yard, Aldersgate in the City of London
undated
unknown artist Herding Sheep, Penn Common
unknown artist
Herding Sheep, Penn Common
undated
Andreas Geiger Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
Andreas Geiger, 1765–1856
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
undated
Spencer Frederick Gore Cave of the Golden Calf: Worshippers and Calf
Spencer Frederick Gore, 1878–1914
Cave of the Golden Calf: Worshippers and Calf
1912
William Beilby Syon House
William Beilby, 1740–1819
Syon House
undated
William Beilby Syon House: Chapel
William Beilby, 1740–1819
Syon House: Chapel
undated
William Beilby Alnwick Castle
William Beilby, 1740–1819
Alnwick Castle
undated
Daniel Lysons Monument to Jennett Hamilton, Chelsea Church
Daniel Lysons, 1762–1834
Monument to Jennett Hamilton, Chelsea Church
between 1796 and 1811
Daniel Lysons Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church
Daniel Lysons, 1762–1834
Memorial to Mrs. Hester Hill and Mr. Thomas Hill, Chelsea Church
between 1796 and 1811
Daniel Lysons Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church
Daniel Lysons, 1762–1834
Monuments to Mrs. Rebecca Cassamajor and Thoma Spateman, Chiswick Church
between 1796 and 1811
Daniel Lysons Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
Daniel Lysons, 1762–1834
Brass Plate for John Asplyn, Godfrey Askew, and Elizabeth the Wife of them Both, Edmonton Church
between 1796 and 1811
Daniel Lysons Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes
Attributed to Daniel Lysons, 1762–1834
Old Stained Glass in the Chanel Window aslo Memorial to Reverend Anthony Hilton from Hayes
between 1796 and 1811
Daniel Lysons Memorial to Francis Musters
Attributed to Daniel Lysons, 1762–1834
Memorial to Francis Musters
between 1796 and 1811
Robert Mabon Sketch for a Picture of the Peshwa's Saddle
Robert Mabon, died 1798
Sketch for a Picture of the Peshwa's Saddle
undated
Daniel Lysons Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church
Daniel Lysons, 1762–1834
Brass Plate for Dr. James Goode and his Wife Joan, Daughter of Edward Clinton, West Drayton Church
between 1796 and 1811
F. Norice Greenwich, London in the Distance
F. Norice, 19th century
Greenwich, London in the Distance
undated
F. Norice Windsor Castle From the Long Walk
F. Norice, 19th century
Windsor Castle From the Long Walk
undated
Daniel Lysons Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking
Daniel Lysons, 1762–1834
Brass Plate to Thomas and Alicia Broke, Parish Church of St. Margaret, Barking
between 1796 and 1811
Daniel Lysons Slab over Tomb of Catherine Daughter of Lord Latimer from East Ham Church
Daniel Lysons, 1762–1834
Slab over Tomb of Catherine Daughter of Lord Latimer from East Ham Church
between 1796 and 1811
Daniel Lysons Tomb of Henniker Family, from West Ham Churchyard
Daniel Lysons, 1762–1834
Tomb of Henniker Family, from West Ham Churchyard
between 1796 and 1811
unknown artist Portrait Study
unknown artist
Portrait Study
undated
Walter Crane Woman in a Kimono
Walter Crane, 1845–1915
Woman in a Kimono
1910
Samuel Prout The Thatched Cottage
Samuel Prout, 1783–1852
The Thatched Cottage
undated
unknown artist Carew Castle South Wales
unknown artist
Carew Castle South Wales
undated
unknown artist Mountainous Landscape with Cows
unknown artist
Mountainous Landscape with Cows
undated
unknown artist Landscape with Smokestack
unknown artist
Landscape with Smokestack
undated
Charles Tomkins Boston Manor, Brentford, Middlesex
Charles Tomkins, 1757–1823
Boston Manor, Brentford, Middlesex
undated
William Beilby Kielder Castle, Northumberland
William Beilby, 1740–1819
Kielder Castle, Northumberland
undated
Rev. James Bulwer Holyhead, Highwater
Rev. James Bulwer, 1794–1879
Holyhead, Highwater
undated
John Martin Archers Stalking a Stag
John Martin, 1789–1854
Archers Stalking a Stag
1821
Samuel Scott Men Loading a Boat with Barrels
Samuel Scott, ca. 1702–1772
Men Loading a Boat with Barrels
undated