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Materials & Techniques watercolor
Remove constraint Materials & Techniques: watercolorWork Type watercolor
Remove constraint Work Type: watercolorSubject Terms woman
Remove constraint Subject Terms: womanSearch Results
1
- Oberon and Titania
- 1837
2
- Study of a Woman Sewing
- undated
3
- The Pink Apron
- ca. 1904
4
- A Great Tree
- ca. 1796
5
- Mary Magdalen at the Sepulchre
- ca. 1805
6
- The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
9
- The Poems of Thomas Gray, Design 85, "The Descent of Odin."
- between 1797 and 1798
10
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
11
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
12
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
13
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
14
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
15
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
17
- The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
- between 1797 and 1798
18
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
19
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
20
- Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
- 1789
21
- Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
- 1789
22
- Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
- 1789
23
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
24
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
25
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 31, "A Long Story."
- between 1797 and 1798
28
- Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
- 1797
29
- Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
- 1797
30
- Woman with a Blue Smock
- undated
31
- A Fisherwoman, Hands under Apron
- undated
32
- Street Scene at Stratford by Bow
- undated
33
- Couple in a Farmyard
- 1782
34
- La Mancha
- 1828
35
- Hero and Leander
- 1801
36
- A Regency Pair
- 1802
37
- A Goose and a Baboon
- undated
38
- Evening
- 1828
39
- The Death of Cordelia
- undated
40
- Brighton Town and Church
- ca. 1780
41
- Extensive wooded landscape with figures in foreground left
- Undated
42
- The Spoiled Child, Scene III
- ca. 1802
43
- A Dancer
- ca. 1836
44
- Woman and Child
- undated
45
- Scottish Peasant Women
- undated
46
- Wanstead House
- undated
47
- Enter Malvolio, Crossgartered..
- 1863
48
- A London Street Crier
- undated
49
- Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
- undated
50
- Miss Charlotte Sandby
- undated
51
- Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
- undated
52
- Wooded Landscape with Figures Round a Cooking Pot
- 1793
53
- Faust and Margaret
- undated
54
- A Young Woman Looking Down
- undated
55
- The Cheesecake House, Hyde Park
- ca. 1795
56
- Riders Outside an Inn
- undated
57
- Romantic Landscape
- ca. 1830
58
- A Greek Girl Standing on a Balcony
- 1840
59
- A Young Woman in a Blue Dress
- undated
60
- Portrait of a Woman in a Black Dress
- undated
61
- Coast Scene near Plymouth
- undated
62
- The Monnow Bridge, Monmouthshire
- before 1814
63
- The Meat Market
- undated
64
- The Poultry Market
- undated
65
- London Cries: Last Dying Speech and Confession
- ca. 1759
66
- Italianate Landscape with Travellers no. 2
- ca. 1760
67
- Italianate Landscape with Travelers, No. 1
- ca. 1765
68
- An Old Market Woman Grinning and Gesturing with her Left Hand
- undated
69
- The Lecture House, Watford
- ca. 1820
70
- Aldenham Church
- ca. 1817
71
- Landscape with Courting Couple
- 1839
72
- The Woman at the Well
- undated
73
- Prospero Summoning Ariel
- ca. 1800
74
- View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
- 1783
75
- Cottage and Foot Bridge
- 1794
76
- Portrait of a Lady
- undated
77
- Portrait of a Lady
- undated
78
- Seated Woman
- undated
79
- My Pretty Little Ginny Tarters for a Ha'penny a Stick or a Penny a Stick, or a Stick to Beat Your Wives or Dust Your Clothes
- ca. 1759
80
- London Cries: "Black Heart Cherries..."
- ca. 1759
81
- London Cries: A Fishmonger
- ca. 1759
82
- Woman in a Kimono
- 1910
83
- A Regency Pair: Man with Walking Stick
- 1802
84
- Beside the Lily-Pond
- 1869
85
- Woodcutter and His Family
- undated
86
- Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
- undated
87
- Mrs. William Wilberforce and Child
- 1824
88
- A Lady Reading
- ca. 1835
89
- Adelaide
- between 1785 and 1786
90
- St. Vincent's Rock, Clifton, Bristol with Hotwell's Spring House in the Distance
- undated
91
- Conway Castle
- 1789
92
- Incantation Scene
- undated
93
- Hannah Snell - From the Life (in Male Dress)
- undated
94
- View of the Bridge over Uduanulla, near Rahamahal, Bihar
- undated
95
- Woman Carrying Baskets
- undated
96
- Old Farm Buildings
- ca. 1817
97
- Portrait Study of a Girl
- ca. 1823
98
- A Woman of Fashion in Walking Dress
- undated
99
- A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
- undated
100
- The Assignation
- undated