Commemorative Portrait of a Racehorse called Othello
undated
216
Rev. William Gilpin, 1724–1804
Bridgnorth Bridge, Shropshire
1799
217
Thomas Shotter Boys, 1803–1874
The Pont Neuf
undated
218
unknown artist
Banditti
undated
219
Arthur William Devis, 1762–1822
Grinding Corn
1792–1795
220
Alfred Diston, active 1818–1829
Loaded Camel
1828
221
Sir William Chambers, 1723–1796
Royal Botanic Gardens, Kew: Design for Interior of a Mosque
ca. 1761
222
unknown artist
Pegwell Bay (?)
ca. 1860
223
Helen Allingham, 1848–1926
The Last House in Lynmouth
1874
224
James Johnson, 1803–1834
Granby Hill, Bristol
undated
225
Harry Willson, Active 1813–1852
Urban Scene
undated
226
David Cox, 1783–1859
Entrance to Calais Harbour
ca. 1829
227
unknown artist
Two Designs for Ecclesiastical Niches
undated
228
Anthony Vandyke Copley Fielding, 1787–1855
Coast Scene with a Beached Boat
between 1819 and 1822
229
unknown artist
Archiepiscopal Palace, Wrotham, Kent
undated
230
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 2
undated
231
attributed to Richard Parkes Bonington, 1802–1828
Boulogne Harbor
1823
232
John Sell Cotman, 1782–1842
Gate-way, Saint Mary's Wiggenhall, Norfolk
ca. 1818
233
Peter DeWint, 1784–1849
Low Tide, boat landing
undated
234
Peter DeWint, 1784–1849
A Yorkshire Road
undated
235
George Cruikshank, 1792–1878
Macbeth and the Witch
undated
236
John Sell Cotman, 1782–1842
Font at Dersingham Church, Norfolk
1815
237
John Sell Cotman, 1782–1842
Caricature of Two Men with Drawn Swords (One of a Set of Three)
1799
238
Samuel Davis, 1760–1819
The End of the Ruin'd Bridge at Rouen
1778
239
Samuel Davis, 1760–1819
Church with a Wooden Belfry - one of three versions
undated
240
imitator of John Sell Cotman, 1782–1842
Blickling Church, Norfolk, from the South-East
undated
241
Richard Dadd, 1817–1886
Portrait of a Girl
1838
242
Samuel Davis, 1760–1819
At Hooghly
1785
243
Samuel Davis, 1760–1819
At Pointy
1788
244
Samuel Davis, 1760–1819
At Moorshedubad [Murshidabad]
undated
245
Samuel Davis, 1760–1819
Siccregully [Sakrigali]
1785
246
Samuel Davis, 1760–1819
A European Gentleman Entering a Bungalow in India
undated
247
Samuel Davis, 1760–1819
Moorshedabad [Murshidabad]
undated
248
Samuel Davis, 1760–1819
At Moorshedabad [Murshidabad]
undated
249
Samuel Davis, 1760–1819
At Rajemahal [Rajmahal]
undated
250
Nicholas Thomas Dall, op.1748–, d.1777
Saloon with an Arch to a Garden and Fountain
1771
251
William Alexander, 1767–1816
A Chinese Beggar
undated
252
Nathaniel Dance, 1735–1811
A Judge of Distress like Hers
undated
253
William Alexander, 1767–1816
View in the Province of Kiang-nan, China, Taken from Nature
1793
254
John White Abbott, 1763–1851
The Mouth of the Cavern at Castleton in the Peak of Derby
1791
255
John White Abbott, 1763–1851
The Warren near Exmouth, Devon: Steep Cliffs Rising at Right, Sea and Rocky Shore at Left
1810
256
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 2, Scene 3
undated
257
George Cressal Ellis, ca. 1810–1875
Design for setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 1, Scene 3
undated
258
George Cressal Ellis, ca. 1810–1875
Design for Setting of Charles Kean's Richard II at the Princess's Theatre on March 12, 1857, Act 5, Scene 3
undated
259
William Evans of Bristol, 1809–1858
Study of Country Boys
undated
260
Alexander T. Francia, 1820–1884
On the Coast of Brittany
1839
261
Robert Hills, 1769–1844
A Farm at Eton
undated
262
Robert Hills, 1769–1844
An Oak in Englefield Park
undated
263
Robert Hills, 1769–1844
Woodland Shadow
after 1801
264
Samuel Hieronymus Grimm, 1733–1794
Putney Church and Bridge
1772
265
James Lawson Stewart, active 1883–died 1929
Mill Pond Bridge, Rotherhithe
undated
266
George Dance, 1741–1825
"Curtius Leaping into the Gulph"
undated
267
unknown artist
Views in the Levant: Study of a Woman Wearing a Purple Turban and Green Dress
ca. 1785
268
unknown artist
A Farmer who has Come out to Protect his Fields from Riders
ca. 1860
269
Stephen Riou, 1720–1780
Design for 'the Houses of both sides of the intended Street to extend in a right line from the Mansion-House to More-Gate humbly proposed to consideration'
1762
270
unknown artist
Erlestoke House and Park
ca. 1825
271
Henry Phillip Hope, active 1799–1818
Bedgeway: View of Interior of Pavilion... (4 of 4)