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Materials & Techniques watercolor

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William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
John James Barralet The Road to East Grinstead
John James Barralet, 1747–1815
The Road to East Grinstead
Undated
Henry Moore High Tor, Matlock
Henry Moore, 1831–1895
High Tor, Matlock
undated
George Vicat Cole The Mill Pond, Evelyn Woods
George Vicat Cole, 1833–1893
The Mill Pond, Evelyn Woods
1860
Mary Hoare Ferdinand and Ariel
Mary Hoare, 1744–1820
Ferdinand and Ariel
ca. 1781
John Varley The Castle on the Hill
John Varley, 1778–1842
The Castle on the Hill
undated
John Warwick Smith Coast Near Sorrento
John Warwick Smith, 1749–1831
Coast Near Sorrento
1764-1831
John Warwick Smith The Villa Medici, Rome
John Warwick Smith, 1749–1831
The Villa Medici, Rome
1784
Thomas Shotter Boys The North-West Porch of Salisbury Cathedral
Thomas Shotter Boys, 1803–1874
The North-West Porch of Salisbury Cathedral
1832
David Cox Penmanmawr
David Cox, 1783–1859
Penmanmawr
1855
Henry Walter Londres. Vue Prise de la Tour de l'Eglise de St. Paul
Print made by Henry Walter, 1786–1849
Londres. Vue Prise de la Tour de l'Eglise de St. Paul
1860