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1. Howard Visiting a Prison

Howard Visiting a Prison
Creator:
George Romney, 1734–1802
Date:
ca. 1790–92
Materials & Techniques:
Black ink with watercolor over graphite on moderately thick moderately textured white laid paper
Dimensions:
Sheet: 14 1/4 x 21 inches (36.2 x 53.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:
On view at YUAG

2. A Sussex Barn

A Sussex Barn
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1908
Materials & Techniques:
Watercolor and black chalk on thick, smooth, cream card
Dimensions:
Sheet: 14 1/8 x 18 3/8 inches (35.9 x 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

3. Two Bridges

No cover image available
Creator:
Robert Polhill Bevan, 1865–1925
Date:
1912-1913
Materials & Techniques:
Charcoal and watercolor; squared for transfer on medium, smooth, cream wove paper
Dimensions:
Sheet: 14 1/4 × 18 3/8 inches (36.2 × 46.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray

Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1832
Materials & Techniques:
Watercolor, graphite, and pen and brown ink on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 x 8 1/2 inches (28.6 x 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Visions of the Daughters of Albion; Frontispiece (Plate 1)

Visions of the Daughters of Albion; Frontispiece (Plate 1)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)

Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. "And none but Bromian can hear my lamentations..." (Plate 6)

"And none but Bromian can hear my lamentations..." (Plate 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Visions of the Daughters of Albion; Title Page (Plate 2)

Visions of the Daughters of Albion; Title Page (Plate 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief and white-line etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. "But when the morn arose, her lamentation renewd..." (Plate 8)

"But when the morn arose, her lamentation renewd..." (Plate 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. "In happy copulation; if in evening mild, wearied with work..." (Plate 10)

"In happy copulation; if in evening mild, wearied with work..." (Plate 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Joseph and Potiphar's Wife

Joseph and Potiphar's Wife
Creator:
William Blake, 1757–1827
Date:
1803 to 1805
Materials & Techniques:
Watercolor, with pen, and black ink gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 14 1/16 × 12 1/2 inches (35.7 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Scene of a Bacchanalia

Scene of a Bacchanalia
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, pen and brown ink, groache and graphite on medium, moderately textured, cream wove paper
Dimensions:
Image: 5 5/16 × 4 1/4 inches (13.5 × 10.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Study of a Roman Banquet Scene

Study of a Roman Banquet Scene
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, over graphite on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 5 3/16 × 4 1/2 inches (13.2 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Study of a Soldier Attacking a Woman

Study of a Soldier Attacking a Woman
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gouache, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 5 5/16 × 4 1/2 inches (13.5 × 11.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Revolt of the Fleet, 1642

The Revolt of the Fleet, 1642
Creator:
John Harris, active 1686–1740
Date:
ca. 1710
Materials & Techniques:
Line engraving with hand coloring in watercolor on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 16 5/8 × 19 5/16 inches (42.2 × 49 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The River at Dusk

The River at Dusk
Creator:
Albert Goodwin, 1845–1932
Date:
1865
Materials & Techniques:
Watercolor and gouache on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 14 x 19 3/8 inches (35.6 x 49.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of The Friends of British Art at Yale

17. Le Port de Rochefort: Vu Du Point A Marque sur le Plan:

Le Port de Rochefort: Vu Du Point A Marque sur le Plan:
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Mount: 14 5/16 × 21 9/16 inches (36.4 × 54.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

18. Le Havre and Le Manche: A Map of Le Havre

Le Havre and Le Manche: A Map of Le Havre
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, brown ink, red ink, gray wash and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 15 × 20 15/16 inches (38.1 × 53.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

19. Dieppe

Dieppe
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, red ink, green ink, brown ink, and graphite on medium, moderately textured, beige laid paper
Dimensions:
Mount: 15 1/16 × 20 1/2 inches (38.3 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

20. L'Orient 1776: Map of the Port of Orient

L'Orient 1776: Map of the Port of Orient
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Watercolor, pen and black ink, brown ink, gray ink, red ink, yellow ink, gray wash and graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Mount: 15 7/8 × 20 3/8 inches (40.3 × 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

21. Rochefort 1776

Rochefort 1776
Creator:
unknown artist
Date:
1776
Materials & Techniques:
Watercolor, pen and black ink, red ink, gray wash and graphite on thick, rough, beige laid paper
Dimensions:
Mount: 14 7/16 × 19 7/8 inches (36.7 × 50.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection

22. Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger

Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
Creator:
Michael "Angelo" Rooker, 1746–1801
Date:
1789
Materials & Techniques:
Watercolor and gray ink over graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Contemporary drawn border: 14 x 18 5/8 inches (35.6 x 47.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Toon Tree (Toona ciliata)

Toon Tree (Toona ciliata)
Creator:
Janet Dick, active 1794–1806
Date:
between 1799 and 1809
Materials & Techniques:
Watercolor, pen and gray ink, gouache, gum arabic, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Fishing Boats at Anchor

Fishing Boats at Anchor
Creator:
Edward Alfred Goodall, 1819–1908
Date:
undated
Materials & Techniques:
Watercolor, graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 14 1/4 × 21 1/8 inches (36.2 × 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. A View of the remains of St. Stephen's Chapel, Houses of Parliament on the morning after the Fire of the 16th October 1834

A View of the remains of St. Stephen's Chapel, Houses of Parliament on the morning after the Fire of the 16th October 1834
Creator:
John Taylor Jr., 1819–1884
Date:
1836
Materials & Techniques:
Pen and black ink and watercolor on moderately thick, slightly textured, creram wove paper
Dimensions:
Sheet: 14 1/8 × 21 1/2 inches (35.9 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Man Seated while Speaking to a Soldier Who is Standing

Man Seated while Speaking to a Soldier Who is Standing
Creator:
Robert Smirke, 1752–1845
Date:
undated
Materials & Techniques:
Watercolor, gouache, varnish, pen and brown ink on medium, moderately textured, cream wove paper
Dimensions:
Image: 11 3/4 × 8 3/4 inches (29.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. January

January
Creator:
Print made by William Nelson Gardiner, 1766–1814
Date:
1788
Materials & Techniques:
Stipple engraving and etching, with watercolor and gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 16 5/16 x 13 1/4 inches (41.4 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Near the Caravan Bridge, Smyrna

Near the Caravan Bridge, Smyrna
Creator:
William James Muller, 1812–1845
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 x 20 3/4 inches (35.6 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

29. One of Eleven Designs for Houses and Shops

One of Eleven Designs for Houses and Shops
Creator:
unknown artist
Date:
ca. 1800
Materials & Techniques:
Graphite, pen and black ink, gouache and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 18 11/16 x 16 5/16 inches (47.5 x 41.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Memorial to Lady Caroline Adair, her two children, Caroline and Amelia and her husband Robert Adair form Acton Church

Memorial to Lady Caroline Adair, her two children, Caroline and Amelia and her husband Robert Adair form Acton Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 1/2 inches (35.6 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Memorial to Henry Dixon and Barbara, his Wife from Enfield Church

Memorial to Henry Dixon and Barbara, his Wife from Enfield Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Brass Plate for William and Jane Smith from Enfield Church

Brass Plate for William and Jane Smith from Enfield Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Memorial to Anthony and Katherine Nourse from Fulham Church

Memorial to Anthony and Katherine Nourse from Fulham Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 3/4 inches (35.6 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Memorial to Thomas Bonde from Fulham Church

Memorial to Thomas Bonde from Fulham Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watecolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 1/2 inches (35.9 × 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Memorial to Thomas Lant also to Robert Harington from Hornsey Church

Memorial to Thomas Lant also to Robert Harington from Hornsey Church
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 5/8 inches (36.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Memorial to Hannah Towers, Samuel Towers and Five of their Children

Memorial to Hannah Towers, Samuel Towers and Five of their Children
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 3/4 inches (36.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Memorial to Samuel Buckley, also to Burrage and Elizabeth Angler

Memorial to Samuel Buckley, also to Burrage and Elizabeth Angler
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Memorial to Thomas Cartwright and to John Reynolds

Memorial to Thomas Cartwright and to John Reynolds
Creator:
Attributed to Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 inches (35.6 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Memorial to Thomas and Ann Felows from Hillingdon Church

Memorial to Thomas and Ann Felows from Hillingdon Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 10 5/8 inches (35.6 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Memorial to Elizabeth Powle, from Barking Church

Memorial to Elizabeth Powle, from Barking Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Slab over Tomb of Catherine Daughter of Lord Latimer from East Ham Church

Slab over Tomb of Catherine Daughter of Lord Latimer from East Ham Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink and watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 10 5/8 inches (36.2 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Memorials to Richard Carmarden and Thomas Wigg, Chislehurst

Memorials to Richard Carmarden and Thomas Wigg, Chislehurst
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 × 11 1/8 inches (35.6 × 28.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. Tomb and Brass Plate of Alan Porter, from Chiselhurst Church

Tomb and Brass Plate of Alan Porter, from Chiselhurst Church
Creator:
Daniel Lysons, 1762–1834
Date:
between 1796 and 1811
Materials & Techniques:
Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 1/8 × 10 3/4 inches (35.9 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Philadelphia: Philosophical Hall and Old City Hall

Philadelphia: Philosophical Hall and Old City Hall
Creator:
Paul Arthur Hogarth, 1917–2001
Date:
undated
Materials & Techniques:
Pencil, some pen and ink, watercolor on smooth, moderately thick, white wove paper
Dimensions:
Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald and Willi Holden

45. Knives, Scissars, and Razors to Grind

Knives, Scissars, and Razors to Grind
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1795
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 × 13 1/2 inches (43.2 × 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. A New Love Song, Only ha'Penny a Piece

A New Love Song, Only ha'Penny a Piece
Creator:
Print made by Anthony Cardon, 1772–1813
Date:
1796
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 13 5/16 inches (42.5 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Hot Spice Gingerbread, Smoking Hot!

Hot Spice Gingerbread, Smoking Hot!
Creator:
Print made by Giovanni Vendramini, 1769–1839
Date:
1796
Materials & Techniques:
Color printed etching, aquatint, and stipple engraving with hand coloring in watercolor on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 16 3/4 × 12 3/4 inches (42.5 × 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Milk below Maids

Milk below Maids
Creator:
Print made by Luigi Schiavonetti, 1765–1810
Date:
1793
Materials & Techniques:
Color printed etching, aquatint and stipple engraving with hand coloring in watercolor on medium, slightly textured cream wove paper
Dimensions:
Sheet: 16 1/4 × 12 1/2 inches (41.3 × 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. View From the Courtyard of Lambeth Palace Towards Westminster Bridge and the Abbey

View From the Courtyard of Lambeth Palace Towards Westminster Bridge and the Abbey
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, gray ink and brown ink on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 12 × 16 11/16 inches (30.5 × 42.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. The Picnic

The Picnic
Creator:
Thomas Rowlandson, 1756–1827
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 15/16 x 16 7/16 inches (27.8 x 41.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. High Cliff Castle (Hants)

High Cliff Castle (Hants)
Creator:
Adam Callander, active 1780–1811
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink on slightly textured, medium, white wove paper
Dimensions:
Sheet: 14 × 21 1/2 inches (35.6 × 54.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. The Ganges

The Ganges
Creator:
William Simpson, 1823–1899
Date:
1863
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Mount: 14 1/2 x 20 5/8 inches (36.8 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. The Dilkoosha, Lucknow in the Distance

The Dilkoosha, Lucknow in the Distance
Creator:
William Simpson, 1823–1899
Date:
1866
Materials & Techniques:
Watercolor and gouache over graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 x 21 1/4 inches (35.6 x 54 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]

Map of North America from Florida to Chesapeake Bay, after the original by John White in the British Museum [Sir Walter Raleigh's Virginia, No. 110]
Creator:
Mrs. P. D. H. Page, 20th century
Date:
undated
Materials & Techniques:
Watercolor over graphite, pen and brown ink, and gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/4 × 17 11/16 inches (36.2 × 44.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Girl in a Punt

Girl in a Punt
Creator:
George Dunlop Leslie, 1835–1921
Date:
1859
Materials & Techniques:
Watercolor and pastel on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 14 1/4 × 23 3/4 inches (36.2 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea

North East View of Beaudesert, Staffordshire; the Seat of the Marquis of Anglesea
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley

North West View of Cobham hall, Kent, the Seat of the Right honourable the Earl of Darnley
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot

North West View of Ingestre, Staffordshire; the Seat of the Right Hon'ble Earl Talbot
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam

South East View of the Remains of the Gorhambury House Hertfordshire, belonging to the Earl of Verulam
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576

North East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esqre. Built by Sir G. Trevor 1576
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire

East View of Trevalyn Hall, Denbighshire; the property of George Boscawen Esquire
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath

South East View of Longleat House, Wiltshire, the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1805
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. South View of Longleat, Wiltshire; the Seat of the Marquis of Bath

South View of Longleat, Wiltshire; the Seat of the Marquis of Bath
Creator:
John Buckler FSA, 1770–1851
Date:
1821
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. North East View of Hatfield House

North East View of Hatfield House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. South East View of Hatfield House, The Seat of the Marquis of Salisbury

South East View of Hatfield House, The Seat of the Marquis of Salisbury
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield

North East View of Blickling Hall, Norfolk; the Seat of the Right Hon'ble Lord Suffield
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield

The Staircase at Blickling, Norfolk; the Seat of the Right honourable Lord Suffield
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. The Court at Rushton hall, Northamptonshire

The Court at Rushton hall, Northamptonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. South East View of Rushton hall, Northamptonshire

South East View of Rushton hall, Northamptonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne

South West View of Rushton Hall, Northamptonshire; the Seat of the Honourable Mrs. Cockayne
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

South East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Sketch of the Dining Room at Burton Agnes; Yorkshire, The Seat of Sir Francis Boynton Bart.

Sketch of the Dining Room at Burton Agnes; Yorkshire, The Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Gateway at Burton Agnes, Yorkshire, the Seat of Sir Francis Boynton Bart.

Gateway at Burton Agnes, Yorkshire, the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

South Front of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

Interior View of the hall at Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. North West view of Charlton House, Kent; The Seat of Lady Wilson

North West view of Charlton House, Kent; The Seat of Lady Wilson
Creator:
John Buckler FSA, 1770–1851
Date:
1815
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.

North East View of Burton Agnes, Yorkshire; the Seat of Sir Francis Boynton Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1818
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.

Westwood Park near Droitwich, Worcestershire, the Seat of Sir John Packington Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1820
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr.

South West View of Stockton House, Wiltshire; the Seat of John Biggs Esqr.
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal

South West View of Fountains Hall, near the Abbey, Yorkshire belonging to Miss Larvience of Studley Royal
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Charlcote house and Gateway, Warwickshire; the Seat of the Lucy Family

Charlcote house and Gateway, Warwickshire; the Seat of the Lucy Family
Creator:
John Buckler FSA, 1770–1851
Date:
1823
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton

South East view of Wollaton hall, Nottinghamshire, the Seat of the Right honble. Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.

South East View of the Ruins of Moreton Corbet Castle, Shropshire; belonging to Sir Andrew Corbet, Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.

South West View of Moreton Corbet Shropshire; belonging to Sir Andrew Corbet Bart.
Creator:
John Buckler FSA, 1770–1851
Date:
1822
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. South view of Holland House, Middlesex, the Seat of Lord Holland

South view of Holland House, Middlesex, the Seat of Lord Holland
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. North View of Hardwick Hall, Derbyshire; the Seat of the Duke of Devonshire

North View of Hardwick Hall, Derbyshire; the Seat of the Duke of Devonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1813
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Interior view of the Drawing Room, Stockton House

Interior view of the Drawing Room, Stockton House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. North East View of Holland House

North East View of Holland House
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton

North West View of Wollaton hall, Nottinghamshire; the Seat of the Right hon'ble Lord Middleton
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor

West Front of Longford Castle, Wiltshire the Seat of the Earl of Radnor
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk

South West View of Charlton House Wiltshire the Seat of the Earl of Suffolk
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. North East View of Crest Park, Bedfordshire

North East View of Crest Park, Bedfordshire
Creator:
John Buckler FSA, 1770–1851
Date:
1831
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. North Front of Belton house Lincolnshire

North Front of Belton house Lincolnshire
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. South East View of Crest Park, Bedfordshire

South East View of Crest Park, Bedfordshire
Creator:
John Buckler FSA, 1770–1851
Date:
1831
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow

South East View of Belton House, Lincolshire the Seat of the Right Hon'ble Earl Brownlow
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. East Front of Wilton House, Wiltshire, the Seat of the Earl of Pembroke

East Front of Wilton House, Wiltshire, the Seat of the Earl of Pembroke
Creator:
John Buckler FSA, 1770–1851
Date:
1809
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. South East View of Wilton House

South East View of Wilton House
Creator:
John Buckler FSA, 1770–1851
Date:
1810
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Flower Garden at Belton, Lincolnshire

Flower Garden at Belton, Lincolnshire
Creator:
John Buckler FSA, 1770–1851
Date:
1817
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. North view of Longford Castle, lately erected

North view of Longford Castle, lately erected
Creator:
John Buckler FSA, 1770–1851
Date:
1811
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. South West View of Chatsworth House Derbyshire the Seat of His Grace the Duke of Devonshire

South West View of Chatsworth House Derbyshire the Seat of His Grace the Duke of Devonshire
Creator:
John Buckler FSA, 1770–1851
Date:
1812
Materials & Techniques:
Watercolor and pen and black ink on moderately thick, cream wove paper
Dimensions:
Sheet: 14 × 19 3/4 inches (35.6 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection