Materials & Techniques: watercolor / Width [cm]: 24 / Image Use: Free to Use

1. Margate

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1822
Materials & Techniques:: Watercolor and scraping out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 1/4 inches (15.6 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. North East View of Grantham Church, Lincolnshire

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1797
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 7 inches (13 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Villa Salviati on the Arno

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: between 1796 and 1797
Materials & Techniques:: Watercolor, graphite and scraping out on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 9 1/4 inches (18.4 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Waterfall of Lodore, Cumberland

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: undated
Materials & Techniques:: Watercolor, gray wash, blue wash, graphite and black chalk on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. Santa Lucia, A Convent near Caserta

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 3/8in. (15.2 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

6. Lulworth Castle, Dorset

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1820
Materials & Techniques:: Watercolor and scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

7. Sir William Hamilton's Villa

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1795
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick wove paper
Dimensions:: Sheet: 6 3/4 x 9 1/4 inches (17.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

8. Toara, 11:15 a.m., January 1, 1867 (9)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 1 7/8 x 9 3/8 inches (4.8 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

9. Sowadi, 8:30 am, 4 January 1867 (65)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 9/16 x 9 1/4 inches (14.1 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

10. Negadeh, 1:45 pm, 17 January 1867 (190)

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor with pen and gray and green chalk and gouache, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 3 5/8 × 9 1/2 inches (9.2 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

11. Gebel Sheikh Embarak

Creator:: Edward Lear, 1812–1888
Date:: 1867
Materials & Techniques:: Watercolor, graphite, pen and brown ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 x 9 1/4 inches (13 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

12. The Book of Thel, Plate 4, "Why should the mistress . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

13. The First Book of Urizen, Plate 22 (Bentley 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 24 (Bentley 26)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 14 (Bentley 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The First Book of Urizen, Plate 16 (Bentley 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. The First Book of Urizen, Plate 21 (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. The First Book of Urizen, Plate 18 (Bentley 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. The Book of Thel, Plate 2, Title Page

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching printed in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in pale brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The First Book of Urizen, Plate 5 (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The First Book of Urizen, Plate 8 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The First Book of Urizen, Plate 12 (Bentley 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Book of Thel, Plate 1, "Thel's Motto . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and green ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/2 inches (30.5 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Seine at St. Cloud

Creator:: William Callow, 1812–1908
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 × 9 5/8 inches (10.2 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. From the Beach near Fort Blanc, Oct. 4, 1819

Creator:: Thomas Bradshaw, Born 1767
Date:: 1819
Materials & Techniques:: Watercolor, gouache, graphite and pen and black ink on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 3/8 inches (15.6 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. An Actor

Creator:: Samuel De Wilde, 1748–1832
Date:: undated
Materials & Techniques:: Watercolor, graphite, and red chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 15 × 9 1/4 inches (38.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Caricature of George Bubb Dodington and Sir Thomas Robinson

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1761
Materials & Techniques:: Watercolor and graphite with pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 1/8 x 9 1/4 inches (35.9 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Landscape with a Clump of Trees near a Road and a Stream

Creator:: John Varley, 1778–1842
Date:: undated
Materials & Techniques:: Watercolor on medium, moderately textured, cream laid paper mounted on board
Dimensions:: Mount: 6 7/16 x 9 5/16 inches (16.3 x 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Eragrostis Tef

Creator:: Andrew Fyfe, 1752–1824
Date:: 1775
Materials & Techniques:: Watercolor on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 15 7/8 × 11 7/8 inches (40.3 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Avicennia marina (Forssk.) Vierh. (White Mangrove): finished drawing of flowering shoot with details of flowers

Creator:: Luigi Balugani, 1737–1770
Date:: undated
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 1/8 × 9 5/8 inches (30.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. View near Auckland: Maori Warrior and Women

Creator:: Lt. Gen. Charles Emilius Gold, 1803?–1871
Date:: 1860
Materials & Techniques:: Watercolor, gouache and graphite with scratching out on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Fishermen's Houses at Sculcoats near Hull, Yorkshire

Creator:: James Duffield Harding, 1798–1863
Date:: 1827
Materials & Techniques:: Watercolor with pen and brown ink, over graphite, with gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 9 1/4 inches (17.8 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Two Hyenas

Creator:: Samuel Howitt, 1756–1822
Date:: ca. 1817
Materials & Techniques:: Watercolor, pen and black ink and graphite on Medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 × 9 5/8 inches (17.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Figures in a Landscape by a River

Creator:: Peter Tillemans, 1684–1734
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/16 × 9 5/8 inches (15.7 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Start, West North West

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 10 1/4 inches (8.6 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. A Porcupine Fish

Creator:: John Smart, 1741–1811
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 x 9 9/16in. (17.8 x 24.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Stalls in St. George's Chapel, Windsor Castle

Creator:: John Carter, 1748–1817
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 15/16 × 9 9/16 inches (50.6 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Tintern Abbey

Creator:: Joseph Clarendon Smith, 1778–1810
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper mounted on thick card
Dimensions:: Sheet: 12 x 9 1/4in. (30.5 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Versailles

Creator:: William Callow, 1812–1908
Date:: 1833
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/4 × 9 1/2 inches (8.3 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Moonlight over the Sea, Broadstairs

Creator:: Attributed to George Richmond, 1809–1896
Date:: 1843
Materials & Techniques:: Watercolor on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 9 9/16 inches (16.2 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Shopping in the Rows, Chester

Creator:: Sir David Wilkie, 1785–1841
Date:: 1837
Materials & Techniques:: Watercolor with brown wash and brown ink over graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, beige card
Dimensions:: Mount: 7 1/2 x 9 3/8 inches (19.1 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Wooded Landscape with Figures Round a Cooking Pot

Creator:: Thomas Hand, died 1804
Date:: 1793
Materials & Techniques:: Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/8 × 9 5/8 inches (17.5 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Poor House, Hadley, Hertfordshire

Creator:: Thomas Hearne, 1744–1817
Date:: 1802
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 7 x 9 1/2 inches (17.8 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Self-Portrait

Creator:: John Jackson, 1778–1831
Date:: ca. 1823
Materials & Techniques:: Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 9 1/4in. (30.5 x 23.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Lecture House, Watford

Creator:: Thomas Hearne, 1744–1817
Date:: 1807
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 12 3/4 x 9 1/2 inches (32.4 x 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. An Episode at the Battle of Waterloo

Creator:: William Heath, 1795–1840
Date:: 1817
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 9 1/4 inches (18.1 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Canadian Figure Studies

Creator:: George Heriot, 1766–1844
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 9 1/4 inches (21 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. River Tamar, near Endsleigh, Devon

Creator:: Frederick Christian Lewis the Elder, 1779–1856
Date:: ca. 1832
Materials & Techniques:: Watercolor and graphite with scratching out on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 7/8 × 9 1/4 inches (14.9 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. View Across the Thames for Greenwich Park

Creator:: William P. Sherlock, c.1780–1850
Date:: 1795
Materials & Techniques:: Watercolor and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 × 9 1/2 inches (12.1 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Landscape with Footbridge

Creator:: unknown artist
Date:: ca. 1780
Materials & Techniques:: Watercolor on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 5/8 × 9 1/2 inches (19.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Two Jeyties

Creator:: Gangaram Chintaman Tambat, active 1790s
Date:: ca. 1792
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 7 × 9 3/8 inches (17.8 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. The Needles Bearing East (one of five drawings on one mount)

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 × 11 7/8 inches (8.9 × 30.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Piveral Point (one of five drawings on one mount)

Creator:: John Thomas Serres, 1759–1825
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 3/8 × 12 5/8 inches (8.6 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Landscape at Beddgelert, North Wales

Creator:: Paul Sandby Munn, 1773–1845
Date:: 1832
Materials & Techniques:: Graphite and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 7/8 × 9 1/2 inches (12.4 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Design for Polychromatic Decoration of a Church

Creator:: George Edmund Street, 1824–1881
Date:: undated
Materials & Techniques:: Watercolor, graphite, and gouache with pen and black ink on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 11 1/4 × 9 1/2 inches (28.6 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Unidentified House for Giles Hudson, Putney, Surrey: Chamber Floor Plan

Creator:: William Wickham, born ca.1750
Date:: undated
Materials & Techniques:: Graphite, pen and black and brown ink, watercolor on moderately textured, moderately thick, cream laid paper
Dimensions:: Sheet: 10 1/4 × 9 1/4 inches (26 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Landscape, Looking Downhill to a Village Dominated by a Large Three-Storied Stone House

Creator:: Michael "Angelo" Rooker, 1746–1801
Date:: undated
Materials & Techniques:: Watercolor over graphite on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 5/8 x 9 1/4 inches (29.5 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. A Summer House with Full-length Lattice Windows

Creator:: Humphry Repton, 1752–1818
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 9 1/4 inches (14.6 × 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Kirkeoch, Nun Mill

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 9 1/2 inches (32.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Palmangan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/16 × 9 7/16 inches (33.5 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 3/8 inches (33 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Brouckleugh; Mickle Sypeland

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Whinny Liggate; Balgredan

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Farm

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black and brown ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 3/16 × 9 3/8 inches (33.5 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Bishopton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 × 9 1/2 inches (33 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Character Studies: A Child, A Man in a Hat, Military Officer

Creator:: Daniel Orme, 1766–1837
Date:: undated
Materials & Techniques:: Watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 9 3/8 inches (13.3 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Pevensey Castle, Sussex

Creator:: James Moore, 1762–1799
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 9/16 inches (16.5 × 24.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Binstead Parsonage, Isle of Wight

Creator:: John Nixon, ca. 1760–1818
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 5/8 × 9 5/16 inches (14.3 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Design for a Ceiling

Creator:: James Wyatt, 1746–1813
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, and watercolor; verso: pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 19 7/8 x 13 3/4 inches (50.5 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Our Blessed Lady and St Thomas of Canterbury, Dudley: Perspective

Creator:: Augustus Welby Northmore Pugin, 1812–1852
Date:: 1838
Materials & Techniques:: Watercolor, pen and brown ink, gray wash, and graphite on thick, moderately textured, cream laid paper
Dimensions:: Sheet: 13 1/2 x 9 5/8in. (34.3 x 24.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Beside the Lily-Pond

Creator:: Henry Towneley Green, 1836–1899
Date:: 1869
Materials & Techniques:: Watercolor, gouache, and graphite on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 7 1/4 × 9 3/8 inches (18.4 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Half Timbered and Thatched Shack

Creator:: Thomas Hearne, 1744–1817
Date:: 1798
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Thaxted Church, Essex

Creator:: Thomas Hearne, 1744–1817
Date:: ca. 1800
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 14 3/4 × 11 1/4 inches (37.5 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Lady Westmorland (Priscilla Anne Fane, Countess of Westmorland, nee Wellesley-Pole)

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 3/4 x 9 3/8in. (29.8 x 23.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. North Nunton; South Nunton

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Graphite, watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 12 15/16 × 9 1/2 inches (32.9 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Kirkland, Drumcroy, Auchenfloor, Cannee, Barhill and Silvercroigs

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, gray wash, pen and black ink on slightly textured, moderately thick, cream wove paper
Dimensions:: Sheet: 13 1/8 × 9 7/16 inches (33.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. A Tropical Coast, Sunset

Creator:: John Martin, 1789–1854
Date:: between 1840 and 1850
Materials & Techniques:: Watercolor, gouache, and brown ink over graphite with scratching out on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/8 inches (15.5 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. The North Foreland Lighthouse, Kent

Creator:: James Malton, 1761–1803
Date:: 1791
Materials & Techniques:: Watercolor and graphite with pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 7/16 inches (18.3 × 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Materials & Techniques watercolor

Width [cm] 24

Image Use Free to Use

Search Results

1. Margate

2. North East View of Grantham Church, Lincolnshire

3. Villa Salviati on the Arno

4. Waterfall of Lodore, Cumberland

5. Santa Lucia, A Convent near Caserta

6. Lulworth Castle, Dorset

7. Sir William Hamilton's Villa

8. Toara, 11:15 a.m., January 1, 1867 (9)

9. Sowadi, 8:30 am, 4 January 1867 (65)

10. Negadeh, 1:45 pm, 17 January 1867 (190)

11. Gebel Sheikh Embarak

12. The Book of Thel, Plate 4, "Why should the mistress . . . ."

13. The First Book of Urizen, Plate 22 (Bentley 24)

14. The First Book of Urizen, Plate 24 (Bentley 26)

15. The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)

16. The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)

17. The First Book of Urizen, Plate 14 (Bentley 14)

18. The First Book of Urizen, Plate 17, "They call'd her Pity and fled . . . ." (Bentley 19)

19. The First Book of Urizen, Plate 16 (Bentley 17)

20. The First Book of Urizen, Plate 15, "8. The globe of life blood trembled . . . ." (Bentley 18)

21. The First Book of Urizen, Plate 21 (Bentley 27)

22. The First Book of Urizen, Plate 18 (Bentley 21)

23. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

24. The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)

25. The Book of Thel, Plate 2, Title Page

26. The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."

27. The Book of Thel, Plate 5, "II. / O little Cloud . . . ."

28. The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."

29. The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

30. The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)

31. The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)

32. The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)

33. The First Book of Urizen, Plate 5 (Bentley 12)

34. The First Book of Urizen, Plate 7, "As the stars are apart from the earth . . . ." (Bentley 6)

35. The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)

36. The First Book of Urizen, Plate 8 (Bentley 9)

37. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

38. The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)

39. The First Book of Urizen, Plate 12 (Bentley 22)

40. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

41. The First Book of Urizen, Plate 25, "They lived a period of years . . . ." (Bentley 28)

42. The Book of Thel, Plate 1, "Thel's Motto . . . ."

43. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

44. The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."

45. The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)

46. The Seine at St. Cloud

47. From the Beach near Fort Blanc, Oct. 4, 1819

48. An Actor

49. Caricature of George Bubb Dodington and Sir Thomas Robinson

50. Landscape with a Clump of Trees near a Road and a Stream

51. Eragrostis Tef

52. Avicennia marina (Forssk.) Vierh. (White Mangrove): finished drawing of flowering shoot with details of flowers

53. View near Auckland: Maori Warrior and Women

54. Fishermen's Houses at Sculcoats near Hull, Yorkshire

55. Two Hyenas

56. Figures in a Landscape by a River

57. The Start, West North West

58. A Porcupine Fish

59. Stalls in St. George's Chapel, Windsor Castle

60. Tintern Abbey

61. Versailles

62. Moonlight over the Sea, Broadstairs

63. Shopping in the Rows, Chester

64. Wooded Landscape with Figures Round a Cooking Pot

65. The Poor House, Hadley, Hertfordshire

66. Self-Portrait

67. The Lecture House, Watford

68. An Episode at the Battle of Waterloo

69. Canadian Figure Studies

70. River Tamar, near Endsleigh, Devon

71. View Across the Thames for Greenwich Park

72. Landscape with Footbridge

73. Two Jeyties