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1. S. Pietro Degli Agostiniani. Leonessa.

S. Pietro Degli Agostiniani. Leonessa.
Creator:
Edward Lear, 1812–1888
Date:
1844
Materials & Techniques:
Watercolor, graphite, brown wash, pen and brown ink on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 9 7/8 x 9 11/16 inches (25.1 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

2. Near Wady Halfeh

Near Wady Halfeh
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on thick, moderately textured, beige wove paper
Dimensions:
Sheet: 3 1/4 x 9 7/8 inches (8.3 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

3. Abu Simbel

Abu Simbel
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 1/16 x 7 1/2 inches (12.9 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

4. Abu Simbel, 10:30 am, 9 February 1867 (383)

Abu Simbel, 10:30 am, 9 February 1867 (383)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and brown ink, and white gouache, over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 3 7/8 x 10 1/8 inches (9.8 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

5. Abydos, 1:00 pm, 12 January 1867 (134)

Abydos, 1:00 pm, 12 January 1867 (134)
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor with pen and gray and black ink over graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/8 x 12 inches (15.6 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

6. Ramle

Ramle
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on thick, rough, cream wove paper
Dimensions:
Sheet: 3 1/2 x 4 15/16 inches (8.9 x 12.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

7. Sealing the Stone and Setting a Watch

Sealing the Stone and Setting a Watch
Creator:
William Blake, 1757–1827
Date:
1800 to 1803
Materials & Techniques:
Watercolor, pen and gray ink, black ink, and graphite on moderately thick, slightly textured, wove paper
Dimensions:
Sheet: 20 × 16 15/16 inches (50.8 × 43 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Everett V. Meeks, B.A. 1901 Fund

8. Jerusalem, Plate 25, "And there was heard...."

Jerusalem, Plate 25, "And there was heard...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Jerusalem, Plate 84, "Highgates heights & Hampstead...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Jerusalem, Plate 94, "Albion cold lays on his Rock...."

Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Jerusalem, Plate 6, "His Spectre driv'n...."

Jerusalem, Plate 6, "His Spectre driv'n...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Poems of Thomas Gray, Design 47, "The Progress of Poesy."

The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The First Book of Urizen, Plate 14 (Bentley 14)

The First Book of Urizen, Plate 14 (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)

Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."

The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The First Book of Urizen, Plate 15 (Bentley 14)

The First Book of Urizen, Plate 15 (Bentley 14)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Garden Stair, Haddon Hall

Garden Stair, Haddon Hall
Creator:
William Callow, 1812–1908
Date:
1849
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 7 1/4 × 11 inches (18.4 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. St. Paul's from Southwark by Sunset

St. Paul's from Southwark by Sunset
Creator:
George Fennell Robson, 1788–1833
Date:
ca. 1832
Materials & Techniques:
Watercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 23 1/4 × 35 1/4 inches (59.1 × 89.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

20. The Sluice Gate near Slough

The Sluice Gate near Slough
Creator:
Paul Sandby Munn, 1773–1845
Date:
1811
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/4 × 12 5/8 inches (28.6 × 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Bothwell Castle, Lanarkshire

Bothwell Castle, Lanarkshire
Creator:
Hugh William "Grecian" Williams, 1773–1829
Date:
1798
Materials & Techniques:
Pen and black ink, watercolor, graphite on slightly textured, medium, cream wove paper
Dimensions:
Sheet: 17 × 24 3/4 inches (43.2 × 62.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The Turkish Porter

The Turkish Porter
Creator:
William Marlow, 1740–1813
Date:
undated
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/4 × 4 inches (13.3 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Nîmes from the Tour Magne

Nîmes from the Tour Magne
Creator:
William Marlow, 1740–1813
Date:
ca. 1765
Materials & Techniques:
Watercolor and pen and brown ink over graphite on medium, moderately textured, cream laid paper mounted on medium, moderately textured, cream laid paper (original mount)
Dimensions:
Mount: 17 1/4 × 23 7/8 inches (43.8 × 60.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Kingsteignton, Devon

Kingsteignton, Devon
Creator:
Samuel Prout, 1783–1852
Date:
ca. 1819
Materials & Techniques:
Watercolor and brown ink over graphite on thick, rough, beige wove paper
Dimensions:
Sheet: 7 5/8 × 10 3/16 inches (19.4 × 25.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Interior of Stone Building

Interior of Stone Building
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink, sponging, gouache, and scratching out on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 1/16 × 3 13/16 inches (12.9 × 9.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Building of Waterloo Bridge

The Building of Waterloo Bridge
Creator:
William Henry Hunt, 1790–1864
Date:
ca. 1816
Materials & Techniques:
Pen and brown ink, brown wash, gray wash, and watercolor on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 10 x 15 5/8 inches (25.4 x 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Rialto

The Rialto
Creator:
William Callow, 1812–1908
Date:
1846
Materials & Techniques:
Watercolor with pen in brown and black ink, with graphite, and gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 7/16 x 10 1/2 inches (36.7 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Inside View of Tintern Abbey looking from the Nave to the East Window

Inside View of Tintern Abbey looking from the Nave to the East Window
Creator:
Thomas Sunderland, 1744–1828
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and brown and pen and gray ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 15 x 10 5/8 inches (38.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Druidical Stone at Strather, near Barvas, Isle of Lewis

Druidical Stone at Strather, near Barvas, Isle of Lewis
Creator:
William Daniell, 1769–1837
Date:
undated
Materials & Techniques:
Watercolor over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 1/4 x 9 1/4 inches (15.9 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Arch of Janus, after Piranesi

Arch of Janus, after Piranesi
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 8 5/16 x 12 1/8 inches (21.1 x 30.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Classical Composition

Classical Composition
Creator:
Thomas Girtin, 1775–1802
Date:
1798 to 1799
Materials & Techniques:
Watercolor over graphite on moderately thick, moderately textured, laid paper, mounted on very thick cardboard
Dimensions:
Sheet: 12 x 18 13/16 inches (30.5 x 47.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Kirkstall Abbey from the N.W.

Kirkstall Abbey from the N.W.
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1792
Materials & Techniques:
Watercolor, pen and black ink, pen and brown ink and graphite on medium, slightly textured, beige wove paper, mounted on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/8 × 8 3/4 inches (16.8 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Tynemouth Priory, Northumberland

Tynemouth Priory, Northumberland
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 5/8 x 8 5/8 inches (16.8 x 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome

Part of the Colosseum with the Arch of Constantine and Arch of Titus in the Distance, Rome
Creator:
Carlo Labruzzi, 1748–1817
Date:
undated
Materials & Techniques:
Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 14 3/4 x 21 1/8 inches (37.5 x 53.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

35. Carlisle Cathedral, Cumberland, from the South-west

Carlisle Cathedral, Cumberland, from the South-west
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 9 1/2 inches (17.8 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. The Pont Neuf

The Pont Neuf
Creator:
Thomas Shotter Boys, 1803–1874
Date:
undated
Materials & Techniques:
Watercolor, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 10 3/8 inches (19.1 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. The Departure from Wakefield

The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1817
Materials & Techniques:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, cream wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/2 inches (11.4 x 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Tolleshunt-Beckingham, Essex

Tolleshunt-Beckingham, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, pen and black ink and graphite on moderately thick, slightly textured, beige wove paper, mounted on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 8 1/2 × 7 5/8 inches (21.6 × 19.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Ouse Bridge, York

Ouse Bridge, York
Creator:
Thomas Girtin, 1775–1802
Date:
1800
Materials & Techniques:
Watercolor with pen and brown ink over graphite, with scratching out on medium, rough, beige wove paper
Dimensions:
Sheet: 12 15/16 x 20 5/8 inches (32.9 x 52.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Landscape with Stone Bridge

Landscape with Stone Bridge
Creator:
unknown artist
Date:
1882
Materials & Techniques:
Watercolor and gouache over graphite on medium, slightly textured, cream wove paper
Dimensions:
Mount: 8 5/8 × 13 5/16 inches (21.9 × 33.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Denbigh Castle

Denbigh Castle
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper, mounted on moderately thick, moderately textured, beige wove paper
Dimensions:
Mount: 9 3/4 × 11 5/8 inches (24.8 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Writtle Church, Essex

Writtle Church, Essex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/4 × 9 5/8 inches (18.4 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. St. Alban's Cathedral, Hertfordshire

St. Alban's Cathedral, Hertfordshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1797
Materials & Techniques:
Watercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Tempio d' Antonio e Faustina

Tempio d' Antonio e Faustina
Creator:
Thomas Girtin, 1775–1802
Date:
between 1798 and 1799
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 12 x 10 1/8 inches (30.5 x 25.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Valle Crucis Abbey, Denbighshire

Valle Crucis Abbey, Denbighshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1799
Materials & Techniques:
Watercolor and graphite with pen and brown ink on medium, moderately textured, beige laid paper
Dimensions:
Sheet: 9 3/4 x 12 1/4 inches (24.8 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Saint Cuthbert's Holy Island

Saint Cuthbert's Holy Island
Creator:
Thomas Girtin, 1775–1802
Date:
1797
Materials & Techniques:
Watercolor, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 10 x 12 inches (25.4 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Jedburgh Abbey, Roxburghshire

Jedburgh Abbey, Roxburghshire
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1793
Materials & Techniques:
Watercolor over graphite, and gray wash on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 6 5/8 x 8 9/16 inches (16.8 x 21.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. Pevensey Castle, Sussex

Pevensey Castle, Sussex
Creator:
Thomas Girtin, 1775–1802
Date:
ca. 1795
Materials & Techniques:
Watercolor, pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Mount: 7 5/8 x 9 7/8 inches (19.4 x 25.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. The Entrance to Hengrave Hall, 1819

The Entrance to Hengrave Hall, 1819
Creator:
Anna Mills, active 1819
Date:
1819
Materials & Techniques:
Watercolor and pen and black ink on medium, slightly textured, cream wove paper in contemporary wove paper insert with wash boader
Dimensions:
Sheet: 15 15/16 x 10 5/8 inches (40.5 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Study of a Cottage Interior

Study of a Cottage Interior
Creator:
John Henry Mole, 1814–1886
Date:
undated
Materials & Techniques:
Watercolor over graphite on thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 5/8 x 17 11/16 inches (29.5 x 45 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. The Arrival of Ferries at London Bridge (?)

The Arrival of Ferries at London Bridge (?)
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 7 1/8 × 9 1/2 inches (18.1 × 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Man with a Gaff, June 13, 1851

Man with a Gaff, June 13, 1851
Creator:
Frederick William Hulme, 1816–1884
Date:
1851
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 7 1/8 × 5 7/8 inches (18.1 × 14.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. A Border Tower

A Border Tower
Creator:
Thomas Girtin, 1775–1802
Date:
undated
Materials & Techniques:
Watercolor, with pen and brown ink over graphite on very thick, rough, beige wove paper
Dimensions:
Sheet: 8 3/4 × 12 3/8 inches (22.2 × 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Views in the Levant: Temple Ruins at Paestum

Views in the Levant: Temple Ruins at Paestum
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Near the Caravan Bridge, Smyrna

Near the Caravan Bridge, Smyrna
Creator:
William James Muller, 1812–1845
Date:
1843
Materials & Techniques:
Watercolor and graphite on thick, moderately textured, cream wove paper
Dimensions:
Sheet: 14 x 20 3/4 inches (35.6 x 52.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

56. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 11/16 × 9 3/4 inches (32.2 × 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Views in the Levant: Corner of a Stone Building with Palm Tree at Right

Views in the Levant: Corner of a Stone Building with Palm Tree at Right
Creator:
Willey Reveley, 1760–1799
Date:
ca. 1785
Materials & Techniques:
Watercolor, pen and black ink, gray ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 18 9/16 inches (29.2 × 47.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. The Grotto at Posillipo

The Grotto at Posillipo
Creator:
Thomas Jones, 1742–1803
Date:
ca. 1782
Materials & Techniques:
Watercolor, graphite, pen and gray ink, and gouache on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 1/2 × 16 5/8 inches (29.2 × 42.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

59. Tree amidst Houses

Tree amidst Houses
Creator:
James Miller, active 1773–1814
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and black ink and gray ink on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 7 3/4 inches (15.5 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

60. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Stanley St. Leonard's Priory & Kitchen, Gloucestershire
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 8 × 10 inches (20.3 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

61. A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire

A Folio of watercolors of Cornwall, Northamptonshire, Oxfordshire, Gloucester- shire, Worcestershire, Somerset, and Devon Sudeley Castle, Gloucestershire
Creator:
Capt. Francis Grose, 1731–1791
Date:
undated
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 × 8 3/4 inches (16.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

62. The Arches Near the East Gate, Bury St. Edmunds Suffolk

The Arches Near the East Gate, Bury St. Edmunds Suffolk
Creator:
Capt. Francis Grose, 1731–1791
Date:
1777
Materials & Techniques:
Watercolor and pen and ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 7/16 x 14 9/16in. (26.5 x 37cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Paul Mellon in memory of Dudley Snelgrove

63. Craigmillar Castle

No cover image available
Creator:
David Simson, 1803–1874
Date:
1861
Materials & Techniques:
Watercolor, gouache, graphite, pen and red ink, and black ink on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 9/16 × 13 3/16 inches (24.3 × 33.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Study of a Trilithon

No cover image available
Creator:
Rev. William Warren Porter, 1776–1804
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 7 × 9 1/8 inches (17.8 × 23.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Edward Porter Street, Jr., Yale BE 1945W

65. Design for Alterations in Ice House

No cover image available
Creator:
Captain Wyndham R.N., active ca. 1825
Date:
ca. 1825
Materials & Techniques:
Watercolor, black ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/4 × 10 7/8 inches (33.7 × 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse