Views in the Levant: Study of a Woman Wearing a Purple Turban and Green Dress
ca. 1785
9103
unknown artist
Views in the Levant: Study of a Woman Wearing a Blue Turban and Stomacher and Red Dress
ca. 1785
9104
unknown artist
Four Lizards
undated
9105
Charles Hamilton Smith, 1776–1859
Album Drawings
ca. 1820
9106
Charles Hamilton Smith, 1776–1859
Views of England and Wales, Volume I
undated
9107
Charles Hamilton Smith, 1776–1859
Views of France, Volume II
undated
9108
Thomas Sibson, 1817–1844
A School Room
undated
9109
unknown artist
Edington Church, Wiltshire, England
ca. 1825
9110
unknown artist
Erlestoke House and Park
ca. 1825
9111
Edward W. Fitch, active 1839–1867
Back Water of the Bratford
1864
9112
John Howe, active 1838
The Great Fair in Hyde Park on the 28th of June 1838 to Celebrate the Coronation of her most gracious Majesty Queen Victoria the First
1838
9113
unknown artist
Stables at Grittleton House, Wiltshire
ca. 1835
9114
unknown artist
Church Yard Gate and Dwarf Avenue Gate, Grittleton House, Wiltshire
ca. 1835
9115
unknown artist
Stables at Grittleton House, Wiltshire
ca. 1835
9116
Richard Banks Harraden, 1778–1862
The Gate of Honour, Caius College, Cambridge
ca. 1840
9117
Thomas Miles Richardson Sr., 1784–1848
Wooden Jetty
undated
9118
Engraved by Henry Pyall, 1795–1833
Mail Coach Behind Time
1827
9119
Thomas Sibson, 1817–1844
Torturing the Prisoners
undated
9120
Sir Joseph Paxton, 1803–1865
Rendering for a Crystal Palace near St. Cloud
1861
9121
unknown artist
Erlestoke, Wiltshire, England
ca. 1825
9122
Monro School
Margam Abbey, Glamorgan
ca. 1795
9123
Monro School
Holy Ghost Chapel, Basingstoke
ca. 1795
9124
George Perfect Harding, 1780–1853
Lady Mary Dudley
undated
9125
James Lawson Stewart, active 1883–died 1929
Farthing Alley, looking across the Folly Ditch towards London Street, Rotherhithe
undated
9126
George Howse, 1800–1860
The Cathedral of St. Pierre, Caen
1859
9127
James Lawson Stewart, active 1883–died 1929
Mill Pond Bridge, Rotherhithe
undated
9128
Print made by Luigi Schiavonetti, 1765–1810
Two Bunches a Penny Primroses, Two Bunches a Penny
1793
9129
Print made by Giovanni Vendramini, 1769–1839
Knives, Scissors, and Razors to Grind
1795
9130
Print made by Giovanni Vendramini, 1769–1839
Fresh Gathered Peas, Young Hastings
1795
9131
Print made by Giovanni Vendramini, 1769–1839
Strawberrys, Scarlet Strawberrys
1795
9132
Print made by Giovanni Vendramini, 1769–1839
Old Chairs to Mend
1795
9133
Print made by Giovanni Vendramini, 1769–1839
Hot Spice Gingerbread, Smoking Hot!
1796
9134
unknown artist
Views in the Levant: Study of a Woman Wearing a Blue Turban and Stomacher and Pink Dress
ca. 1785
9135
unknown artist
Views in the Levant: Rocky Landscape by the Sea with Shepherd and Flock
ca. 1785
9136
unknown artist
Views in the Levant: Cattle Grazing with Distant View of Houses and the Sea, St. Lawrence, Isle of Wight
ca. 1785
9137
James Gillray, 1756–1815
The Nursery, with, Britannia Reposing in Peace
1802
9138
James Gillray, 1756–1815
Patriotic-Petitions on the Convention/ the Cockney Petition; The Westminster Petition, The Chelmsford Petition, the Middlesex Petition
1808
9139
James Gillray, 1756–1815
Introduction of Citizen Volpone - and His Suite, at Paris
1802
9140
James Gillray, 1756–1815
German - Nonchalence: - or - The Vexation of Little Boney
1803
9141
James Gillray, 1756–1815
The Apples and The Horse-Turds: - or - Bonaparte, among the Golden Pippins
1800
9142
James Gillray, 1756–1815
The Man of Feeling, in Search of Indispensibles: - A Scene at the Little French Milleners
1800
9143
James Gillray, 1756–1815
Confederated- Coalitions; or, The Giant's Storming Heaven, With the Gods Alarmed for their Everlasting Abodes
1804
9144
James Gillray, 1756–1815
Half Natural
1799
9145
James Gillray, 1756–1815
Pen-etration
1799
9146
James Gillray, 1756–1815
Citizens Visiting the Bastille, - Vide. Democratic Charities. -
1799
9147
James Gillray, 1756–1815
Pizarro, Contemplating (over) The Product of His Peruvian Mine
1799
9148
James Gillray, 1756–1815
Fat Cattle, a Sketch of Tavistock Farmyard Dedicated to the Society for Improving the Breed of Cattle
1802
9149
James Gillray, 1756–1815
Sketch of the Interior of St. Stephen's, as It Now Stands. -
1802
9150
James Gillray, 1756–1815
Hope
1802
9151
James Gillray, 1756–1815
Despair
1802
9152
James Gillray, 1756–1815
Be gone Dull Care, I Prithee Begone From Me!
1801
9153
James Gillray, 1756–1815
Forming a Line on the Parade
1801
9154
James Gillray, 1756–1815
Bologna Sausages, or Opposition Flux'd
1788
9155
James Gillray, 1756–1815
Pacific Overtures - or - A Flight from St. Clouds - "Over the Water to Charley" - A New Dramatic Peace now Rehearsing
1806
9156
James Gillray, 1756–1815
Patriot's Deciding a Point of Honor! - or - An Exact Representation of the Celebrated Rencontre which Took Place at Combe Wood at May 2nd 1807 - Between Little-Paul the Taylor and Sir Francis Goose
1807
9157
James Gillray, 1756–1815
The New Speaker (i.e. The Law Chick) Between the Hawks and Buzzards - Poor Little Michee!- Just Mounting, and then Funk'd and Frighten'd Out of All His Hopes (from: Caricature, vol. 1)
1800
9158
Dame Elizabeth Violet Blackadder, 1931–2021
Japanese Still Life with Orchids
1983
9159
George Housman Thomas, 1824–1868
Sketches of a Girl Reading, and Profile of a Soldier
undated
9160
James Gillray, 1756–1815
Prince Pitt
1788
9161
Octavius Oakley, 1800–1867
Agnes and Emma Coke and Sarah Salmond in a Park
1827
9162
Print made by Niccoló Schiavonetti, 1771–1813
New Mackrel, New Mackrel
1795
9163
Print made by Luigi Schiavonetti, 1765–1810
Milk below Maids
1793
9164
James Gillray, 1756–1815
The Spanish-Bull-Fight - or - The Corsical-Matador in Danger
1808
9165
James Gillray, 1756–1815
Westminster-Conscripts under the Training Act
1806
9166
unknown artist
Foxes and a Hare
undated
9167
James Gillray, 1756–1815
Preliminaries of Peace! - or - John Bull, and His Little Friends "Marching to Paris"
1801
9168
James Gillray, 1756–1815
Preparing for The Grand Attack - or - A Private Rehearsal of the Ci-Devant Ministry in Danger
1801
9169
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
9170
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
9171
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
9172
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
9173
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
9174
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
9175
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
9176
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
9177
George Richardson, ca.1738–ca.1813
[One of] 25 drawings and prints for ceilings
undated
9178
Published by Arnold Fawcus, 1917–1979
First proof of Arnold Fawcus's facsimile of Blake's Illustrations of the Book of Job