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401. The Agony in the Garden (Right)

The Agony in the Garden (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

402. Christ Foretells the Destruction of the Temple (Left)

Christ Foretells the Destruction of the Temple (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

403. The Betrayal and Arrest (Right)

The Betrayal and Arrest (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

404. The Trial Before the Jewish Council (Right)

The Trial Before the Jewish Council (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

405. The Trial Before Herod (Right)

The Trial Before Herod (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

406. The Trial Before Herod (Left)

The Trial Before Herod (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

407. The Crowd Calls for Barabbas (Left)

The Crowd Calls for Barabbas (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

408. The Scourging of Christ (Right)

The Scourging of Christ (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

409. The Trial Before Pilate (Left)

The Trial Before Pilate (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

410. The Crowd Calls for Barabbas (Right)

The Crowd Calls for Barabbas (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

411. Christ Mocked by the Soldiers (Left)

Christ Mocked by the Soldiers (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

412. Christ Mocked by the Soldiers (Right)

Christ Mocked by the Soldiers (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

413. The Scourging of Christ (Left)

The Scourging of Christ (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

414. The Crucifixion (Right)

The Crucifixion (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

415. The Road to Calvary (Right)

The Road to Calvary (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

416. The Road to Calvary (Left)

The Road to Calvary (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

417. The Trial Before Pilate (Right)

The Trial Before Pilate (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

418. The Entombment (Left)

The Entombment (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

419. The Resurrection (Left)

The Resurrection (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

420. The Crucifixion (Left)

The Crucifixion (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

421. The Resurrection (Right)

The Resurrection (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

422. The Journey to Emmaus (Right)

The Journey to Emmaus (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

423. The Appearance to Thomas (Left)

The Appearance to Thomas (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

424. The Supper at Emmaus (Left)

The Supper at Emmaus (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

425. The Appearance to the Seven (Left)

The Appearance to the Seven (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

426. The Supper at Emmaus (Right)

The Supper at Emmaus (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

427. The Appearance to the Seven (Right)

The Appearance to the Seven (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

428. The Journey to Emmaus (Left)

The Journey to Emmaus (Left)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

429. The Appearance to Thomas (Right)

The Appearance to Thomas (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

430. The Ascension (Right)

The Ascension (Right)
Creator:
Francis Hoyland, born 1930
Date:
undated
Materials & Techniques:
Tempera, black chalk and white chalk on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 30 × 22 inches (76.2 × 55.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Monroe E. Price, Yale BA 1960, LLB 1965, and Aimee Brown Price, Yale MA 1963, PhD 1972

431. Llandovery Castle, South Wales

Llandovery Castle, South Wales
Creator:
William Alfred Delamotte, 1775–1863
Date:
1829
Materials & Techniques:
Graphite, pastel and white chalk on medium, moderately textured, beige wove paper
Dimensions:
Sheet: 11 1/2 × 9 inches (29.2 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

432. Landscape with Horses by a Pool

Landscape with Horses by a Pool
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black chalk and white chalk and graphite on medium, smooth, brown wove paper
Dimensions:
Sheet: 6 7/8 × 9 1/4 inches (17.5 × 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

433. View of Hintlesham Hall, Suffolk

View of Hintlesham Hall, Suffolk
Creator:
unknown artist
Date:
1844
Materials & Techniques:
Graphite and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 9 1/2 × 14 1/4 inches (24.1 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn

434. Sketches of Mother and Child and Sketch of an Arm

Sketches of Mother and Child and Sketch of an Arm
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black and white chalk on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 8 3/4 × 10 3/4 inches (22.2 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Paul Moore

435. Portrait of a Youth (The Painter's Eldest Son)

Portrait of a Youth (The Painter's Eldest Son)
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black and white chalk with stumping on medium, smooth, gray wove paper
Dimensions:
Sheet: 14 7/8 x 11 inches (37.8 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

436. Simon Fraser, Twelfth Lord Lovat (1667-1747)

Simon Fraser, Twelfth Lord Lovat (1667-1747)
Creator:
Richard Cooper the Elder, 1701–1764
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 14 5/8 x 10 3/8 inches (37.1 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

437. Landscape with Castle

Landscape with Castle
Creator:
Nicholas Thomas Dall, op.1748–, d.1777
Date:
undated
Materials & Techniques:
Black and white chalk over graphite on moderately thick, rough, blue laid paper, pasted on thick, rough, cream wove paper
Dimensions:
Sheet: 12 1/4 x 18 7/8in. (31.1 x 47.9cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

438. Study for Solitude

Study for Solitude
Creator:
Frederic Leighton, 1830–1896
Date:
ca. 1890
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 1/2 x 11 1/4in. (36.8 x 28.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

439. Kilkee, Ireland

Kilkee, Ireland
Creator:
Attributed to Mary Darby, active mid 19th century
Date:
1848
Materials & Techniques:
Graphite and white chalk, with stumping on moderately thick, slightly textured, light green wove paper
Dimensions:
Sheet: 10 5/8 x 14 3/4 inches (27 x 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

440. Godesberg on the Rhine

Godesberg on the Rhine
Creator:
Attributed to Mary Darby, active mid 19th century
Date:
1850
Materials & Techniques:
Graphite and white chalk, with stumping on moderately thick, slightly textured, blue-green wove paper
Dimensions:
Sheet: 10 x 14 inches (25.4 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

441. Elton Water

Elton Water
Creator:
Mary Darby, active mid 19th century
Date:
between 1848 and 1850
Materials & Techniques:
Graphite and white chalk on moderately thick, slightly textured, blue gray wove paper
Dimensions:
Sheet: 10 5/8 x 14 11/16in. (27 x 37.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

442. Two Sketches of a Castle and of Trees; Morning and Evening

Two Sketches of a Castle and of Trees; Morning and Evening
Creator:
Joseph Farington, 1747–1821
Date:
1805
Materials & Techniques:
Graphite, white chalk, and black chalk on moderately thick, moderately textured, brown wove paper
Dimensions:
Sheet: 10 3/4 × 8 5/8 inches (27.3 × 21.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

443. House at Padworth

House at Padworth
Creator:
J. D. M. Harvey, 1895–1978
Date:
1937
Materials & Techniques:
Black chalk, white chalk, gouache, watercolor, and graphite on thick, moderately textured, cream wove paper mounted on board
Dimensions:
Sheet: 16 3/4 × 22 5/8 inches (42.5 × 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift from the Estate of Christopher P. Monkhouse

444. The Dansant

The Dansant
Creator:
Malcolm Drummond, 1880–1945
Date:
undated
Materials & Techniques:
Pen and black ink and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 14 3/8 × 10 1/4 inches (36.5 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

445. Still Life

Still Life
Creator:
Roger Fry, 1866–1934
Date:
ca. 1915
Materials & Techniques:
Brushed black ink and white chalk on thin, slightly textured, beige modern laid paper
Dimensions:
Sheet: 9 1/2 × 13 3/4 inches (24.1 × 34.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mitchell Bobkin

446. Landscape with Cattle Watering

Landscape with Cattle Watering
Creator:
Joshua Cristall, 1768–1847
Date:
undated
Materials & Techniques:
Black chalk and white chalk and graphite on moderately thick, slightly textured, blue wove paper
Dimensions:
Sheet: 4 1/2 x 7 1/4 inches (11.4 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

447. The Long Walk, Windsor

The Long Walk, Windsor
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Graphite, black and white chalk on medium, smooth, blue wove paper
Dimensions:
Sheet: 7 1/8 x 10 5/8 inches (18.1 x 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

448. Ash Tree in Ashstead Park

Ash Tree in Ashstead Park
Creator:
Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

449. Harvesting Scene, Cheddington

Harvesting Scene, Cheddington
Creator:
Peter DeWint, 1784–1849
Date:
1847
Materials & Techniques:
Charcoal and white chalk on medium, smooth, gray wove paper
Dimensions:
Sheet: 6 7/8 x 20 1/2 inches (17.5 x 52.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

450. Landscape Study: a haystack near a church

Landscape Study: a haystack near a church
Creator:
follower of Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Watercolor and graphite with black chalk and white chalk on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 6 7/8 x 10 1/4 inches (17.5 x 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

451. Sea Study

Sea Study
Creator:
Possibly Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Black and white chalk on medium, slightly textured, blue wove paper
Dimensions:
Sheet: 6 1/2 x 9 inches (16.5 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

452. Bridge over a Stream with Figures

Bridge over a Stream with Figures
Creator:
imitator of Peter DeWint, 1784–1849
Date:
undated
Materials & Techniques:
Black and white chalk on medium, smooth, brown wove paper
Dimensions:
Sheet: 9 5/8 x 8 7/8 inches (24.4 x 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

453. The Coast of Sussex from the Downs

The Coast of Sussex from the Downs
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Black chalk, red chalk, and white chalk on moderately thick, slightly textured, gray laid paper
Dimensions:
Sheet: 9 5/8 × 14 inches (24.4 × 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

454. River Landscape, Probably near Thorpe, Norfolk

River Landscape, Probably near Thorpe, Norfolk
Creator:
John Sell Cotman, 1782–1842
Date:
1841
Materials & Techniques:
Black and white chalk on medium slightly textured, gray wove paper
Dimensions:
Sheet: 5 x 10 3/8 inches (12.7 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

455. Fishing Vessel off Yarmouth

Fishing Vessel off Yarmouth
Creator:
circle of John Sell Cotman, 1782–1842
Date:
1835
Materials & Techniques:
Black and red and white chalk on medium moderately textured gray laid paper
Dimensions:
Sheet: 6 1/8 x 9 inches (15.6 x 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

456. Portrait of a Gentleman (Mr. Plumer or Plumiere)

Portrait of a Gentleman (Mr. Plumer or Plumiere)
Creator:
Michael Dahl, 1656–1743
Date:
undated
Materials & Techniques:
Black chalk, red chalk, white chalk, and graphite, with stumping on medium, moderately textured, buff laid paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

457. Study for Battledore and Shuttlecock

Study for Battledore and Shuttlecock
Creator:
Albert Joseph Moore, 1841–1893
Date:
ca. 1871
Materials & Techniques:
Black chalk, white chalk, and graphite on medium, moderately textured, brown wove paper
Dimensions:
Sheet: 9 1/4 x 14 1/2 inches (23.5 x 36.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

458. Castleton - The Peak

Castleton - The Peak
Creator:
Joseph Farington, 1747–1821
Date:
1801
Materials & Techniques:
Graphite, black chalk, and white chalk on moderately thick, slightly textured, brown laid paper
Dimensions:
Sheet: 10 3/8 × 13 1/8 inches (26.4 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

459. Interior with a Piano

Interior with a Piano
Creator:
Malcolm Drummond, 1880–1945
Date:
undated
Materials & Techniques:
Graphite, white chalk, watercolor and red chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 3/8 × 8 7/8 inches (28.9 × 22.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

460. Dancing Couples

Dancing Couples
Creator:
Malcolm Drummond, 1880–1945
Date:
undated
Materials & Techniques:
Pen and black ink, graphite, white chalk, black chalk, and red chalk on thin, slightly textured, brown wove paper
Dimensions:
Sheet: 52 × 10 3/8 inches (132.1 × 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

461. Sheepdog Asleep in a Landscape

Sheepdog Asleep in a Landscape
Creator:
Attributed to Andrew Geddes, 1783–1844
Date:
undated
Materials & Techniques:
Watercolor, black chalk, brown chalk, white chalk and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

462. A Woodland Pool with Rocks and Plants

A Woodland Pool with Rocks and Plants
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1765 and 1770
Materials & Techniques:
Watercolor, black and white chalk, and oil paint, with gum on medium, slightly textured, cream laid paper, backed with laid paper
Dimensions:
Sheet: 9 x 11 3/8 inches (22.9 x 28.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

463. Wooded Landscape with Figures outside a Cottage Door

Wooded Landscape with Figures outside a Cottage Door
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1775 and 1780
Materials & Techniques:
Gray wash with pen and gray ink, heightened with white on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 9 3/8 x 13 1/2 inches (23.8 x 34.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

464. Wooded Landscape with Figures on Horseback Crossing a Bridge

Wooded Landscape with Figures on Horseback Crossing a Bridge
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1775 and 1780
Materials & Techniques:
Gray wash, pen and gray ink, white gouache, and white chalk on medium, slightly textured, cream laid paper, mounted on card
Dimensions:
Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

465. Wooded Landscape with Figures and Houses on the Hill

Wooded Landscape with Figures and Houses on the Hill
Creator:
Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Black chalk with stumping, white chalk, and gray wash on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 11 1/4 x 16 1/8 inches (28.6 x 41 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

466. Wooded Landscape with Castle

Wooded Landscape with Castle
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Black chalk and stumping with white chalk on medium, slightly textured, light blue laid paper
Dimensions:
Sheet: 10 3/8 x 12 7/8 inches (26.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

467. Wooded Landscape with Gypsy Encampment

Wooded Landscape with Gypsy Encampment
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1775 and 1780
Materials & Techniques:
Black chalk, white chalk, and gray wash, with stumping and scraping on moderately thick, moderately textured, light blue laid paper
Dimensions:
Sheet: 10 3/8 x 12 7/8 inches (26.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

468. Open Landscape with Horsemen and Covered Cart

Open Landscape with Horsemen and Covered Cart
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1780 and 1788
Materials & Techniques:
Gray and black wash, with traces of black and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 3/4 x 14 inches (27.3 x 35.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

469. Wooded Landscape with Figures

Wooded Landscape with Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1788
Materials & Techniques:
Black chalk and stumping, with touches of white and red chalk, gray and brown wash, heightened with gouache on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 15 1/2 x 12 1/2 inches (39.4 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

470. Wooded Landscape with Herdsman and Cows

Wooded Landscape with Herdsman and Cows
Creator:
Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Gray and black wash with black chalk, pen and black ink, heightened with white chalk on medium, slightly textured, cream laid paper, set into contemporary mount
Dimensions:
Sheet: 10 7/8 x 14 1/4 inches (27.6 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

471. Wooded Landscape with Country Cart and Figures

Wooded Landscape with Country Cart and Figures
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Black and white chalk, gray wash and black wash on medium, slightly textured, buff wove paper
Dimensions:
Sheet: 9 3/4 x 13 inches (24.8 x 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

472. Study of a Cow

Study of a Cow
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1755 and 1760
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 5 5/8 x 7 1/4 inches (14.3 x 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

473. A Woman Seated

A Woman Seated
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1760
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, blue laid paper
Dimensions:
Sheet: 12 3/4 × 8 3/4 inches (32.4 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

474. Wooded Landscape with Herdsman, Cows and Cottage

Wooded Landscape with Herdsman, Cows and Cottage
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Black chalk, white chalk, brown chalk, blue chalk, and stumping on moderately thick, slightly textured, light blue laid paper
Dimensions:
Sheet: 12 7/8 x 10 3/8 inches (32.7 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

475. Studies of Girls Carrying Faggots

Studies of Girls Carrying Faggots
Creator:
Thomas Gainsborough, 1727–1788
Date:
ca. 1780
Materials & Techniques:
Black chalk and stumping, heightened with white chalk on medium, slightly textured, cream laid paper inset into a sheet of moderately thick, slightly textured, cream paper
Dimensions:
Sheet: 14 1/4 x 12 1/2 inches (36.2 x 31.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

476. Open Landscape with Figures, Cows and Cottage

Open Landscape with Figures, Cows and Cottage
Creator:
Thomas Gainsborough, 1727–1788
Date:
between 1785 and 1788
Materials & Techniques:
Brown chalk, white chalk with gray wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 1/4 x 12 3/8 inches (26 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

477. Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains

Wooded Landscape with Peasant Reading an Inscription on a Tombstone beside a Ruined Church, Figures, Donkey, Sheep and Distant Mountains
Creator:
attributed to Thomas Gainsborough, 1727–1788
Date:
1742
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/2 x 15 inches (29.2 x 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

478. Coastal Scene with Figures and Boats

Coastal Scene with Figures and Boats
Creator:
imitator of Thomas Gainsborough, 1727–1788
Date:
undated
Materials & Techniques:
Gray wash, black ink, black chalk, and white chalk on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 10 7/8 x 14 1/4 inches (27.6 x 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

479. Portrait of a Man Wearing a Turban

Portrait of a Man Wearing a Turban
Creator:
Thomas Frye, 1710–1762
Date:
between 1760 and 1762
Materials & Techniques:
Black chalk, white chalk, and graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 17 × 13 1/8 inches (43.2 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

480. The Return from Labor

The Return from Labor
Creator:
William Powell Frith, 1819–1909
Date:
ca. 1846
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 10 × 7 3/8 inches (25.4 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

481. Head of a Boy

Head of a Boy
Creator:
circle of Thomas Frye, 1710–1762
Date:
undated
Materials & Techniques:
Gray wash with black and white chalk with stumping on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 17 x 14 3/8 inches (43.2 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

482. The Peasant's Dream, Paradise Lost, Book 1, 781-8

The Peasant's Dream, Paradise Lost, Book 1, 781-8
Creator:
Henry Fuseli, 1741–1825
Date:
1793 to 1800
Materials & Techniques:
Graphite, black chalk, white chalk and white gouache on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 3/8 x 20 3/8 inches (31.4 x 51.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

483. Study of a Back of a Female Nude, Standing

Study of a Back of a Female Nude, Standing
Creator:
attributed to Henry Fuseli, 1741–1825
Date:
undated
Materials & Techniques:
Watercolor, graphite, pen and brown ink and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/2 x 3 5/8 inches (16.5 x 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

484. Ariadne Watching the Struggle of Theseus with the Minotaur

Ariadne Watching the Struggle of Theseus with the Minotaur
Creator:
Henry Fuseli, 1741–1825
Date:
1815 to 1820
Materials & Techniques:
Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

485. Half-Length Study of a Seated Woman

Half-Length Study of a Seated Woman
Creator:
attributed to John Hoppner, 1758–1810
Date:
undated
Materials & Techniques:
Black chalk and white chalk on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/4 x 5 1/8in. (15.9 x 13cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

486. Fishing Boats off Calais (The Pas de Calais)

No cover image available
Creator:
Print made by William Davison, active 1813–1843
Date:
1830
Materials & Techniques:
Mezzotint with white chalk; touched engraver's proof (a) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 18 1/4 × 23 1/8 inches (46.4 × 58.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

487. Fishing Boats off Calais (The Pas de Calais)

No cover image available
Creator:
Print made by William Davison, active 1813–1843
Date:
1830
Materials & Techniques:
Mezzotint, with graphite and white chalk; touched engraver's proof (b) on medium, slightly textured, cream wove paper, mounted on cream card
Dimensions:
Sheet: 19 × 25 3/4 inches (48.3 × 65.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

488. Fishing Boats off Calais (The Pas de Calais)

No cover image available
Creator:
Print made by William Davison, active 1813–1843
Date:
1830
Materials & Techniques:
Mezzotint, with graphite, white chalk, and scraping out; touched engraver's proof (c) on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 18 1/2 × 25 1/8 inches (47 × 63.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

489. Man with Lamb and Other Figures

No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Black chalk and white chalk on thick, slightly textured, brown card mounted on board
Dimensions:
Sheet: 21 1/2 × 27 1/2 inches (54.6 × 69.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

490. Study of Woman with Outstretched Arm

No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Black chalk and white chalk on moderately thick, moderately textured, brown wove paper mounted to board
Dimensions:
Sheet: 21 3/4 × 17 inches (55.2 × 43.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

491. Figure Studies of Woman with Folded Arms

No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Graphite and white chalk on moderately thick, moderately textured, gray wove paper
Dimensions:
Sheet: 15 1/8 × 10 3/4 inches (38.4 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

492. Studies of Worker on Ladder

No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Black chalk, white chalk, and graphite on moderately thick, moderately textured, green wove paper
Dimensions:
Sheet: 15 1/4 × 11 5/8 inches (38.7 × 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

493. Study of Workman

No cover image available
Creator:
Sir Frank William Brangwyn, 1867–1956
Date:
undated
Materials & Techniques:
Black chalk, white chalk, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:
Sheet: 15 1/4 × 22 1/8 inches (38.7 × 56.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

494. Old Bruges

No cover image available
Creator:
Print made by William M. Larkins, 1901–1974
Date:
undated
Materials & Techniques:
Etching touched with white chalk; trial proof
Dimensions:
Sheet: 7 1/4 × 8 1/4 inches (18.4 × 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Daniel Bell

495. Old Bruges

No cover image available
Creator:
Print made by William M. Larkins, 1901–1974
Date:
undated
Materials & Techniques:
Etching touched with white chalk and graphite; 5th state trial proof
Dimensions:
Sheet: 7 1/2 × 8 1/2 inches (19.1 × 21.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Daniel Bell

496. Old Bruges

No cover image available
Creator:
Print made by William M. Larkins, 1901–1974
Date:
undated
Materials & Techniques:
Etching touched with white chalk; 2nd state trial proof
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Daniel Bell

497. Old Bruges

No cover image available
Creator:
Print made by William M. Larkins, 1901–1974
Date:
undated
Materials & Techniques:
Etching touched with graphite, black and white chalk; 5th state trial proof
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Daniel Bell

498. Old Bruges

No cover image available
Creator:
Print made by William M. Larkins, 1901–1974
Date:
undated
Materials & Techniques:
Etching touched with white chalk; 7th state trial proof
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Daniel Bell

499. Old Bruges

No cover image available
Creator:
Print made by William M. Larkins, 1901–1974
Date:
undated
Materials & Techniques:
Etching touched with white chalk; 6th state trial proof
Dimensions:
Sheet: 11 × 15 inches (27.9 × 38.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Daniel Bell

500. Le Quai de Rosaire

No cover image available
Creator:
Print made by William M. Larkins, 1901–1974
Date:
undated
Materials & Techniques:
Etching touched with white and black chalk with marginal sketches in graphite; 3rd state
Dimensions:
Sheet: 10 3/4 × 14 3/4 inches (27.3 × 37.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of Daniel Bell