Materials & Techniques: white gouache / Period: 19th century - YCBA Collections Search Search Results

201. Garden Reach - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, white gouache, gray wash, and graphite on moderately thick, slightly textured, brown wove paper
Dimensions:: Mount: 7 7/8 × 15 inches (20 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

202. Office of the Sudder Board of Revenue from Kyd Street - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, white gouache, graphite, and gray wash on moderately thick, moderately textured, blue/gray wove paper
Dimensions:: Mount: 8 11/16 × 15 1/8 inches (22.1 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. General View of Calcutta, from the Entrance to the Water Gate of Fort William

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, and white gouache on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Mount: 6 3/4 × 21 inches (17.1 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Chowringhee Road from No. XI Esplanade

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, white gouache, brown wash, and gray wash on moderately thick, moderately textured, blue wove paper
Dimensions:: Mount: 6 11/16 × 21 inches (17 × 53.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

205. Statue of the Marquis of Hastings in Tank Square - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, white gouache, gray wash, and graphite on moderately thick, moderately textured, blue-gray wove paper
Dimensions:: Sheet: 8 1/4 × 15 inches (21 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

206. View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and ink, graphite, and white gouache on thick, moderately textured, blue gray wove paper
Dimensions:: Sheet: 8 1/2 × 13 13/16 inches (21.6 × 35.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. Water View near Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, graphite, white gouache, and gray wash on moderately thick, moderately textured, blue/gray wove paper
Dimensions:: Sheet: 7 1/16 × 15 1/16 inches (17.9 × 38.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Margate, October 2nd, 1850

Creator:: George Richmond, 1809–1896
Date:: 1850
Materials & Techniques:: Graphite, watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/16 x 10 5/16 inches (18 x 26.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. The Church of St. Laurent

Creator:: John Skinner Prout, 1806–1876
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and white gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 21 5/8 × 13 inches (54.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

210. The Hall, Rugby School

Creator:: John Gendall, 1790–1865
Date:: undated
Materials & Techniques:: Watercolor, graphite, pen and black ink and white gouache on medium, moderately textured, cream wove paper mounted to card
Dimensions:: Sheet: 8 1/4 × 10 7/8 inches (21 × 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. The Rocky Bank of a River

Creator:: John Ruskin, 1819–1900
Date:: ca. 1853
Materials & Techniques:: Pen and black ink, gray wash, graphite, and white gouache; verso: pen and brown ink and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 7/8 x 18 5/8 inches (32.7 x 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

212. Doorhead of the Palazzo Contarini della Porta di Ferro

Creator:: John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Pen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

213. Two Studies of Buildings

Creator:: Richard Principle Leitch, 1844–1875
Date:: 1849
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 15/16 x 11 7/8in. (20.2 x 30.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

214. Mountainous Landscape

Creator:: John Ruskin, 1819–1900
Date:: undated
Materials & Techniques:: Watercolor, white gouache, and graphite with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 x 11 1/4 inches (23.2 x 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

215. The Great Square at Torcello

Creator:: John Ruskin, 1819–1900
Date:: 1850
Materials & Techniques:: Pen and black ink, watercolor, white gouache and graphite on thick, smooth, beige wove paper
Dimensions:: Sheet: 9 3/4 x 13 5/8 inches (24.8 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. The Use of Tears

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1827
Materials & Techniques:: Watercolor and white gouache over graphite on thick, smooth card
Dimensions:: Sheet: 9 x 7 inches (22.9 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

217. Study for a Block on the Road

Creator:: Gustave Doré, 1832–1883
Date:: between 1869 and 1872
Materials & Techniques:: Pen and brown ink, black ink, black chalk, gray wash, brown wash, graphite, and white gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 17 1/16 × 13 3/16 inches (43.3 × 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Stone Mason

Creator:: Edward Duncan, 1803–1882
Date:: undated
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 7 3/8 × 5 inches (18.7 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. Hulk aground on beach

Creator:: Edward Duncan, 1803–1882
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 × 10 1/2 inches (16.2 × 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. Study of Fishermen and Gear

Creator:: Edward Duncan, 1803–1882
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 15/16 × 18 5/16 inches (30.3 × 46.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. Kells Priory

Creator:: Mary Darby, active mid 19th century
Date:: between 1848 and 1850
Materials & Techniques:: Graphite and white gouache on moderately thick, slightly textured, blue-gray, wove paper
Dimensions:: Sheet: 10 1/2 × 14 3/4 inches (26.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Castleton - The Peak

Creator:: Joseph Farington, 1747–1821
Date:: 1801
Materials & Techniques:: Graphite, black chalk, and white gouache on moderately thick, slightly textured, brown laid paper
Dimensions:: Sheet: 10 3/8 × 13 1/8 inches (26.4 × 33.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

223. Landscape with Limekiln

Creator:: Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1809
Materials & Techniques:: Watercolor, gum, white gouache, and graphite, with scraping on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 12 3/4 inches (23.2 × 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. Harbor Scene

Creator:: John Wilson Ewbank, 1779–1847
Date:: 1832
Materials & Techniques:: Graphite and white gouache on thick, smooth, card
Dimensions:: Sheet: 2 5/8 × 4 1/8 inches (6.7 × 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

225. Ariadne Watching the Struggle of Theseus with the Minotaur

Creator:: Henry Fuseli, 1741–1825
Date:: 1815 to 1820
Materials & Techniques:: Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

226. "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1823
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 9/16 × 9 1/16 inches (16.7 × 23 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

227. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1823
Materials & Techniques:: Graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 3/16 × 9 3/16 inches (18.3 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

228. Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:: Sheet: 5 × 7 11/16 inches (12.7 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Poachers Surprised

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Watercolor, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 7/8 × 5 7/16 inches (9.8 × 13.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Head and Shoulders of a Boxer Dog, Profile Right

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and white gouache on thick, rough, brown wove paper
Dimensions:: Sheet: 4 3/16 × 4 3/16 inches (10.6 × 10.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

Creator:: Henry Thomas Alken, 1785–1851
Date:: between 1831 and 1832
Materials & Techniques:: Graphite with red chalk and white gouache on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 8 5/16 inches (16.5 × 21.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. An Elephant

Creator:: George Jones, 1786–1869
Date:: ca. 1856
Materials & Techniques:: Pen and brown ink, graphite, blue wash, and white gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 3 5/8 × 5 inches (9.2 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. A Polar Bear, Asleep, Front View

Creator:: George Jones, 1786–1869
Date:: ca. 1856
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and white gouache on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 3 3/8 × 5 inches (8.6 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. A Male Lion, Lying Down and Half Facing Right

Creator:: George Jones, 1786–1869
Date:: ca. 1856
Materials & Techniques:: Graphite, brown wash, and white gouache on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 3 5/8 × 5 1/4 inches (9.2 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. A Camel Resting

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Brown wash, black chalk, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 3 3/4 × 5 1/4 inches (9.5 × 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. A Camel Resting, Side View to the Right

Creator:: George Jones, 1786–1869
Date:: ca. 1856
Materials & Techniques:: Graphite, pen and brown ink, brown wash, and white gouache on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 3 5/8 × 5 5/16 inches (9.2 × 13.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. A Soldier's Knapsack: Two Studies, Side and Front View

Creator:: Michael Angelo Hayes, 1811–1880
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, graphite, white gouache, gray wash on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 5 1/4 × 7 13/16 inches (13.3 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. Landscape Near Newmarket, Suffolk

Creator:: Possibly Anthony Vandyke Copley Fielding, 1787–1855
Date:: 1812
Materials & Techniques:: Watercolor with gold gilded border on sheet and white goache border line on mount on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 2 x 5 15/16 inches (5.1 x 15.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. Windsor Castle from the South

Creator:: William Daniell, 1769–1837
Date:: 1827
Materials & Techniques:: Watercolor, graphite pen and brown ink, black ink, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 x 19 3/4 inches (30.5 x 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and white gouache on medium, slightly textured, gray-green, wove paper
Dimensions:: Sheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. Netting Deer in Richmond Park

Creator:: Sir George Hayter, 1792–1871
Date:: undated
Materials & Techniques:: Graphite, with white gouache on moderately thick, slightly textured, green-gray, wove paper
Dimensions:: Sheet: 9 7/8 × 13 3/4 inches (25.1 × 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. King Charles Spaniel

Creator:: Sir David Wilkie, 1785–1841
Date:: 1835
Materials & Techniques:: Graphite, pen and brown ink, brown wash, white gouache and red gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 × 7 13/16 inches (23.2 × 19.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. Head and Neck of a Frightened Horse, Left Profile

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and white gouache on thick, rough, brown wove paper
Dimensions:: Sheet: 4 9/16 × 5 1/2 inches (11.6 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. A Camel, Facing Left, Sept. 1856

Creator:: George Jones, 1786–1869
Date:: 1856
Materials & Techniques:: Pen and brown ink, graphite, blue wash, and white gouache on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 3 3/4 × 5 1/2 inches (9.5 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. A Camel, Facing Left, Sept. 3, 1850

Creator:: George Jones, 1786–1869
Date:: 1850
Materials & Techniques:: Pen and brown ink, graphite, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 3 7/8 × 4 7/8 inches (9.8 × 12.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Contemporary drawn border: 11 3/16 × 15 9/16 inches (28.4 × 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. "You're Not Going to Follow, Belle, Are You?"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Graphite, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Mount: 16 × 21 15/16 inches (40.6 × 55.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor and white gouache on moderately thick, slightly textured, gray wove paper
Dimensions:: Sheet: 10 3/4 × 15 inches (27.3 × 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

Creator:: Hablot Knight Browne, 1815–1882
Date:: undated
Materials & Techniques:: Black chalk, watercolor, and white gouavhe on moderately thick, slightly textured, gray-brown, wove paper
Dimensions:: Sheet: 10 11/16 × 14 3/4 inches (27.1 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. Coursing

Creator:: Thomas Weaver, 1774–1843
Date:: 1800
Materials & Techniques:: Watercolor, graphite, and white gouache on medium, smooth, beige wove paper
Dimensions:: Sheet: 9 7/16 × 12 5/16 inches (24 × 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. Champagnole

Creator:: John Ruskin, 1819–1900
Date:: 1846
Materials & Techniques:: Watercolor, graphite and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 5 x 7 inches (12.7 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Given in honor of Patrick Noon, Curator of Prints, Drawings & Rare Books (1979-97), from the collection of Iola S. Haverstick

252. Heads and Necks of Two Horses Wearing Bridles, Right Profiles

Creator:: Henry Thomas Alken, 1785–1851
Date:: undated
Materials & Techniques:: Graphite and white gouache on thick, rough, brown wove paper
Dimensions:: Sheet: 5 3/4 × 6 inches (14.6 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right

Creator:: George Jones, 1786–1869
Date:: ca. 1850
Materials & Techniques:: Pen and brown ink, graphite, and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 3 9/16 × 4 15/16 inches (9 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. Magdalen Tower and Bridge, Oxford

Creator:: George Jones, 1786–1869
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, graphite, and white gouache on moderately thick, moderately textured, blue wove paper
Dimensions:: Sheet: 9 5/16 × 7 1/2 inches (23.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. The Buxom Hostess

Creator:: Hablot Knight Browne, 1815–1882
Date:: 1879
Materials & Techniques:: Graphite and wash, with white gouache on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 10 7/8 × 12 11/16 inches (27.6 × 32.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. The Abbey Mill, Knaresborough

Creator:: Thomas Girtin, 1775–1802
Date:: 1801
Materials & Techniques:: Watercolor, graphite, and white gouache with scratching out on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 11/16 x 20 11/16 inches (32.2 x 52.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. A Large Tree in a Summer Landscape, a Horse Standing at the Base

Creator:: Lionel Constable, 1828–1887
Date:: undated
Materials & Techniques:: Watercolor, white gouache, graphite, and scratching out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 7/8 x 11 3/8 inches (37.8 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. Catholic Church, Port of Spain

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Government Buildings

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1851
Materials & Techniques:: Pen and black ink, brown ink, brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 7 3/4 × 11 1/4 inches (19.7 × 28.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. The Viaduct

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor and white gouache on medium, slightly textured, gray wove paper
Dimensions:: Sheet: 7 × 15 3/4 inches (17.8 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Dinner Party at a Mandarin's House

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, white gouache and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Thorncroft, near Leatherhead

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, brown wash, graphite, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/8 × 7 7/8 inches (13 × 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. The Terrace of a Mandarin's House in Peking

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Pen and brown ink, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. The Theater at Tien-Sin

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink, graphite and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 1/2 inches (12.7 × 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. The House of a Chinese Merchant near Canton

Creator:: Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Brown wash, pen and brown ink over graphite with white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 5/8 inches (12.7 × 19.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

266. The Demolition of Old London Bridge

Creator:: George Arnald, 1763–1841
Date:: 1832
Materials & Techniques:: Watercolor, white gouache, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 9 1/2 x 13 3/4 inches (24.1 x 34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. Study for Quay at Straddon Point Near Plymouth

Creator:: William Daniell, 1769–1837
Date:: ca. 1825
Materials & Techniques:: Brown wash, white gouache, and graphite on medium, slightly textured, beige wove paper mounted on card
Dimensions:: Sheet: 6 3/8 × 9 3/8 inches (16.2 × 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert Storr in honor of Amy Meyers

268. Sir Thomas Lawrence's Painting Room in 1824

Creator:: Emily Calmady, 19th century
Date:: 1824
Materials & Techniques:: Graphite and white gouache on medium, moderately textured, beige wove paper
Dimensions:: Mount: 11 1/2 × 19 3/8 inches (29.2 × 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

269. Drawing for The First Voyage

Creator:: William Mulready, 1786–1863
Date:: ca. 1833
Materials & Techniques:: Red chalk, white chalk, white gouache, and graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 1/8 x 23 5/8 inches (48.6 x 60 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

270. The Sea Otter

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1837
Materials & Techniques:: Watercolor, white gouache, graphite, pen and black ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 4 1/16 × 6 1/2 inches (10.3 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Drifting

Creator:: John Burr, 1831–1893
Date:: 1885
Materials & Techniques:: Watercolor, white gouache, and graphite on thick, rough, cream wove paper
Dimensions:: Sheet: 14 × 10 inches (35.6 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Austin Abbey Memorial Collection

272. Entrance to the Hudson Highlands

Creator:: William Henry Bartlett, 1809–1854
Date:: undated
Materials & Techniques:: Pen and brown ink and brown wash with white gouache over graphite with scraping out on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 × 7 inches (12.7 × 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. John Hill Morgan

273. Drifting

Creator:: Philip Richard Morris, 1836–1902
Date:: 1885
Materials & Techniques:: Black gouache and white gouache on medium, moderately textured, blue wove paper
Dimensions:: Sheet: 25 1/8 × 35 1/2 inches (63.8 × 90.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, The Edwin Abbey Memorial Collection

274. The Butler

Creator:: George Augustus Sala, 1828–1895
Date:: between 1862 and 1882
Materials & Techniques:: Watercolor, graphite, white gouache, and pen and ink on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 4 15/16 × 5 inches (12.5 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery

275. Shipping Scene in the Harbor of Dunkerque

Creator:: Alfred Gomersal Vickers, 1810–1837
Date:: undated
Materials & Techniques:: Watercolor, graphite and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 3/4 × 23 1/2 inches (45.1 × 59.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Study of a Group of Children

Creator:: Circle of William James Muller, 1812–1845
Date:: undated
Materials & Techniques:: Watercolor, blue wash, graphite, white gouache, and black chalk on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 8 3/16 inches (15.2 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. Killarney (Ireland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1807
Materials & Techniques:: Watercolor, graphite white gouache, and gum arabic on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
Dimensions:: Mount: 11 3/4 × 18 5/8 inches (29.8 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. On the Zweilütschine, Near Interlaken, Canton of Berne, The Jungfrau in the Distance

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and black ink, black wash, gray wash, white gouache, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 13 × 16 3/4 inches (33 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Mountainous Landscape with a Bridge and House

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1816
Materials & Techniques:: Black chalk, white gouache, graphite and gray wash on moderately thick, rough, beige laid paper
Dimensions:: Sheet: 9 7/16 × 13 inches (24 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Welsh Fair

Creator:: John Preston Neale, 1771/80–1847
Date:: 1813
Materials & Techniques:: Watercolor, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 3/16 inches (15.6 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Government House from St. Andrew's Library - Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: undated
Materials & Techniques:: Watercolor, pen and brown ink, brown wash, white gouache, and graphite on thick, moderately textured, blue/gray, wove paper
Dimensions:: Mount: 8 3/16 × 20 15/16 inches (20.8 × 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

282. Town and Port of Calcutta

Creator:: Sir Charles D'Oyly, 1781–1845
Date:: 1812
Materials & Techniques:: Watercolor, graphite, white gouache, gray wash, and charcoal on moderately thick, slightly textured, gray/green wove paper
Dimensions:: Mount: 11 1/2 × 16 3/8 inches (29.2 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

283. Simplon (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1817
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and white gouache on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 11 1/2 × 17 1/4 inches (29.2 × 43.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

284. Dredger at Twickenham, September 22, 1874

Creator:: Thomas Charles Leeson Rowbotham, 1823–1875
Date:: 1874
Materials & Techniques:: Watercolor, gouache on thick, rough, beige wove paper
Dimensions:: Sheet: 18 1/2 × 12 inches (47 × 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Grisons/ Looking to Glarnisch (Switzerland) Mountains

Creator:: Isaac Weld, 1774–1856
Date:: 1817
Materials & Techniques:: Pen and black ink, black wash, gray wash, graphite, and white gouache on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 20 13/16 × 16 3/8 inches (52.9 × 41.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Mountainous Landscape with Inscription to Salomon Gessner (Switzerland)

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1816
Materials & Techniques:: Pen and black ink, gray ink, gray wash, black wash, graphite, and white grouache on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/16 × 17 inches (26.5 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. A Factory Interior

Creator:: unknown artist
Date:: 1871
Materials & Techniques:: Watercolor, pen and gray ink, graphite, and white gouache on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 × 14 1/2 inches (30.2 × 36.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. St. Martyns Bruche

Creator:: Isaac Weld, 1774–1856
Date:: ca. 1826
Materials & Techniques:: Gray wash, black wash, pen and black ink, graphite, white gouache, and sponging on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 9/16 × 11 1/2 inches (37 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

289. Pass through the Andes

Creator:: Lt. William Smyth, 1813–1878
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, white gouache, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 3/16 x 14 1/8in. (25.9 x 35.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

290. Untitled (one of three)

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: undated
Materials & Techniques:: Lithograph, with white gouache and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 2 7/8 x 2 5/16 inches (7.3 x 5.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

291. Two Greyhounds Chasing a Hare

Creator:: unknown artist
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, pen and brown ink, and white gouache on thick, rough, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 1/4 inches (28.3 × 38.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Conversazione

Creator:: Florence Claxton, active 1855–1889
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, graphite and white gouache on medium, slightly textured, cream wove paper mounted to moderately thick, slightly textured, brown wove paper
Dimensions:: Sheet: 4 3/4 × 8 inches (12.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

293. At Oxford

Creator:: Edna Kaulbach, active 1874
Date:: 1874
Materials & Techniques:: Black chalk and white gouache on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 16 3/4 × 23 3/8 inches (42.5 × 59.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Edward I. Elicofon

294. Design for Railway Station and Hotel, Kingston-upon-Hull

Creator:: George Townsend Andrews, 1804–1855
Date:: ca. 1847
Materials & Techniques:: Watercolor, white gouache, and graphite on moderately thick, slightly textured, cream wove paper mounted to canvas
Dimensions:: Sheet: 25 3/8 × 46 1/2 inches (64.5 × 118.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

295. A View of Hyde Park from Ennismore Gardens

Creator:: unknown artist
Date:: ca. 1830
Materials & Techniques:: Watercolor, white gouache, pen and black ink, pen and brown ink, and graphite on thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/2 × 37 1/2 inches (41.9 × 95.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

296. The Quorn Hunt: Tally-Ho and Away!

Creator:: Walter Parry Hodges, 1760–1845
Date:: 1832
Materials & Techniques:: Watercolor, pen and black ink, and white gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 13/16 × 20 3/16 inches (32.5 × 51.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

297. The Church of the Holy Sepulchre, Jerusalem, study for The Miracle of the Holy Fire

Creator:: William Holman Hunt, 1827–1910
Date:: undated
Materials & Techniques:: Graphite, brown wash, and white gouache on medium, slightly textured, blue-gray wove paper
Dimensions:: Sheet: 10 1/2 × 14 inches (26.7 × 35.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

298. Man in Frock Coat

Creator:: Frederick Reed, 1800–1875
Date:: ca. 1840
Materials & Techniques:: Watercolor, white gouache, and gum arabic on ivory set in ormolu frame
Dimensions:: Frame: 9 7/8 × 8 1/8 × 3/4 inches (25.1 × 20.6 × 1.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

299. Young Man

Creator:: Andrew Robertson, 1777–1845
Date:: 1809
Materials & Techniques:: Watercolor, white gouache, and gum arabic on ivory set in a rose gold locket with bale and oval window with seed pearls
Dimensions:: Frame: 3 1/4 × 2 3/4 × 1/8 inches (8.3 × 7 × 0.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Ann and Kenneth Rapoport

300. Fishermen Putting out to Sea, Hastings

Creator:: Samuel Prout, 1783–1852
Date:: between 1810 and 1820
Materials & Techniques:: Watercolor, white gouache, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 11 1/2 × 15 1/2 inches (29.2 × 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the Estate of Roberta A. Kendall

YCBA Collections Search

Refine your search

Search Constraints

Materials & Techniques white gouache

Period 19th century

Search Results

201. Garden Reach - Calcutta

202. Office of the Sudder Board of Revenue from Kyd Street - Calcutta

203. General View of Calcutta, from the Entrance to the Water Gate of Fort William

204. Chowringhee Road from No. XI Esplanade

205. Statue of the Marquis of Hastings in Tank Square - Calcutta

206. View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul

207. Water View near Calcutta

208. Margate, October 2nd, 1850

209. The Church of St. Laurent

210. The Hall, Rugby School

211. The Rocky Bank of a River

212. Doorhead of the Palazzo Contarini della Porta di Ferro

213. Two Studies of Buildings

214. Mountainous Landscape

215. The Great Square at Torcello

216. The Use of Tears

217. Study for a Block on the Road

218. Stone Mason

219. Hulk aground on beach

220. Study of Fishermen and Gear

221. Kells Priory

222. Castleton - The Peak

223. Landscape with Limekiln

224. Harbor Scene

225. Ariadne Watching the Struggle of Theseus with the Minotaur

226. "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door

227. "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

228. Head of a Stable Lad, Looking Between the Heads of a Horse, on His Left, and a Donkey, on His Right

229. Poachers Surprised

230. Head and Shoulders of a Boxer Dog, Profile Right

231. "Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'

232. An Elephant

233. A Polar Bear, Asleep, Front View

234. A Male Lion, Lying Down and Half Facing Right

235. A Camel Resting

236. A Camel Resting, Side View to the Right

237. A Soldier's Knapsack: Two Studies, Side and Front View

238. Landscape Near Newmarket, Suffolk

239. Windsor Castle from the South

240. The Sporting Parson: "Why Hang - I Mean Bless Me! If They Haven't Run into Him in My Own Churchyard!"

241. Netting Deer in Richmond Park

242. King Charles Spaniel

243. Head and Neck of a Frightened Horse, Left Profile

244. A Camel, Facing Left, Sept. 1856

245. A Camel, Facing Left, Sept. 3, 1850

246. "Stout Party. 'I Don't Much Like These 'ere Thoroughbreads - They've no Substance' "

247. "You're Not Going to Follow, Belle, Are You?"

248. The Sporting Parson: "The Sporting Parson at the Meet(ing) of His 'Dear Brethren' "

249. The Sporting Parson: "A Find- and Our Parson Just Follows a Little, to See How His Dear Brethren Behave Themselves"

250. Coursing

251. Champagnole

252. Heads and Necks of Two Horses Wearing Bridles, Right Profiles

253. A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right

254. Magdalen Tower and Bridge, Oxford

255. The Buxom Hostess

256. The Abbey Mill, Knaresborough

257. A Large Tree in a Summer Landscape, a Horse Standing at the Base

258. Catholic Church, Port of Spain

259. Government Buildings

260. The Viaduct

261. Dinner Party at a Mandarin's House

262. Thorncroft, near Leatherhead

263. The Terrace of a Mandarin's House in Peking

264. The Theater at Tien-Sin

265. The House of a Chinese Merchant near Canton

266. The Demolition of Old London Bridge

267. Study for Quay at Straddon Point Near Plymouth

268. Sir Thomas Lawrence's Painting Room in 1824

269. Drawing for The First Voyage

270. The Sea Otter

271. Drifting

272. Entrance to the Hudson Highlands

273. Drifting

274. The Butler