Materials & Techniques: wove paper / Creator Gender: male / Width [cm]: 33 - YCBA Collections Search Search Results

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Materials & Techniques wove paper

Creator Gender male

Width [cm] 33

Robert Polhill Bevan Who-o-p!

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

1898-1899

Robert Polhill Bevan The Meet

Print made by Robert Polhill Bevan, 1865–1925

The Meet

1898-1899

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Samuel Palmer Cornfields with Barn, Shoreham

Samuel Palmer, 1805–1881

Cornfields with Barn, Shoreham

ca. 1829

George Stubbs Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)

George Stubbs, 1724–1806

Human Figure, Posterior View (Outline Drawing for Key Figure to Table XII)

1795 to 1806

George Stubbs Human Skeleton, Lateral View

George Stubbs, 1724–1806

Human Skeleton, Lateral View

1795 to 1806

George Stubbs Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

George Stubbs, 1724–1806

Tiger Body, Lateral View (First of nine drawings of another specimen of tiger)

1795 to 1806

George Stubbs Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)

George Stubbs, 1724–1806

Tiger Body, Lateral View (Study of the fourth stage of dissection showing the deeper muscles)

1795 to 1806

George Stubbs Tiger, Recumbent, Viewed Ventrally

George Stubbs, 1724–1806

Tiger, Recumbent, Viewed Ventrally

1795 to 1806

George Stubbs Plate VII, Human Body, Lateral View

Print made after George Stubbs, 1724–1806

Plate VII, Human Body, Lateral View

1804

Samuel Palmer The Early Ploughman

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

etching begun before 1861; impression printed in 1926

Joseph Mallord William Turner Mer de Glace, Valley of Chamouni, Savoy

Print made by Joseph Mallord William Turner, 1775–1851

Mer de Glace, Valley of Chamouni, Savoy

1812

Joseph Mallord William Turner Sheep-Washing, Windsor

Print made by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Joseph Mallord William Turner Autumn Sowing of the Grain

Joseph Mallord William Turner, 1775–1851

Autumn Sowing of the Grain

ca. 1794

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

ca. 1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

ca. 1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

William Blake 'And vapid; sense and reason shew the door' (Page 72)

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

William Blake 'Is lost in love! thou great Philanthropist' (Page 87)

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

ca. 1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

ca. 1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

ca. 1797

William Blake 'The Sun beheld it – No, the shocking scene' (Page 75)

Print made by William Blake, 1757–1827

'The Sun beheld it – No, the shocking scene' (Page 75)

ca. 1797

William Blake The Baffled Devils Fighting (Plate 3)

Print made by William Blake, 1757–1827

The Baffled Devils Fighting (Plate 3)

1827

William Blake Night the First. On Life, Death, and Immortality; Title Page

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

1797

William Blake 'Oft bursts my song beyond the bounds of life' (Page 16)

Print made by William Blake, 1757–1827

'Oft bursts my song beyond the bounds of life' (Page 16)

1797

William Blake Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

William Blake 'Emblem of that which shall awake the dead' (Page 19)

Print made by William Blake, 1757–1827

'Emblem of that which shall awake the dead' (Page 19)

1797

William Blake 'We censure nature for a span too short' (Page 23)

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

William Blake 'Time, in advance, behind him hides his wings' (Page 24)

Print made by William Blake, 1757–1827

'Time, in advance, behind him hides his wings' (Page 24)

1797

William Blake 'Behold him, when past by; what then is seen' (Page 25)

Print made by William Blake, 1757–1827

'Behold him, when past by; what then is seen' (Page 25)

1797

William Blake 'Measuring his motions by revolving spheres' (Page 26)

Print made by William Blake, 1757–1827

'Measuring his motions by revolving spheres' (Page 26)

1797

William Blake 'Tis greatly wise to talk with our past hours' (Page 31)

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

1797

William Blake 'Like that, the dial speaks; and points to thee' (Page 33)

Print made by William Blake, 1757–1827

'Like that, the dial speaks; and points to thee' (Page 33)

1797

William Blake 'Swift on his downy pinion flies from woe' (Page 1)

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

1797

William Blake 'Love, and love only, is the loan for love' (Page 37)

Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

1797

William Blake 'Angels should paint it, angels ever there' (Page 40)

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

1797

William Blake 'One radiant mark, – the death-bed of the just' (Page 41)

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

1797

William Blake Night the Third. Narcissa; Title Page

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

1797

William Blake 'Ungrateful, shall we grieve their hovering shades' (Page 55)

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

William Blake 'What, though my soul fantastick measures trod' (Page 4)

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

1797

William Blake The Christian Triumph; Title Page

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

1797

William Blake 'Till death, that mighty hunter, earths them all' (Page 70)

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

William Blake 'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

William Blake 'The thunder, if in that the Almighty dwells' (Page 80)

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

William Blake 'His hand the good man fastens on the skies' (Page 86)

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

William Blake 'That touch, with charm celestial heals the soul' (Page 90)

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

William Blake 'When faith is virtue, reason makes it so' (Page 92)

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

1797

William Blake 'If angels tremble, 'tis at such a sight' (Page 93)

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

William Blake 'Death! great proprietor of all! 'tis thine' (Page 8)

Print made by William Blake, 1757–1827

'Death! great proprietor of all! 'tis thine' (Page 8)

1797

William Blake 'The goddess bursts in thunder and in flame' (Page 95)

Print made by William Blake, 1757–1827

'The goddess bursts in thunder and in flame' (Page 95)

1797

William Blake 'Disease invades the chastest temperence' (Page 10)

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

1797

William Blake 'Its favours here are trials, not rewards' (Page 12)

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

William Blake 'The present moment terminates our sight' (Page 13)

Print made by William Blake, 1757–1827

'The present moment terminates our sight' (Page 13)

1797

William Blake 'Teaching, we learn; and giving, we retain' (Page 35)

Print made by William Blake, 1757–1827

'Teaching, we learn; and giving, we retain' (Page 35)

1797

William Blake 'The longest night though longer far, would fail' (Page 15)

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

William Blake Sealing the Stone and Setting a Watch

William Blake, 1757–1827

Sealing the Stone and Setting a Watch

1800 to 1803

William Blake The Widow Embracing Her Husband's Grave

William Blake, 1757–1827

The Widow Embracing Her Husband's Grave

1805 to 1808

William Blake 'Till at Death's toll, whose restless iron tongue' (Page 7)

Print made by William Blake, 1757–1827

'Till at Death's toll, whose restless iron tongue' (Page 7)

ca. 1797

Edward Lear A Ruined Tower House

Edward Lear, 1812–1888

A Ruined Tower House

1836

Edward Lear Calder Abbey, September 12. 1836

Edward Lear, 1812–1888

Calder Abbey, September 12. 1836

1836

Edward Lear The Capo Sant' Angelo, Amalfi

Edward Lear, 1812–1888

The Capo Sant' Angelo, Amalfi

ca. 1885

Edward Lear Gebel Sheikh Eredi

Edward Lear, 1812–1888

Gebel Sheikh Eredi

1867

Conrad Gessner Horses at Cottages Door

Print made by Conrad Gessner, 1764–1826

Horses at Cottages Door

1804, published 1806

Henry Swinburne Picturesque Landscape

Henry Swinburne, 1743–1803

Picturesque Landscape

undated

Thomas Shotter Boys Hotel de Sens, Paris

Print made by Thomas Shotter Boys, 1803–1874

Hotel de Sens, Paris

1830

Agostino Brunias The West India Washer-Women

Print made by Agostino Brunias, 1728–1796

The West India Washer-Women

1779

Agostino Brunias A Negroes Dance in the Island of Dominica

Print made by Agostino Brunias, 1728–1796

A Negroes Dance in the Island of Dominica

1779

George Cuitt Presented by the Officers

Print made by George Cuitt, 1779–1854

Presented by the Officers

after 1813

George Pyne The Kitchen of an Oxford College

George Pyne, 1800–1884

The Kitchen of an Oxford College

1858

Samuel Cousins The Countess of Blessington

Print made by Samuel Cousins, 1801–1887

The Countess of Blessington

1837

Samuel Cousins Master Henry Thomas Hope

Print made by Samuel Cousins, 1801–1887

Master Henry Thomas Hope

1836

James Sowerby A Dog (marked with measurements)

James Sowerby, 1756–1822

A Dog (marked with measurements)

undated

Jonathan Girtin Coastal Scene

Jonathan Girtin, ca.1780–aft.1820

Coastal Scene

undated

James Sowerby A Dove

James Sowerby, 1756–1822

A Dove

undated

James Sowerby A Bird

James Sowerby, 1756–1822

A Bird

undated

James Sowerby A Magpie in a Tree

James Sowerby, 1756–1822

A Magpie in a Tree

undated

Charles Hamilton Smith Views of Spain, Volume I

Charles Hamilton Smith, 1776–1859

Views of Spain, Volume I

undated

Charles Hamilton Smith Views of Polar Regions

Charles Hamilton Smith, 1776–1859

Views of Polar Regions

undated

John Glover On the River Wye with Wilton Castle Ruins on a Bend in the River

John Glover, 1767–1849

On the River Wye with Wilton Castle Ruins on a Bend in the River

after 1794

Richard Parkes Bonington Campos sur les bords du Rio das Velhas

Print made by Richard Parkes Bonington, 1802–1828

Campos sur les bords du Rio das Velhas

1827

Richard Parkes Bonington Lac de Killin

Print made by Richard Parkes Bonington, 1802–1828

Lac de Killin

1826

Richard Parkes Bonington Vue Generale de l'Eglise de l'Abbaye de Tournus

Print made by Richard Parkes Bonington, 1802–1828

Vue Generale de l'Eglise de l'Abbaye de Tournus

1825

Richard Cooper the Younger Landscape with Group of Trees

Print made by Richard Cooper the Younger, 1740–1814

Landscape with Group of Trees

1802, published 1806

Thomas Gainsborough Wooded Landscape with Herdsman and Cows

Print made by Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsman and Cows

1797

John Dixon Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

John Dixon, ca. 1740–1811

Henry Scott, Third Duke of Buccleugh and Fifth Duke of Queensberry

1771

Thomas Burke Content and Innocence

Print made by Thomas Burke, 1749–1815

Content and Innocence

1797

Thomas Burke Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

Print made by Thomas Burke, 1749–1815

Cupid and Cephisa: "Cephisa says, we ought to cut the Wings of Love..."

1789

John Hamilton Mortimer Lear, from King Lear, Act III, Scene ii

John Hamilton Mortimer, 1740–1779

Lear, from King Lear, Act III, Scene ii

1776

George Cruikshank A Scene in the New Farce - as Performed at the Royalty Theatre!

Print made by George Cruikshank, 1792–1878

A Scene in the New Farce - as Performed at the Royalty Theatre!

1821

James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

James Heath, 1757–1834

"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."

1802

James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

James Heath, 1757–1834

"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"

1802

James Heath "Hubert, let me not be bound!"

James Heath, 1757–1834

"Hubert, let me not be bound!"

1802

James Heath "Then go, bid the huntsmen wake them with their horns"

James Heath, 1757–1834

"Then go, bid the huntsmen wake them with their horns"

1802

James Heath "Mark your divorce young sir, whom son I dare not call"

James Heath, 1757–1834

"Mark your divorce young sir, whom son I dare not call"

1804