attributed to Joseph Mallord William Turner, 1775–1851
The Hurries: Coal Boats Loading, Whitehaven
ca. 1795
12
Print made by William Blake, 1757–1827
Pity
ca. 1795
13
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
14
John Webber, 1752–1793
Queen Charlotte's Sound, New Zealand
1790
15
unknown artist
A Forest Road
undated
16
William Ward, 1766–1826
Jack in the Bilboes
1790
17
John Beugo, 1759–1841
Adam Ferguson, L.L.D
1790
18
unknown artist
Oliver Plunket
1790
19
Luigi Schiavonetti, 1765–1810
The Mask
1790
20
Gangaram Chintaman Navgire Tambat, active 1790s
Elephant
undated
21
Gangaram Chintaman Navgire Tambat, active 1790s
An Ox
undated
22
Gangaram Chintaman Navgire Tambat, active 1790s
Praying Man
undated
23
James Wales, 1746 or 1747–1795
A Nautch or Dance
between 1790 and 1795
24
Frederick Calvert, ca. 1785–ca. 1845
Ryde, Isle of Wight
undated
25
Frederick Calvert, ca. 1785–ca. 1845
Culver Cliff, Sandown Bay, Isle of Wight
undated
26
Frederick Calvert, ca. 1785–ca. 1845
Carisbrook Castle, Isle of Wight
undated
27
Thomas Malton, 1726–1801
Principal Front of the Bank of England
1790
28
Thomas Malton, 1726–1801
Internal View of the Four per cent Reduced Annuity Office, at the Bank of England
1790
29
James Moore, 1762–1799
Unidentified Castle
undated
30
Print made by Francesco Bartolozzi, 1728–1815
Lord FitzGibbon
1790
31
Sir Richard Westmacott, 1775–1856
The Good Samaritan
undated
32
Attributed to William Alfred Delamotte, 1775–1863
Richmond Bridge
undated
33
Sir George Howland Beaumont seventh Baronet, 1753–1827
Tree
1790s
34
Thomas Hearne, 1744–1817
View of Bath from Spring Gardens
1790
35
Thomas Hearne, 1744–1817
Unloading Pit Props at Coalbrookdale
after 1790
36
Thomas Hearne, 1744–1817
The Cheesecake House, Hyde Park
ca. 1795
37
Dr. Thomas Monro, 1759–1833
Composition: Recollection of J.R. Cozen's of Nemi
between 1790 and 1820
38
Nicholas Pocock, 1740–1821
The Sailor's Departure
ca. 1795
39
John Augustus Atkinson, 1775–1831
The Poet
undated
40
John Augustus Atkinson, 1775–1831
Cavalrymen Passing Through a Stream, Being Mustered by a Trumpeter
undated
41
unknown artist
Gloucester Cathedral
ca. 1795
42
Francis David Soiron, Born 1764
St. James's Park
1790
43
John Flaxman, 1755–1826
Seventeen Sketches chiefly of Mrs. Siddons in the Roles of Titania or Constance (King John) and including a Sketch of Kemble as Hamlet and a Study of Puck
ca. 1795
44
Henry Phillip Hope, active 1799–1818
Femme Greque
undated
45
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
46
Charles Heathcote Tatham, 1772–1842
Design for a Monument to the Duke of Wellington
undated
47
Humphry Repton, 1752–1818
Sarsden House and Gardens, Oxfordshire: Bird's-eye View
ca. 1795
48
Charles Heathcote Tatham, 1772–1842
Design for a Bookcase
undated
49
John Thirtle, 1777–1839
Binham Priory
undated
50
Michael "Angelo" Rooker, 1746–1801
Abbot's Kitchen, Glastonbury
ca. 1795
51
Michael "Angelo" Rooker, 1746–1801
The Chapel of the Greyfriars Monastery, Winchester
between 1790 and 1795
52
Francis Nicholson, 1753–1844
London Bridge and The Monument
ca. 1795
53
Monro School
Fanali di Villa Franca
ca. 1795
54
Monro School
Near Sterzing, Tyrol
ca. 1795
55
Thomas Girtin, 1775–1802
Great Marlow Church, Buckinghamshire
ca. 1795
56
Thomas Girtin, 1775–1802
Rye, Sussex
ca. 1795
57
Thomas Girtin, 1775–1802
The Land Gate, Rye, Sussex
ca. 1795
58
Thomas Girtin, 1775–1802
Pevensey Castle, Sussex
ca. 1795
59
Thomas Girtin, 1775–1802
View of Winchelsea, Sussex
ca. 1795
60
Thomas Girtin, 1775–1802
Near Ramsgate, Kent
ca. 1795
61
Thomas Girtin, 1775–1802
Saltwood Castle, Kent
ca. 1795
62
Thomas Girtin, 1775–1802
St. Paul's Cathedral, from St. Martin's-le-Grand, London
ca. 1795
63
Thomas Girtin, 1775–1802
Layer Marney Hall, Essex
ca. 1795
64
Thomas Girtin, 1775–1802
Tolleshunt-Beckingham, Essex
ca. 1795
65
Thomas Girtin, 1775–1802
Carlisle Cathedral, Cumberland, from the South-west
ca. 1795
66
Thomas Girtin, 1775–1802
Writtle Church, Essex
ca. 1795
67
Thomas Girtin, 1775–1802
The Tithe Barn at Abbotsbury with the Abbey on the hill..
ca. 1795
68
Thomas Girtin, 1775–1802
Ruins of Savoy Palace
ca. 1795
69
attributed to Thomas Girtin, 1775–1802
In the Farnese Gardens, Rome
ca. 1795
70
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
71
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
72
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
74
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
75
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
76
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
77
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
78
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
79
Thomas Rowlandson, 1756–1827
Distress
1790 to 1795
80
Thomas Rowlandson, 1756–1827
Labourers at Rest
between 1790 and 1795
81
Thomas Rowlandson, 1756–1827
Female Dancer with a Tambourine
between 1790 and 1795
82
Thomas Rowlandson, 1756–1827
The Duchess of Devonshire and the Countess of Bessborough
1790
83
Thomas Rowlandson, 1756–1827
The Opera Singers
between 1790 and 1795
84
John Warwick Smith, 1749–1831
Ruins of Criccieth Castle and Part of the Town on the Bay on Cardigan. East View, Caernarfonshire