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Materials & Techniques wove paper

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1793

Remove constraint Date: 1793

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John Constable Flowers in a Pitcher
John Constable, 1776–1837
Flowers in a Pitcher
undated
Joseph Mallord William Turner Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
Joseph Mallord William Turner, 1775–1851
Clare Hall and King’s College Chapel, Cambridge, from the Banks of the River Cam
1793
Joseph Mallord William Turner Christ Church Gate, Canterbury
Joseph Mallord William Turner, 1775–1851
Christ Church Gate, Canterbury
1793 to 1794
William Blake America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
1793
William Blake America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 13, "Fiery the Angels Rose...."
1793
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake America. A Prophecy, Plate 14, "So Cried He...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 14, "So Cried He...."
1793
William Blake America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 15, "What Time the Thirteen Governors...."
1793
William Blake America. A Prophecy, Plate 16, "In the Flames Stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 16, "In the Flames Stood...."
1793
William Blake America. A Prophecy, Plate 17, "On Albions Angels...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 17, "On Albions Angels...."
1793
William Blake America. A Prophecy, Plate 18, "Over the Hills...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 18, "Over the Hills...."
1793
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 2, Title Page
1793
William Blake America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 11, "Sound! Sound! My Loud War-Trumpets...."
1793
William Blake America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 3, "Preludium | The shadowy daughter...."
1793
William Blake America. A Prophecy, Plate 4, "Silent as despairing love...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 4, "Silent as despairing love...."
1793
William Blake America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 5, "A | Prophecy | The Guardian Prince of Albion...."
1793
William Blake For Children. The Gates of Paradise, Title Page; Plate 2
Print made by William Blake, 1757–1827
For Children. The Gates of Paradise, Title Page; Plate 2
1793
William Blake I Found Him Beneath a Tree; Plate 3
Print made by William Blake, 1757–1827
I Found Him Beneath a Tree; Plate 3
1793
William Blake Air; Plate 6
Print made by William Blake, 1757–1827
Air; Plate 6
1793
William Blake Fire; Plate 7
Print made by William Blake, 1757–1827
Fire; Plate 7
1793
William Blake At Length for Hatching Ripe He Breaks the Shell; Plate 8
Print made by William Blake, 1757–1827
At Length for Hatching Ripe He Breaks the Shell; Plate 8
1793
William Blake Alas!; Plate 9
Print made by William Blake, 1757–1827
Alas!; Plate 9
1793
William Blake I Want! I Want!; Plate 11
Print made by William Blake, 1757–1827
I Want! I Want!; Plate 11
1793
William Blake My Son! My Son!; Plate 10
Print made by William Blake, 1757–1827
My Son! My Son!; Plate 10
1793
William Blake Help! Help!; Plate 12
Print made by William Blake, 1757–1827
Help! Help!; Plate 12
1793
William Blake Does Thy God O Priest Take such Vengeance as This?; Plate 14
Print made by William Blake, 1757–1827
Does Thy God O Priest Take such Vengeance as This?; Plate 14
1793
William Blake Fear & Hope Are -- Vision; Plate 15
Print made by William Blake, 1757–1827
Fear & Hope Are -- Vision; Plate 15
1793
William Blake I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Print made by William Blake, 1757–1827
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
1793
William Blake What is Man!, Frontispiece; Plate 1
Print made by William Blake, 1757–1827
What is Man!, Frontispiece; Plate 1
1793
William Blake Water; Plate 4
Print made by William Blake, 1757–1827
Water; Plate 4
1793
William Blake Earth; Plate 5
Print made by William Blake, 1757–1827
Earth; Plate 5
1793
William Blake Aged Ignorance; Plate 13
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
William Blake The Traveller Hasteth in the Evening; Plate 16
Print made by William Blake, 1757–1827
The Traveller Hasteth in the Evening; Plate 16
1793
William Blake Death's Door; Plate 17
Print made by William Blake, 1757–1827
Death's Door; Plate 17
1793
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake America. A Prophecy, Plate 7, "Albions Angel stood...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 7, "Albions Angel stood...."
1793
William Blake America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 9, "In Thunders Ends the Voice...."
1793
William Blake America. A Prophecy, Plate 8, "The Morning Comes...."
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 8, "The Morning Comes...."
1793
Capt. Thomas Hastings Sketch of Cliff and Hills near the Shore
Capt. Thomas Hastings, 1778–1854
Sketch of Cliff and Hills near the Shore
undated
Capt. Thomas Hastings Statue of Cain and Abel in the Forest near Leytonstone
Capt. Thomas Hastings, 1778–1854
Statue of Cain and Abel in the Forest near Leytonstone
undated
John Christian Schetky Boat Sailing to the Right with Mountains in the Background
John Christian Schetky, 1778–1874
Boat Sailing to the Right with Mountains in the Background
undated
John Varley View of York
John Varley, 1778–1842
View of York
undated
John Varley Trees Overhanging a River
John Varley, 1778–1842
Trees Overhanging a River
undated
John Varley River Landscape with Figures
John Varley, 1778–1842
River Landscape with Figures
undated
John Varley Norwich
John Varley, 1778–1842
Norwich
undated
John Varley Farm House with a Well
John Varley, 1778–1842
Farm House with a Well
undated
Joseph Clarendon Smith Tintern Abbey
Joseph Clarendon Smith, 1778–1810
Tintern Abbey
undated
John Varley Landscape Composition, Dolbadern
pupil of John Varley, 1778–1842
Landscape Composition, Dolbadern
undated
John Varley Romatic Landscape with a Castle and a Tree on the Right
John Varley, 1778–1842
Romatic Landscape with a Castle and a Tree on the Right
undated
John Varley Romantic Landscape with Cliffs and a Castle
John Varley, 1778–1842
Romantic Landscape with Cliffs and a Castle
undated
John Varley View on the Thames at Battersea
pupil of John Varley, 1778–1842
View on the Thames at Battersea
undated
James Ward Mother and Infant
James Ward, 1769–1859
Mother and Infant
ca. 1798
Thomas Hand Wooded Landscape with Figures Round a Cooking Pot
Thomas Hand, died 1804
Wooded Landscape with Figures Round a Cooking Pot
1793
George Harley Landscape with a Boatshed
Attributed to George Harley, 1791–1871
Landscape with a Boatshed
undated
Richard Banks Harraden Clare College, Cambridge
Richard Banks Harraden, 1778–1862
Clare College, Cambridge
undated
Richard Banks Harraden Milton's Mulberry Tree, Christ's College Gardens, Cambridge
Richard Banks Harraden, 1778–1862
Milton's Mulberry Tree, Christ's College Gardens, Cambridge
undated
Richard Banks Harraden Trinity Hall from the Garden, Cambridge
Richard Banks Harraden, 1778–1862
Trinity Hall from the Garden, Cambridge
undated
Samuel Howitt A Park Landscape with Shepherd and Sheep
Samuel Howitt, 1756–1822
A Park Landscape with Shepherd and Sheep
1793
John Varley A Romantic Landscape
John Varley, 1778–1842
A Romantic Landscape
undated
John Varley Two Donkeys in a Landscape
John Varley, 1778–1842
Two Donkeys in a Landscape
undated
John Varley River Landscape with Two Figures, Lake and Distant Mountains
John Varley, 1778–1842
River Landscape with Two Figures, Lake and Distant Mountains
undated
John Varley River, Trees and Distant Town
John Varley, 1778–1842
River, Trees and Distant Town
undated
George Morland Two Men on a Country Road
George Morland, 1763–1804
Two Men on a Country Road
1793
John Jackson Frederick Howard, fifth Earl of Carlisle
John Jackson, 1778–1831
Frederick Howard, fifth Earl of Carlisle
undated
John Varley Romantic Composition
John Varley, 1778–1842
Romantic Composition
undated
John Varley Merida, Spain
John Varley, 1778–1842
Merida, Spain
undated
John Varley Bamburgh Castle, Northumberland
John Varley, 1778–1842
Bamburgh Castle, Northumberland
undated
John Varley River Landscape
imitator of John Varley, 1778–1842
River Landscape
undated
John Varley Barnard Castle, County Durham
John Varley, 1778–1842
Barnard Castle, County Durham
undated
John Varley Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
pupil of John Varley, 1778–1842
Mountainous Landscape, with River Flowing to Bridge in Distance, a Figure Right
undated
John Varley A Village Street
pupil of John Varley, 1778–1842
A Village Street
undated
John Varley London from the Thames
John Varley, 1778–1842
London from the Thames
undated
John Varley Landscape by Moonlight
imitator of John Varley, 1778–1842
Landscape by Moonlight
undated
John Varley Cattle Watering at Sunset
John Varley, 1778–1842
Cattle Watering at Sunset
undated
John Varley The Fisherman
John Varley, 1778–1842
The Fisherman
undated
John Singleton Copley Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
John Singleton Copley, 1738–1815
Study for Captain William George Fairfax for the Painting "The Victory of Lord Duncan"
ca. 1798
John Varley Architectural Drawing of a Building with Astrological Symbols
John Varley, 1778–1842
Architectural Drawing of a Building with Astrological Symbols
undated
George Morland Landscape with Cottage and Figures on Horseback
George Morland, 1763–1804
Landscape with Cottage and Figures on Horseback
1793
John Varley Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
pupil of John Varley, 1778–1842
Landscape in Wales with Mountains, Lake, Castle and Two Figures in the Foreground
undated
John Varley On the Thames
pupil of John Varley, 1778–1842
On the Thames
undated
John Varley Seashore with Two Figures and a Distant Town
John Varley, 1778–1842
Seashore with Two Figures and a Distant Town
undated
James Pattison Cockburn Dismounted Cavalry
James Pattison Cockburn, 1779–1847
Dismounted Cavalry
undated
Edward Harding Christopher Sharp, Cambridge
Edward Harding, 1755–1840
Christopher Sharp, Cambridge
1793
François-Séraphin Delpech Louis XV
Print made by François-Séraphin Delpech, 1778–1825
Louis XV
undated
Thomas Girtin Figure Costume Study: French Lady of Quality in 1501
Thomas Girtin, 1775–1802
Figure Costume Study: French Lady of Quality in 1501
between 1793 and 1795
James Pattison Cockburn Cavalry Exercising
James Pattison Cockburn, 1779–1847
Cavalry Exercising
undated
Joseph Farington View of the Convent of the Clarisses at Valenciennes after the Seige
Joseph Farington, 1747–1821
View of the Convent of the Clarisses at Valenciennes after the Seige
1793
Edward Edwards Barn Elmes
Edward Edwards, 1738–1806
Barn Elmes
1793
Joseph Farington View of St. Nicholas Church at Valenciennes after the Siege
Joseph Farington, 1747–1821
View of St. Nicholas Church at Valenciennes after the Siege
1793
unknown artist A Barge on the Thames near Fulton
unknown artist
A Barge on the Thames near Fulton
undated
Henry Fuseli The Peasant's Dream, Paradise Lost, Book 1, 781-8
Henry Fuseli, 1741–1825
The Peasant's Dream, Paradise Lost, Book 1, 781-8
1793 to 1800
John Carter North Side, Painted Chamber
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
John Carter Door on South Side of Painted Chamber
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799