Conflagration of the City of Bristol, Taken from the Centre of Somerset Street - (Below) A View of the Gloucester Gaol.
1831
9
Print made by David Lucas, 1802–1881
Summer Morning
1831
10
Thomas Shotter Boys, 1803–1874
Notre Dame, Paris
between 1831 and 1845
11
Thomas Shotter Boys, 1803–1874
Versailles
between 1831 and 1837
12
Print made by David Lucas, 1802–1881
Opening of Waterloo Bridge
1831
13
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
14
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
15
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
16
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
17
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You Leap" '
between 1831 and 1832
18
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
19
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Notion is We Shall Get Him up Pretty Shortly What is Your Notion? I've Worked so Hard that I Hav'nt a Notion in Me'
between 1831 and 1832
20
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
21
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
22
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
23
Henry Thomas Alken, 1785–1851
"Sporting Notions:" 'Hav'nt You a Notion That Tthis is the Best Mode of Monveyance Over a brook? and I Think by the Look of the Fellow he Never Had Any Thing so Neat in His Thing-a-My Before'
between 1831 and 1832
24
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
25
Frederick James Havell, 1801–1840
Lincoln from the Castle
ca. 1836
26
Print made by William Miller, 1796–1882
Windsor Castle, Berkshire
1831
27
Henry Heath, active 1824–1835
Ominum Gatherum, Second Series, No. 5
1831
28
Thomas Shotter Boys, 1803–1874
On the Seine
1831
29
Print made by Augustus Welby Northmore Pugin, 1812–1852
Grecian Frieze Ornament
1831
30
Print made by Robert Wallis, 1794–1878
Ludlow Castle, Shropshire
1831
31
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
32
Print made by Robert Brandard, 1805–1862
Gosport, Entrance to Portsmouth Harbour
1831
33
Print made by William Radclyffe, 1780–1855
Eton College, Berkshire
1831
34
Print made by William Miller, 1796–1882
Windsor Castle, Berkshire
1831
35
Print made by W. R. Smith, active 1819–1851
Tynemouth, Northumberland
1831
36
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
1831
37
Print made by Thomas Jeavons, ca. 1800–1867
Pembroke Castle, Wales
1831
38
Print made by William Miller, 1796–1882
The Tower of London
1831
39
Print made by William Miller, 1796–1882
Marly
1831
40
Capt. Thomas Hastings, 1778–1854
Near Millfield, East Cowes, Isle of Wight
1831
41
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1831
42
John Buckler FSA, 1770–1851
North East View of Crest Park, Bedfordshire
1831
43
John Buckler FSA, 1770–1851
South East View of Crest Park, Bedfordshire
1831
44
Print made by Philip Audinet, 1766–1837
James Northcote
1831
45
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
46
Print made by Robert Wallis, 1794–1878
St. Germain-en-Laye
1831
47
Print made by Thomas Anthony Dean, 1801–1860
Portrait of Lawrence When a Boy
1831
48
John Varley, 1778–1842
London from the South West
1831
49
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
50
Print made by John Horsburgh, 1791–1869
Folkestone Harbour and Coast to Dover
1831
51
Print made by William Miller, 1796–1882
The Tower of London
1831
52
Print made by William Miller, 1796–1882
The Tower of London
1831
53
Print made by Edward Goodall, 1795–1870
Florence, from the Chiesa al Monte
1831
54
Print made by Edward Goodall, 1795–1870
Florence, from the Chiesa al Monte
1831
55
Print made by David Lucas, 1802–1881
Summer Evening
1831
56
Print made by William Miller, 1796–1882
Marly
1831
57
David Hall McKewan, 1816–1875
Mountain Rocks
undated
58
David Hall McKewan, 1816–1875
Landscape with Stream and Haymakers
undated
59
Richard Henry Nibbs, 1816–1893
Greenwich Hospital
undated
60
Richard Henry Nibbs, 1816–1893
Hay and Log Barges on the Conway
undated
61
Edward Matthew Ward, 1816–1879
Portrait of a Young Man
undated
62
Thomas Shotter Boys, 1803–1874
The Pont des Arts, Paris
between 1831 and 1837
63
Alfred Edward Chalon, 1780–1860
A Dancer
ca. 1836
64
John Chessell Buckler, 1793–1894
Costessy Hall, Norfolk
1831
65
Print made by Thomas Allom, 1804–1872
The Ceremony of Opening London Bridge, August 1, 1831
undated
66
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
67
Print made by Robert Wallis, 1794–1878
Coteaux de Mauves
1831
68
Print made by Richard Dagley, ca. 1765–1841
Paul Sandby
1831
69
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster