Tiger Skeleton, Lateral View (Finished Study for Table IV)
between 1795 and 1806
4
George Stubbs, 1724–1806
Tiger Skeleton, Lateral View
1795 to 1806
5
George Stubbs, 1724–1806
Tiger Body, Lateral View (Study of the muscles for the key figure to Table IX)
1795 to 1806
6
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
7
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
8
George Stubbs, 1724–1806
Tiger Body, Lateral View
1795 to 1806
9
George Stubbs, 1724–1806
Tiger Body, Lateral View (Probably made as the basis for a key figure)
1795 to 1806
10
George Stubbs, 1724–1806
Tiger Body, Lateral View (Outline study of the surface muscles and their blood supply, probably made for a key figure)
1795 to 1806
11
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
12
Print made by William Blake, 1757–1827
Night the First. On Life, Death, and Immortality; Title Page
ca. 1797
13
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
ca. 1797
14
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
ca. 1797
15
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
ca. 1797
16
Print made by William Blake, 1757–1827
'The vale of death! that hush'd cimmerian vale' (Page 54)
ca. 1797
17
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
ca. 1797
18
Print made by William Blake, 1757–1827
'And vapid; sense and reason shew the door' (Page 72)
ca. 1797
19
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
ca. 1797
20
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
ca. 1797
21
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
ca. 1797
22
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
ca. 1797
23
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
ca. 1797
24
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
ca. 1797
25
Print made by William Blake, 1757–1827
Night the Second. On Time, Death, and Friendship; Title Page (Page 17)
1797
26
Print made by William Blake, 1757–1827
'Time, in advance, behind him hides his wings' (Page 24)
1797
27
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
28
Print made by William Blake, 1757–1827
'Swift on his downy pinion flies from woe' (Page 1)
1797
29
Print made by William Blake, 1757–1827
'Ungrateful, shall we grieve their hovering shades' (Page 55)
1797
30
Print made by William Blake, 1757–1827
'What, though my soul fantastick measures trod' (Page 4)
1797
31
Print made by William Blake, 1757–1827
The Christian Triumph; Title Page
1797
32
Print made by William Blake, 1757–1827
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)
1797
33
Print made by William Blake, 1757–1827
'The Sun beheld it – No, the shocking scene' (Page 75)
1797
34
Print made by William Blake, 1757–1827
'Is lost in love! thou great Philanthropist' (Page 87)
1797
35
Print made by William Blake, 1757–1827
'That touch, with charm celestial heals the soul' (Page 90)
1797
36
Print made by William Blake, 1757–1827
'When faith is virtue, reason makes it so' (Page 92)
1797
37
Print made by William Blake, 1757–1827
'If angels tremble, 'tis at such a sight' (Page 93)
1797
38
Print made by William Blake, 1757–1827
'The goddess bursts in thunder and in flame' (Page 95)
1797
39
Print made by William Blake, 1757–1827
'Its favours here are trials, not rewards' (Page 12)
1797
40
Print made by William Blake, 1757–1827
'But for the blessing wrestle not with heaven' (Page 88)
1797
41
Print made by William Blake, 1757–1827
'We censure nature for a span too short' (Page 23)
ca. 1797
42
Print made by William Blake, 1757–1827
'Behold him, when past by; what then is seen' (Page 25)
ca. 1797
43
Edward Lear, 1812–1888
Siracusa, 12. June 1847
1847
44
James Duffield Harding, 1798–1863
View of the Clifton Suspension Bridge
undated
45
Print made by William Bromley, 1769–1842
Portrait of Fuseli
undated
46
Leon J. B. Sabatier, active 1827–m.1887
Liverpool
1840
47
James Clark, 19th century
View of HRH the Princess Elizabeth's Cottage at Old Windsor with a View of the Moss House Below
1812
48
Francis David Soiron, Born 1764
The Promenade in St. Jame's Park
1793
49
Robert Pollard, 1755–1838
Interior of St. Paul's on the Day of Solemn Thanksgiving for the Recovery of His Majesty
1790
50
John Varley, 1778–1842
Harlech Castle and Twgwyn Ferry
1804
51
follower of John Varley, 1778–1842
Saint Peter's Church, Hereford, from Butcher's Row
1802
52
Godefroy Engelmann, 1788–1839
Aloys Senefelder
1819
53
Thomas Major, 1714–1799
South East View of tLand-Guard Fort, in Suffolk
1754
54
Print made by Samuel Freeman, 1773–1857
Iris
1808
55
Charles Grignion, 1717–1810
A View from Richmond Hill Up the River
1794
56
Henry Papprill, 1816–d.after 1883
Her Majesty's Steam Frigate Cyclops, off Spithead, Under Admiralty Orders
1857
57
Thomas Malton the Younger, 1748–1804
Kings College Chapel, The Public Library, and East End of the Senate House, in the University of Cambridge
1798
58
Thomas Malton the Younger, 1748–1804
The South Front of the Senate House, and West End of St Mary's Church in the University of Cambridge
1799
59
John Hamilton Mortimer, 1740–1779
Lear, from King Lear, Act III, Scene ii
1776
60
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
61
Print made by Edward Goodall, 1795–1870
Oxford from North Hinksey
1841
62
Print made by Robert Brandard, 1805–1862
Crossing the Brook
1838
63
Print made by Edward Goodall, 1795–1870
Caligula's Palace and Bridge, Bay of Baiæ
1842
64
Thomas Trotter, ca. 1750–1803
Lord Morpeth
1787
65
William Say, 1768–1834
The Right Honourable Henry Herbert, Lord Porchester, 2nd Earl of Carnarvon
1811
66
Samuel William Reynolds, 1773–1835
Sir Watkin Williams-Wynn, 4th Baronet Wynn
1804
67
Daniel Lysons, 1762–1834
Memorials to Mrs. Mary Staunton, John Silvester, Mrs. Frances Whiterly and Mrs. Rebecca Lone from Bedfont Church
between 1796 and 1811
68
Daniel Lysons, 1762–1834
The Environs of London: Brass plate for Unidentified Infant from East Ham Church
between 1796 and 1811
69
Benjamin Robert Haydon, 1786–1846
Study of a Man in a Long Robe
undated
70
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
71
John Hassell, 1767–1825
View of Sion House from the Banks of the Thames
1799
72
Daniel Havell, 1785–1826
A View of the Bank of England
1816
73
Lionel Grimston Fawkes, 1849–1931
Windward Islands, Barbados: The Pavilion, Queen's House, showing the verandah of the Artist's bedroom (the upper windows) and the covered way to the left leading to Queen's House, July 28, 1881
1881
74
Niccoló Schiavonetti, 1771–1813
Rustic Benevolence
1804
75
Lionel Edwards, 1878–1966
The Lodge Gate
1922
76
James Pollard, 1792–1867
The North Country Mails at The Peacock Inn, Islington
1815
77
James Peller Malcolm, 1767–1815
The Middle Temple Hall, London
1800
78
J. Wellis, active 1799
To the officers and Corps of the Newport Volunteers this View of the Town with Volunteers on their March to be Reviewed by the Right Honble General Sir Wm. Pitt, K.B. on the 29th July 1798, is with Respect Inscribed
1799
79
Print made by Francesco Bartolozzi, 1728–1815
Juvenis auscultans seni de divinis admonenti
1764
80
Thomas Picken, 1815–1870
The Great Britain Iron Steam Ship
1846
81
Isaac Johnson, 1754–1835
Survey of Tunstall Marshes
1753
82
Frederick Christian Lewis the Elder, 1779–1856
James Northcote
1824
83
Print made by William Daniell, 1769–1837
William Hodges, R.A
1810
84
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London