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Credit Line Yale Center for British Art, Paul Mellon Collection

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Samuel Palmer The Sleeping Shepherd
Print made by Samuel Palmer, 1805–1881
The Sleeping Shepherd
1857
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
William Blake The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 11, "Two nostrils bent down to the deep . . . ." (Bentley 13)
1794
William Blake The First Book of Urizen, Plate 18 (Bentley 21)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 18 (Bentley 21)
1794
William Blake The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
William Blake The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
William Blake The First Book of Urizen, Plate 5 (Bentley 12)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 5 (Bentley 12)
1794
William Blake The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
William Blake The First Book of Urizen, Plate 12 (Bentley 22)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12 (Bentley 22)
1794
William Blake The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
1794
William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."
Print made by William Blake, 1757–1827
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
1794
William Blake The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 13, "Chap: IV | 1 Ages on Ages Roll'd over Him...." (Bentley 10)
1794
William Blake The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)
1794
William Blake The First Book of Urizen, Plate 25 (Bentley 26)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 25 (Bentley 26)
1794
William Blake The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
1794
William Blake The First Book of Urizen, Plate 21 (Bentley 16)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 21 (Bentley 16)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 23 (Bentley 9)
1794
William Blake The First Book of Urizen, Plate 3 (Bentley 22)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 3 (Bentley 22)
1794
William Blake The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 12, "Los Smitten with Astonishment...." (Bentley 8)
1794
William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
1794
William Blake The First Book of Urizen, Plate 7 (Bentley 12)
Print made by William Blake, 1757–1827
The First Book of Urizen, Plate 7 (Bentley 12)
1794
Sir Robert Smirke the younger Porch to a Private House in Padua
Sir Robert Smirke the younger, 1781–1867
Porch to a Private House in Padua
1802-1804
Henry Swinburne Lectoure, France
Henry Swinburne, 1743–1803
Lectoure, France
undated
Henry Swinburne Armoured Figure
Henry Swinburne, 1743–1803
Armoured Figure
undated
Samuel Freeman Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
Print made by Samuel Freeman, 1773–1857
Robert Cleveley, Esqr. Marine Painter to his R. H., The Prince of Wales and Marine Draftsman to his R. H. The Duke of Clarence
1810
William Callow Stone Bridge; Wooden Footbridge (two drawings)
William Callow, 1812–1908
Stone Bridge; Wooden Footbridge (two drawings)
undated
James Ward Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
James Ward, 1769–1859
Study for the Oil Painting "The Children of Theophilus Levitt, Esquire."
1820 to 1830
Lt. Humphrey John Julian Hong Kong Harbor
Lt. Humphrey John Julian, active 1842–1849
Hong Kong Harbor
1843
Edward Goodall Datur Hora Quieti
Print made by Edward Goodall, 1795–1870
Datur Hora Quieti
1834
James Roberts Officer with Cockade and Sword
James Roberts, active 1766–1809
Officer with Cockade and Sword
undated
William Tombleson Herstmonceux Castle, Sussex
William Tombleson, ca.1795–1835
Herstmonceux Castle, Sussex
undated
unknown artist Angel of Peace
unknown artist
Angel of Peace
between 1839 and 1866
Sir John Everett Millais Study of a Youth
Sir John Everett Millais, 1829–1896
Study of a Youth
undated
William Mulready The Fight Interrupted
William Mulready, 1786–1863
The Fight Interrupted
undated
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845
Falstaff Instructing Bardolph
1825
Robert Smirke Falstaff Dragging the Body of Hotspur
Robert Smirke, 1752–1845
Falstaff Dragging the Body of Hotspur
1825
William Finden A Vintage
William Finden, 1787–1852
A Vintage
1834
Edward Francis Finden Aurelian Walls, Pyramid of Cestius
Print made by Edward Francis Finden, 1791–1857
Aurelian Walls, Pyramid of Cestius
1832-1834
James C. Allen Lowestoffe Lighthouse
Print made by James C. Allen, active 1821–1831
Lowestoffe Lighthouse
ca. 1830
Edward Goodall The Campagna of Rome
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
Charles John Smith Herstmonceux Castle for the history and description of the Sussex Coast
Charles John Smith, 1803–1838
Herstmonceux Castle for the history and description of the Sussex Coast
undated
George Edmund Street Design for Polychromatic Decoration of a Church
George Edmund Street, 1824–1881
Design for Polychromatic Decoration of a Church
undated
Samuel Prout Mechanical Grinder with Figures
Samuel Prout, 1783–1852
Mechanical Grinder with Figures
undated
unknown artist Interior of Stone Building
unknown artist
Interior of Stone Building
undated
Julius Caesar Ibbetson Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
Julius Caesar Ibbetson, 1759–1817
Portrait of a Lady, called Bella Ibbetson, the Artist's Second Wife
undated
John Jackson Frederick Howard, fifth Earl of Carlisle
John Jackson, 1778–1831
Frederick Howard, fifth Earl of Carlisle
undated
Robert Wallis Rome, Castle of St. Angelo
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo
1830
Edward Goodall The Landing of Columbus
Print made by Edward Goodall, 1795–1870
The Landing of Columbus
1834
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
Edward Goodall The Landing of Columbus
Print made by Edward Goodall, 1795–1870
The Landing of Columbus
1834
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
George Edmund Street Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
George Edmund Street, 1824–1881
Designs executed for Jones and Willis, metal and wood-workers and church furniture manufacturers of Birmingham and London
undated
Robert Smirke Lysander Awakening to See Helena
Robert Smirke, 1752–1845
Lysander Awakening to See Helena
1825
William Henry Hunt Study of a Young Girl, with Ringlets, in a Black Evening Dress
William Henry Hunt, 1790–1864
Study of a Young Girl, with Ringlets, in a Black Evening Dress
ca. 1830
William Henry Hunt Girl in a Red Belt
William Henry Hunt, 1790–1864
Girl in a Red Belt
ca. 1830
John Warwick Smith The Hermitage at Frascati
John Warwick Smith, 1749–1831
The Hermitage at Frascati
undated
Richard Westall Greatheart's Battle with Grim
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
George Walker Man Haranguing a Gatepost
George Walker, active 1792–died 1795
Man Haranguing a Gatepost
undated
Sir David Wilkie Head of Girl Standing in the Center
Sir David Wilkie, 1785–1841
Head of Girl Standing in the Center
1806
Sir John Everett Millais A Woman Bowed in Grief
Sir John Everett Millais, 1829–1896
A Woman Bowed in Grief
ca. 1857
Sir John Everett Millais Stained Glass Study, An Otter and Two Fish
Sir John Everett Millais, 1829–1896
Stained Glass Study, An Otter and Two Fish
undated
William Miller Venice, The Rialto - Moonlight
Print made by William Miller, 1796–1882
Venice, The Rialto - Moonlight
1834
William Miller Loch Lomond
Print made by William Miller, 1796–1882
Loch Lomond
1834
Augustus Welby Northmore Pugin Window West End, South Aisle, Saint Vincent
Augustus Welby Northmore Pugin, 1812–1852
Window West End, South Aisle, Saint Vincent
undated
Augustus Welby Northmore Pugin Interior of a Gothic Church
Augustus Welby Northmore Pugin, 1812–1852
Interior of a Gothic Church
undated
James C. Allen Lowestoffe Lighthouse (vignette)
Print made by James C. Allen, active 1821–1831
Lowestoffe Lighthouse (vignette)
ca. 1830
James C. Allen Harborough Sands (vignette)
Print made by James C. Allen, active 1821–1831
Harborough Sands (vignette)
ca. 1830
Edward Goodall The Campagna of Rome
Print made by Edward Goodall, 1795–1870
The Campagna of Rome
1830
Robert Mabon Indian Guard Room
Robert Mabon, died 1798
Indian Guard Room
undated
James C. Allen Harborough Sands (vignette)
Print made by James C. Allen, active 1821–1831
Harborough Sands (vignette)
ca. 1830
James C. Allen Lowestoffe Lighthouse (vignette)
Print made by James C. Allen, active 1821–1831
Lowestoffe Lighthouse (vignette)
ca. 1830
Robert Wallis Rome, Castle of St. Angelo (vignette)
Print made by Robert Wallis, 1794–1878
Rome, Castle of St. Angelo (vignette)
1830
Edward Goodall Florence (vignette)
Print made by Edward Goodall, 1795–1870
Florence (vignette)
1830
James T. Willmore The Sea The Sea (vignette)
Print made by James T. Willmore, 1800–1863
The Sea The Sea (vignette)
1836
James T. Willmore The Sea The Sea (vignette)
Print made by James T. Willmore, 1800–1863
The Sea The Sea (vignette)
1836
John Leech Caricature of the County Lancashire
John Leech, 1817–1864
Caricature of the County Lancashire
undated
Edward Goodall Datur Hora Quieti
Print made by Edward Goodall, 1795–1870
Datur Hora Quieti
1833
Samuel Freeman Sir Robert Ker Porter
Print made by Samuel Freeman, 1773–1857
Sir Robert Ker Porter
undated
George H. Every Sir Joshua Reynolds
George H. Every, 1837–1910
Sir Joshua Reynolds
1866
George H. Every Sir Joshua Reynolds
George H. Every, 1837–1910
Sir Joshua Reynolds
1866
Charles Grignion Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Charles Grignion, 1717–1810
Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
undated
Henry Griffiths Martin Archer Shee
Henry Griffiths, 1835–1849
Martin Archer Shee
1846
Edward Francis Finden St. Sophia, Constantinople
Print made by Edward Francis Finden, 1791–1857
St. Sophia, Constantinople
1833
John Chalon Study
Print made by John Chalon, 1738 – 1795
Study
1789-1790